Happy Birthday Mr. Lincoln

Abraham Lincoln's Cabin Birthplace
“Granny Woman,” Nancy Walters remembered:

It was Saturday afternoon when Tom Lincoln sent over and asked me to come. They sent for Nancy’s two aunts, Mis’ Betsy Sparrow and Mis’ Polly Friend. I was there before them, and we all had quite a spell to wait, and we got everything ready. Nancy had a good feather-bed under her; it wasn’t a goose-feather bed, hardly anyone had that kind then, but good hen feathers.

Nancy had about as hard a time as most women, I reckon, easier than some and maybe harder than a few. The baby was born just about sunup, on Sunday morning. Nancy’s two aunts took the baby and washed him and dressed him, and I looked after Nancy. And I remember after the baby was born, Tom came and stood beside the bed with that sort of hang-dog look that a man has, sort of guilty like, but mighty proud, and he says to me, ‘Are you sure she’s all right, Mis’ Walters?’ And Nancy kind of stuck out her hand and reached for his, and said, ‘Yes, Tom, I’m all right.’ And then she said, ‘You’re glad it’s a boy, Tom, aren’t you? So am I.'”

And Dennis swung the baby back and forth, keeping up a chatter about how tickled he was to have a new cousin to play with. The baby screwed up the muscles of its face and began crying with no let-up.

Dennis turned to Betsy Sparrow, handed her the baby and said to her, “Aunt, take him! He’ll never amount to much.”

So on that 12th of February, 1809, was the birth of a boy they named Abraham after his grandfather who had been killed by Indians — born in silence and pain from a wilderness mother on a bed of perhaps cornhusks and perhaps hen feathers — with perhaps a laughing child prophecy later that he would “never come to much.”

The above quote from Carl Sandburg’s Abraham Lincoln is one of my favorite quotes about Lincoln. Yesterday, we posted and discussed Aaron Copland’s A Lincoln Portrait. In that work, when you hear the great words, the building music, and Gregory Peck’s strong voice, it is easy to think of Lincoln as super human. We have this perception that he was something like Superman, flying around in perfection winning the war and freeing the slaves, when the truth is more complex.

A Lincoln Portrait, the Lincoln Memorial, and other monuments to the man are the reasons I like the story about the crying baby. The story reminds us that Lincoln was a human who dealt with many of the same problems we do, and then some. In his own home, he faced depression, marital problems, and the loss of a child while the nation was coming apart. He was imperfect, he had flaws, and he was sometimes wrong (such as early support for colonization of slaves).

Yet, for us today, it is good to be reminded that Lincoln was not perfect. The reminder that Abraham Lincoln was human like us serves two purposes. First, it makes us appreciate even more what Lincoln accomplished because he was not Superman. Second, because Lincoln was once a crying baby just like we all were, it reminds us that we may aspire to a little bit of greatness in our everyday lives too.

Happy Birthday, Mr. Lincoln.

Battle Cry Of Freedom 2 (Jacqueline Schwab) (from A Civil War Soundtrack) (click to play)

Bonus Birthplace Information: The above photo is a cabin enshrined at Lincoln’s birthplace in Hodgenville, Kentucky. I have visited the location several times over the years. Unfortunately, they do not believe the cabin is the actual one where Lincoln was born, but it is a similar one that was found in the area at the time.

  • The Civil War and Conan O’Brien
  • The Honored Dead and the Gettysburg Survivors
  • Lincoln & Liberty Too!
  • Anniv. of Civil War’s Start: Elvis’s American Trilogy
  • The Better Angels of Our Nature: Lincoln’s 1st Inaugural
  • A Lincoln Portrait
  • (Related Posts)

    A Lincoln Portrait

    Abraham Lincoln MemorialTo celebrate Abraham Lincoln’s birthday, listen to Aaron Copland’s A Lincoln Portrait. Copland was commissioned in 1942 to create a composition to comfort a nation at war still reeling from the attack on Pearl Harbor. Copland felt overwhelmed with the assignment. But then he came up with the idea to find comfort for the country in the words of the greatest U.S. President.

    The composition uses excerpts from several of Lincoln’s speeches, along with original music that samples American folk songs from Lincoln’s time period, such as “Camptown Races” and “Springfield Mountain.”

    For a 1943 program book of the Boston Symphony Orchestra, Copland explained that the work is roughly in three sections.  First, he noted, “In the opening section I wanted to suggest something of the mysterious sense of fatality that surrounds Lincoln’s personality. Also, near the end of that section, something of his gentleness and simplicity of spirit.”

    Copland continued, “The quick middle section briefly sketches in the background of the times he lived in. This merges into the concluding section where my sole purpose was to draw a simple but impressive frame about the words of Lincoln himself.”

    In the following recording, Gregory Peck provides the voice of Lincoln.

    The composition was not among Copland’s favorites according to a 1953 New York Times article. If I had to choose, I would choose his Appalalachain Spring, which is one of my favorite pieces of music of all time. But I still love A Lincoln Portrait. It is a fitting tribute to the sixteenth president of the United States.

    Did you know that 2011 was the Civil War Sesquentennial, i.e., the 150th year since the start of the Civil War? On March 4, 2011, it was 150 years since Lincoln was sworn into office. What do you think? Leave a comment.

  • The Civil War and Conan O’Brien
  • The Honored Dead and the Gettysburg Survivors
  • Anniv. of Civil War’s Start: Elvis’s American Trilogy
  • The Better Angels of Our Nature: Lincoln’s 1st Inaugural
  • Happy Birthday Mr. Lincoln
  • Ten Sentences: Gettysburg Address
  • (Related Posts)

    White Stripes Ending: I’m Lonely in Portland

    White Stripes – im Lonely But I Aint That Lonely Yet I‘m Lonely (But I Ain’t That Lonely Yet) – The White Stripes (press play)

    Last week, The White Stripes announced that the band “has officially ended and will make no further new recordings or perform live.” In the announcement, Meg White and Jack White noted that the end is not due to differences or to any health issues. The split is for many reasons, “but mostly to preserve what is beautiful and special about the band and have it stay that way.” They conclude with a warm thank you to the fans:

    White Stripes Under Great White Northern Lights

    “The White Stripes do not belong to Meg and Jack anymore. The White Stripes belong to you now and you can do with it whatever you want. The beauty of art and music is that it can last forever if people want it to. Thank you for sharing this experience. Your involvement will never be lost on us and we are truly grateful.”

    The news may not be that surprising to most people, as Jack White has been working on other projects for several years, including his work as part of the bands The Raconteurs and The Dead Weather. But he was most identified with The White Stripes, and he and Meg even appeared on an episode of The Simpsons. On the other hand, considering that they were married when the band formed in 1997 (although they initially claimed they were brother and sister), and then divorced in 2000, in some ways it is amazing that they worked together for so long.

    I have a few albums by The White Stripes, and it always impressed me how they got such big sound with just two people. One of their quieter songs, though, is “I’m Lonely (But I Ain’t that Lonely Yet)” off their Get Behind Me Satan CD. It is a beautiful song, simply about being lonely, missing people, and contemplating suicide. Although it is not as loud as many of their other songs, it is still powerful with Jack White’s voice singing over the piano.

    I also have a strong fondness for Jack White’s work outside the band. So I hope the news of the White Stripes’s demise means he will spend more time on work like he did with Loretta Lynn for her album Van Lear Rose (2004). Below is their duet of the song, “Portland, Oregon.” The song is about a one-night stand:

    Well Portland Oregon and sloe gin fizz
    If that ain’t love then tell me what is
    Well I lost my heart it didn’t take no time
    But that ain’t all. I lost my mind in Oregon

    His guitar work on the song adds great texture, and the rock band sound contrasted with Lynn’s country voice created a modern classic. The long 97-second instrumental build-up to Lynn’s voice is perfect. One of my favorite parts of the video is that White and Lynn do not seem to know how to look at each other. I assume if they were closer in age, they would have been gazing lustfully at each other like lovers while they sang. Instead, they look like a couple of friends — or mother and son — singing about a one-night stand.

    The song won “Best Country Collaboration with Vocals” at the Grammys, but is it country? I do not know. I just like it.

    Will you miss The White Stripes? Leave a comment.

    Bonus Documentary: The band was profiled in the 2009 documentary The Great White Northern Lights.

  • The First Song Loretta Lynn Ever Wrote
  • Jack White’s “Love Interruption”
  • Loretta Lynn: “Ain’t No Time to Go”
  • I Love Trash
  • Enjoy the History of Country Music with Cocaine & Rhinestones Podcast
  • John Prine Releasing New Album, “For Better, For Worse”
  • (Related Posts)

    The Tillman Story (Mad Movies)

    The Tillman Story, Pat Tillman

    The Tillman Story (2010) is one of those movies that reveals information about a story you thought you already knew. As you probably recall from extensive media coverage, Pat Tillman was an Arizona Cardinal football player who enlisted in the U.S. Army after the 9/11 events in June 2002. Director Amir Bar-Levi’s movie delves into the story behind Tillman’s life and his death in Afghanistan on April 22, 2004.

    At the time of his enlistment and after his death, Tillman was portrayed by the government and the media as an American hero who gave up a lucrative NFL contract out of patriotism and then died as a hero saving the lives of other American soldiers. The truth, however, was something more complex.

    Much of the movie focuses on the struggle by the Tillman family to discover the truth about Pat Tillman’s death. Tillman was a hero, but he did not see himself as anything special and he did not want his life or death used for propaganda purposes. Similarly, his family is interesting, colorful, intelligent, and sympathetic in their attempts to cut though all of the government deceit.

    The movie is both heartbreaking and uplifting. You can see the pain in the faces of the Tillman family members when several government officials appear before Congress to lie about the cover-up regarding Tillman’s death. It is frightening to see people with power who are incompetent, dishonest, or both. But you also admire the determination and love of the family to seek the truth, no matter what the costs.

    The family worked hard to honor Pat Tillman as a real person, not as a cartoon character created to serve the government’s purpose. Among their efforts, there is the Pat Tillman Foundation, developed to assist veterans through education and community.

    I have intentionally avoided revealing too much about the movie, because you should see it for yourself and find your own outrage.

    The Tillman Story, which many people missed when it played in theaters, is narrated by actor Josh Brolin and was recently released on DVD and Blu Ray.

    Missed Movies is our series on very good movies that many people did not see when first released.

  • Missed Movies: Project Nim (short review)
  • Dear Zachary (Missed Movies)
  • An Industry Attempts to Prevent Gasland from Winning an Oscar (Mad Movies)
  • 3 Movies That Make Us Mad
  • Although the Oscars Passed Over “Little Richard: I Am Everything,” You Shouldn’t
  • Nicolas Cage Shines In Modest But Surprising “Pig” (Short Review)
  • (Related Posts)

    Super Bowl Commercial: The Darth Vader Kid

    The ad for the Volkswagen Passat featuring a little Darth Vader was my favorite Super Bowl commercial this year.

    The little Darth Vader is played by six-year-old Max Page, a young actor with a congenital heart defect and a pacemaker. He has never seen any of the Star Wars movies, but maybe he pulled it off so well because he looks a little like Mark Hamill.

    I also liked the Eminem commercial for Chrysler. Good for Detroit.

    What was your favorite Super Bowl commercial? Leave a comment.

  • Dogs, Star Wars, and the Bark Side
  • Patton Oswalt’s Star Wars VII
  • Do You Remember the 1990s? Microsoft Does.
  • Will Clint Eastwood Tell Democrats to Get Off His Lawn at Tonight’s Republican Convention?
  • “The Star Wars That I Used to Know” Parody
  • Ferris Bueller Returns . . . In a Commercial
  • (Related Posts)