Our Great Recession & “The Company Men”

Works of art must struggle to be able to say something about major historical events close in time to the events. While the events are occurring, we lack perspective, so movies often fail to give us much insight into our own time periods.

Company Men

For example, although the United States was involved in escalations in Viet Nam since at least the early 1960s, the first great Viet Nam War movie was 1978’s The Deer Hunter (and to some extent Coming Home from the same year), which came out about three years after the fall of Saigon. Apocalypse Now (1979) came out a year later, but most other excellent movies about the period came another decade later: Platoon (1986), Full Metal Jacket (1987), Hamburger Hill (1987), and Born on the Fourth of July (1989). One of the few movies we remember that was released during the war was The Green Berets (1968), a movie that has a much different perspective than the later movies.

Similarly, we have not yet seen great movies about the events of September 11, 2001. There are capable movies, like World Trade Center (2006) and United 93 (2006), but those movies do not give us much new perspective on the events. My favorite movie about 9/11 is not really about 9/11. Spike Lee’s beautiful 25th Hour (2002) is about a man in his last day before he has to report to prison. But the film is set in New York not long after the 9/11 attacks and does an outstanding job of showing indirectly what New York was like in the immediate aftermath of the attacks.

A few movies have had some success showing their own time period. Best Years of Our Lives (1946), while not above criticism, does seem to fairly reflect the lives of American men and their families when the men returned after World War II. I Am a Fugitive From a Chain Gang (1932) shows the terror and suffering of the Depression while that economic crisis was still ongoing. But such movies are an exception.

The Company Men (2010), like 2009’s Up in the Air, attempts to show America during the current recession. The film’s perspective is through the eyes of three men struggling after their corporate employer lays them off in massive downsizing. The movie features some excellent actors, including Tommy Lee Jones, Ben Affleck, Chris Cooper, and Kevin Costner — who has a small role but almost steals the movie in every scene where he appears. The movie shows how the layoffs impact the men because, like many of us in the modern world, their identities are connected to their jobs. So, they struggle to find meaning in their unemployed states, while also struggling to deal with bills and family relationships.

One may criticize the movie for focusing on high-level corporate workers instead of the many working class women and men who have lost their jobs in the last several years. The movie wants us to feel sorry for Ben Affleck’s character because he has to sell his Porsche after getting laid off, making us wonder if the film-makers are that disconnected to the suffering of most people during this recession. But the Porsche-selling serves a purpose in showing how the character tries to hold onto the various status trappings even as the rest of his world falls apart. Also, I suspect that part of the reason for focusing on corporate workers was to show them directly interacting with the corporate owners who are making the decisions. But there is something too simplistic about the movie to focus on the bosses being evil caricatures, while the other main characters have somewhat predictable story arcs.

Still, the drama is entertaining, and one must give the movie credit for attempting to show some of the human costs of the Great Recession. Although movies about current historical events often fail, we need help in processing the meanings behind those events. While relative failures like The Company Men, The Green Berets, and United 93 are not going to be remembered as great movies about their respective time periods, I am glad these movies were made and that I saw them. In many ways, they make way for the great movies to come by testing the waters and raising the questions that will be addressed later.

A great movie has yet to be made about the Iraq and Afghanistan Wars, but there have been many more attempts on those subjects than has been made about the Great Recession. And each movie about the wars start to tell us a little more about those events and about ourselves. And because those wars have been around longer than the current recession, there are some good movies on that topic, such as The Hurt Locker (2009) and In the Valley of Elah (2007). So keep trying Hollywood. You will get it.

Conclusion? The Company Men is an entertaining movie. Although it is not a great movie and is somewhat predictable, the high quality acting and realistic story about current events is worthwhile viewing.


What do you think of these movies? Leave a comment?

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    A Pop Culture Tribute to the End of the Terror Color Levels

    Terror Threat Colors
    Starting last Thursday, the U.S. Homeland Security Department began phasing out the color-coded terror-threat system that was created after September 11, 2001. The system will end completely by April 26, 2011. The national level has been at yellow (elevated) since 2006, with air flights being at orange (high risk).

    Hopefully, in the future, anyone born after today will not know anything about this system. For posterity, here is a popular culture explanation of the meaning behind all of the colors:

    * Red: severe risk: When we are at this level, it is like the days when we thought the communists were taking over and were going to attack. Panic time. (The movie Reds, starring Warren Beatty.)

    * Orange: high risk: This level is like being locked in prison. You cannot go anywhere.  (“Orange Blossom Special” at San Quentin, by Johnny Cash.)

    * Yellow: Elevated – significant risk: When you are at this level, it is a little bit better than being in prison, as you may leave your room, but you still cannot go out. It is like being in a submarine.  (“Yellow Submarine” by the Beatles.)

    * Blue: Guarded – general risk: It’s better than the options above, but you’re still a little sad.  (“Blue” by the Jayhawks.)

    * Low (green): low risk: This is a happy level, like living with puppets. But it’s not easy to get this green level.  (“It’s Not Easy Being Green,” by Kermit the Frog.)

    In all seriousness, I recommend the movie and the songs above. But if you only watch one, check out “Blue” by the Jayhawks. It is a great song with an introduction by a very young Jon Stewart.

    Here’s to hoping we never hear anything more about terror levels again.

    Will you miss the terror colors? Leave a comment.

    The Leopold & Loeb Trial and Alfred Hitchcock

    On January 28, 1936, Richard Loeb was killed in prison. Loeb was half of the infamous murdering pair Leopold & Loeb.  The two men and their crime inspired both the Alfred Hitchcock movie Rope (1948) and a later film, Compulsion (1956).

    In 1924, the media focused on the issue of the death penalty due to the high-profile crime and the “trial of the century.” Two young students from the University of Chicago — Nathan Leopold and Richard Loeb – were charged with the murder of 14-year-old Bobby Franks.

    The Crime and Trial

    It was a ridiculous crime. Leopold and Loeb were intelligent, but fashioned themselves as superior to everyone else.  So, they wanted to see if they could accomplish “the perfect crime.” They couldn’t. Police soon found them because Leopold had dropped his rare type of glasses next to the body.

    Clarence Darrow Clarence Darrow, the attorney for the two students, turned the murder case into a referendum on the death penalty after Leopold and Loeb both pleaded guilty. When the 67-year-old Darrow argued for the students’ lives, the local paper reported that a mob “fought like animals to . . . hear Darrow speak.”

    In Attorney for the Damned, Arthur Weinberg explained that several newspapers from around the country published Darrow’s twelve-plus hour plea in whole or in part. The attorney was successful. The two were sentenced to life for the murder and ninety-nine years for kidnapping, but no death penalty.

    After the Sentencing

    Loeb was killed in prison after nine years of incarceration.  But Nathan Leopold lived to be paroled in 1958 at the age of fifty-three. Leopold apparently was quite remorseful for the murder and tried to give something back to society.

    While in prison, Leopold volunteered to be infected with malaria for a study of the disease. After parole, he moved to Puerto Rico, worked at a church-operated hospital helping others until his death.  He eventually married and earned a master’s degree at the University of Puerto Rico.

    Alfred Hitchcock’s Rope

    Alfred Hitchcock’s movie Rope (1948), which was originally a play, has parallels to the Leopold & Loeb crime.  But the movie is highly fictionalized.

    Rope features two students who murder another student to show they are superior intellectuals. They hide the body in a trunk.  Then, they use the trunk as a table for a dinner party as a way to show how they are more clever than everybody else.

    The movie stars Jimmy Stewart as a teacher who attends the party. Do the boys get away with murder? I am not going to ruin it for you.

    Alfred Hitchcock filmed the movie in a unique style with extended takes between cuts.  Ultimately, though, he referred to Rope as a failed experiment. Jimmy Stewart was not happy with his performance either.

    Rope received mixed reviews. It also faced problems as some cities banned it for perceived homoerotic content. Today, though, many critics, like Roger Ebert, praise the movie and argue it is underrated, especially for the way the movie was filmed.

    Filmmakers do not make cheesy trailers like this one anymore.  The trailer for Rope features one of the actors in character talking directly to you about the movie. I wish they still made trailers like this one.

    The trailer for Rope sort of ruins the ending of the movie, so be warned.

    Compulsion With Orson Welles

    The movie Compulsion (1956), directed by Richard Fleisher, also was loosely based on the Leopold & Loeb case. In the movie, Orson Welles played defense attorney Jonathan Wilk, a character inspired by Clarence Darrow.

    Below is a video featuring the defense attorney’s argument before the court. Wilk’s argument is much shorter than Darrow’s 12-hour speech.

    Because modern movie directors think we have short attention spans, the 10-minute speech here is probably longer than you would see in most modern movies, which is a shame. As Darrow knew, it sometimes takes some time to tell a moving story.

    What do you think of the movies Rope and Compulsion? Leave a comment.

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    Top 10 Paul Newman Movies

    Today is Paul Newman’s birthday (Jan. 26, 1925), who passed away almost two and a half years ago in September 2008. In honor of his birthday, here is the Chimesfreedom Top 10 Paul Newman Movies. For today, it is a short post of the list, but at some point we will be revisiting some of these movies. The rankings are based on quality of the movie combined with level of Paul Newman performance.

    Butch Cassidy and Sundance Kid(1) Cool Hand Luke (1967)
    (2) Butch Cassidy and the Sundance Kid (1969)
    (3) The Verdict (1982)
    (4) The Hustler (1961)
    (5) Hud (1963)
    (6) The Sting (1973)
    (7) Slap Shot (1977)
    (8) Cat on a Hot Tin Roof (1958)
    (9) Somebody Up There Likes Me (1956)
    (10) Nobody’s Fool (1994)

    Hon. Mention: The Color of Money (1986) (Best Actor Oscar), The Hudsucker Proxy (1991), The Left-Handed Gun (1958), The Life and Times of Judge Roy Bean (1972), Absence of Malice (1981), Road to Perdition (2002), and many others.

    Bonus Ranking
    : Premier.com (link no longer available) ranked the Top 10 Paul Newman movies as: 1. Hud; 2. Cool Hand Luke; 3. Cat on a Hot Tin Roof; 4. The Hustler; 5. Somebody Up There Likes Me ; 6. Butch Cassidy and the Sundance Kid; 7. The Long Hot Summer; 8. Absence of Malice; 9. The Verdict; and 10. The Color of Money.

    What is your favorite Paul Newman movie? Leave a comment.

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    Charlie Louvin RIP

    Satan is Real, The Louvin BrothersCountry music legend Charlie Louvin died this morning due to complications from pancreatic cancer. He was 83.

    Charlie Louvin, born Charlie Elzer Loudermilk in 1927, and his brother Ira formed the Louvin Brothers, known for their harmonies and described by Allmusic.com as “one of the most influential musicians of the ’40s and ’50s.” After the Louvin Brothers stopped recording together in 1963, Charlie continued to record on his own, including a couple of well-received CDs in the last several years. Ira, who battled alcoholism, died in a car crash with his wife in Missouri in June 1965.

    The Louvin Brothers, who started out with gospel music and then branched into secular songs, had many great recordings, including some original compositions such as “If I Could Only Win Your Love,” which later was Emmylou Harris’s first hit.

    Although rock and roll played a part in the Louvin Brothers’s declining popularity in the early 1960s and their eventual break up, many “younger” people like me discovered the Louvin Brothers through later rock artists who were influenced by the Louvins, like The Everly Brothers and The Byrds. I first discovered them through Gram Parson’s recording of their song, “The Christian Life” (as well as Roger McGuinn’s version with the Byrds). I do not know if Kurt Cobain ever heard the Louvin Brothers’s recording of “In the Pines, (Where Did You Sleep Last Night)” but one could see a connection between their version and his intense haunting MTV Unplugged version. Although Cobain’s version is generally considered to be more connected to Lead Belly’s version, one might hear Cobain transform the Louvin’s yodels of pain into anguished screams for help.

    One of my favorite album covers of all time is the cover of the Louvin Brothers album Satan is Real. The album features the smiling brothers in whites suits standing in hell with a cartoonish devil in the background. I love the cover song too, as I also love their song “The Great Atomic Power.” Even though the songs do not preach my type of religion, I find the songs beautiful and terrifying, with a touch of humor.  Uncle Tupelo also did a nice cover of the Louvins’ “Great Atomic Power.”

    Here’s to you Charlie. Thanks for the music. I hope today you found out heaven is real.

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