Why Wasn’t Conviction a Best Picture Nominee? (Missed Movies)

Conviction (2010) had a lot going for it. The movie is a compelling true story and an inspiring tale about family love. It features a murder mystery. One of the characters is a real-life famous lawyer. It has outstanding actors. Why was the movie not even mentioned at Oscar time? Why did it flop at the box office, ranking 150th in box office for 2010 after its October release?

Conviction Hilary SwankMovie marketers often face a dilemma. To get people to see their movie, they have to tell potential viewers enough about the movie to create interest (or in the case of comedies, the best or only laugh lines — as I recently experienced while watching Cedar Rapids (2011)). But then, potential viewers may feel they do not need to see the movie unless there are other compelling reasons to see it. Plus, true stories are often already familiar. One recent excellent movie that had the familiarity challenge was Conviction (2010), starring Hilary Swank and Sam Rockwell. But the movie is still worthwhile viewing.

Conviction follows the true story of Kenny Waters, who was sentenced to life in prison for a murder. His sister Betty Anne Waters believed in him so much that to prove him innocent, she earned her G.E.D., graduated from college, went to law school, passed the bar exam, and became a lawyer. It is an amazing story featuring hard work and a lot of luck.

The reason that Conviction did not do better at the box office may have been that the story was too predictable (although 127 Hours faced a similar challenge), or maybe the story was too conventional. Or maybe the fascinating story lost something when converted to a 107-minute movie. The story is incredible because of the years the sister labored to free her brother while he was in prison. But it is hard to convey time in a movie, and to do so may have required a longer movie. Would it have been a better movie if it were longer, and would people have gone to see a longer movie?

Or maybe the movie was just cursed. There is a tragic ending to the story not shown in the movie. Other actors (Phillip Seymour Hoffman and John C. Reilly) dropped out of the lead male role, and sixteen hours of crucial footage was ruined by an airport x-ray. Meanwhile, some family members were not happy with the final movie.

But even if you know the story, should you see the movie? It is still entertaining, due largely to the fine acting by Swank and Rockwell. The movie also features Melissa Leo, who recently won an Academy Award for Best Supporting Actress for her work The Fighter, and an excellent performance in a small role by Julliette Lewis. It is unfortunate that more people did not see Conviction because the story shows something that happens in the criminal justice system more often than we would like to believe.

Conclusion? Although this review points out some problems, these criticisms are an attempt to determine why such a compelling story with great acting did not translate into a big box office or a more perfect film. Conviction still is very good and worth viewing. But if you plan to see it, do not watch the trailer below. Conviction is now available on DVD and Blu-Ray.

You may know how the story ends, but in case you do not, I will not ruin it. If you want more information, you may watch a local news story about the case and the release of the movie. Also, see the Chimesfreedom review of 127 Hours about how another movie faced the familiarity problem.

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    Anniv. of Civil War’s Start: Elvis’s American Trilogy

    Fort SumterOn April 12, 1861, the first shots of the American Civil War were fired. In the early morning hours at 4:30 a.m., Confederate soldiers opened fire on the Federal Government’s Fort Sumter in Charleston Bay, South Carolina.

    The state of South Carolina had seceded from the United States in December 1860 soon after Abraham Lincoln was elected president. By the time he took office in March, the situation at Fort Sumter was nearing a crisis and seven states had seceded.

    Once the bombardment of Fort Sumter began on the morning of this date, it continued for 34 hours. And, on April 13 U.S. Major Robert Anderson surrendered the fort to Confederate General P.G.T. Beauregard.

    According to David Herbert Donald in the book Lincoln (1995), during the weeks between Pres. Lincoln’s inauguration and the first shots at Fort Sumter, the president was physically exhausted by stress. But there was some relief after this date. Because the first shots were fired by the Confederates, the rebels now had the burden of starting the war, not the North.

    And after the first shots of the Civil War, Lincoln’s choices became clearer. Two days later, Pres. Lincoln issued a proclamation calling for volunteer soldiers. Within a week, Virginia voted to secede, and more states followed. The war would rage for the next four years.

    Perhaps no song in recent history has attempted to encapsulate the Civil War era like “An American Trilogy,” a song that Elvis Presley performed regularly in concert toward the end of his life. The song was actually three popular American songs arranged by Mickey Newbury. It begins with the unofficial Confederate anthem “Dixie,” followed by the African-American spiritual, “All My Trials,” and closes with “The Battle Hymn of the Republic,” the Yankee marching song.

    What is the meaning of “An American Trilogy”? Paul Simpson’s The Rough Guide to Elvis notes that Mickey Newbury’s original intent is unclear, as the combination could have been about America’s lack of innocence or been intended ironically in reference to Pres. Nixon and the Viet Nam War.

    For Elvis, “An American Trilogy” might have been about patriotism. But Charles Reagan Wilson wrote in Judgment and Faith in Dixie (1997) that Elvis’s “slow, reflective, melancholy” performances of the song in the 1970s “suggested an emotional awareness of the complex past of regional conflict and Southern trauma.”

    In his excellent book Mystery Train (1975), critic Greil Marcus considered “An American Trilogy” to be Elvis’s attempt to combine all aspects of America and bring everyone together in a fantasy of freedom. But Marcus believed that Elvis’s song failed in that goal because the lack of complexity in the song creates “a throwaway America where nothing is at stake.” (p. 124.) For example, Marcus claimed, “There is no John Brown in his ‘Battle Hymn,’ no romance in his ‘Dixie,’ no blood in his slave song.”

    Maybe Marcus wants too much out of a four-minute song. Yes, the song is gaudy in its performance, and Elvis’s jumpsuit is a long way from the soldiers and slaves. But as discussed in another Chimesfreedom post, John Brown is inherent in “Battle Hymn,” just as the romance is inherent in “Dixie,” and as blood is inherent in the dying in “All My Trials.”

    There is another layer of confusion regarding the meaning of the song today because Elvis sings it. And Elvis, especially since his death, has become a complex American icon, as some consider him a revolutionary, some call him a thief, and some see him as a fat man steeped in excess. Yet perhaps the contradictions of Elvis, like the contradictions of the song, are the only way you can try to sum up the Civil War, in particular, and the complexity of America in general.

    Finally, one additional complication is that what Newbury and Presley apparently thought was an African-American spiritual, was not. Many today believe that the center of the trilogy, “All My Trials,” which is also sometimes called “All My Sorrows,” has somewhat muddled origins. Many current scholars believe that the song was assembled from fragments of existing songs in the 1950s and set to the music of a lullaby from the Bahamas to make it sound like a traditional spiritual.

    Newbury and Presley were not the only ones who thought it was an actual slave spiritual. In the 1950s, music critic Nat Hentoff wrote that it came from an African-American song, and in the 1960s, Joan Baez and others referred to the song as a slave spiritual.

    So, there are more questions in “An American Trilogy” than answers. But on a day that started the deadliest war in our nation’s history, I prefer the people with questions over the armed generals who think they have the answers.

    Bonus American Trilogy Version: For you Celebrity Apprentice fans, here is Meat Loaf singing “American Trilogy” at a 1987 tribute to Elvis Presley.

    What do you think is the meaning of “American Trilogy”? Leave a comment.

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    American Idol & the Curse of “River Deep, Mountain High”

    Ike and Tina Turner, River Deep Mountain HighLast week’s American Idol shocked viewers when Pia Toscano went home in ninth place. There are various theories about why the audience did not vote for the excellent singer, who reportedly will come out okay with a new record contract anyway. Perhaps voters felt confident that Toscano would advance and so did not vote for her. Some have argued that this season’s judges — without Simon Cowell — are praising everyone to the same degree, so the judges do not help viewers distinguish the wheat from the chaff. There is another possibility: Maybe Toscano lost because of her divisive song, “River Deep, Mountain High.”

    “River Deep, Mountain High,” originally by Ike and Tina Turner with a Phil Spector production, is both loved and hated. Some see it as one of Phil Spector’s last great songs, while others see it as overblown crap. Rolling Stone magazine recently listed it as number 33 on the “500 Greatest Songs of All-Time,” as ranked by people in the music industry and updated last year. But in The Heart of Rock & Soul (1989), critic Dave Marsh did not even list the song among the top 1001 singles every made. He explained that the song is not on his list “because it sounds to me like a muddle, an album’s worth of sounds jammed onto one side of a 45, with a little girl lyric that completely contradicts Tina Turner’s true persona as the Queen of R&B Sleaze.” (p. 545.)

    When “River Deep, Mountain High” was released in 1966, critics gave it mixed reviews. The song went to number 5 in the U.K., but on the other side of the pond, it flopped and only went to number 88 in the United States. As one critic later reasoned, “The general consensus in America was that the record was too black for white radio stations to play, and too white for the black stations to play.”

    Even the recording of the song was divisive. Tina Turner noted that working on the song was like “carving furniture.” One of the songwriters threw the finished acetate across the room in disgust. In her autobiography, singer Darlene Love described the sessions as “a miserable experience,” adding that only Phil Spector was happy with the results. The now-incarcerated Phil Spector later explained that “River Deep, Mountain High” “was like my farewell. I was just saying goodbye, and just wanted to go crazy, you know, for a few minutes—four minutes on wax, that’s all it was. I loved it, and enjoyed making it, but I didn’t think there was anything for the public.” After the disappointing public reaction to the song, Spector went into early retirement and into his decline with personal demons.

    So maybe when Pia Toscano sang the song on American Idol, the haunted song was too much for the public. Or maybe some viewers did not like her singing a song unfortunately associated with men like Phil Spector and Ike Turner. I do not know if the song choice had anything to do with the American Idol elimination. I just know I am in the camp that loves the music. Every time I hear it, it gets stronger in every way.

    Bonus “River Deep, Mountain High” Versions: Although Ike Turner is listed with his wife on the original recording, Darlene Love later recounted that he had nothing to do with the sessions for the song. Tina Turner later recorded another version of “River Deep, Mountain High.” In addition to the American Idol Pia Toscano version, there is a recent Glee television show version. Both do a good job, and it is great to see the song still appearing in mainstream performances, but neither rivals the original Tina Turner version. As far as I can tell, the song only appeared on American Idol once before. Amanda Avila sang it when she was in the top 16 during Season 4 (2005). The judges did not love her performance. And, like Pia Toscano, she was eliminated after her performance of the cursed song.

    [May 2012 Update: During the 2012 season, Hollie Cavanaugh sang “River Deep, Mountain High” when she was among the five finalists. Perhaps she broke the curse, as Skylar Laine, not Hollie, was sent home after that show. Hollie was in next-to-last place.]

    What do you think of “River Deep, Mountain High”? Was Pia Toscano’s elimination the most surprising ever on American Idol? Leave a comment.

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    Take the Baseball Movie Quote Quiz!

    Bull DurhamWith the new baseball season just getting under way, it is time to reflect on some of the great baseball movies with a quote quiz. Match the quote from a baseball movie with the correct movie. Some are easy, some are more difficult. Answers will be posted in the comments.

    The Quotes:
    (1.) “This field, this game, is a part of our past. It reminds us of all that once was good, and what could be again.”

    (2.) “You know what we get to do today, Brooks? We get to play baseball.”

    (3.) “People all say that I’ve had a bad break.”

    (4.) “There’s no crying in baseball.”

    (5.) “You throw the ball. You hit the ball. You catch the ball.”

    (6.) “Mild thing, you make my butt sting!”

    (7.) “You love the Red Sox, but have they ever loved you back?”

    (8.) “You have never been this close to greatness in your short life son. And you love it.”

    (9.) “I am hung over, my knees are killing me and if you’re gonna pull this shit at least you can say you’re from the Yankees.”

    (10.) “I’ve been brushing up on my Spanish of late, and I think he is saying something about, you know, his being Catholic, and it’s [wearing a cup] a sin.”

    (11.) “Say it ain’t so, Joe. Say it ain’t so. ”

    (12.) “God, I just love baseball.”

    The RookieMatch Each Quote With Correct Movie from This List:
    (a) Bull Durham (1988); (b) A League of Their Own (1992); (c) Bad News Bears (1976); (d) Cobb (1994); (e) The Natural (1984); (f) Pride of the Yankees (1942); (g) Fever Pitch (2005); (h) Major League (1989); (i.) Field of Dreams (1989); (j) Eight Men Out (1988); (k) Major League II (1994); (l) The Rookie (2002).

    Ratings:
    0-2 correct: Little League; 3-4 correct: Single A; 5-6 correct: Triple A; 7-8 correct: Major League Rookie; 9-10 correct: Major League Starter; 11 correct: Major League All-Star; 12 correct: World Series Champ.

    Answers will be posted in the comments. What is your favorite baseball movie quote?

    Best Gospel Songs By Pop Singers (Part 1): Nearer & Pressing

    Bob Dylan Slow Train Coming It has been awhile since I spent a Sunday in church, and the last time I visited, the preacher spent more time talking about politics than about faith. But I do love to hear beautiful gospel songs. You do not need to be religious to open yourself up to these songs, which at the heart, are really love songs. In this three-part series, we are discussing the Best Gospel Songs by Pop Singers. We start off with songs by Sam Cooke and Bob Dylan.

    Nearer to Thee, Sam Cooke

    Yes, I’m cheating. The Soul Stirrers were a gospel group.  But this song is featured because their lead singer Sam Cooke, who is one of my favorite singers, went on to popular secular success on his own.

    The song builds gradually with the hypnotic background vocals and Cooke’s fantastic voice. On this recording you can hear Cooke gradually working up the crowd, slowly, slowly, building . . . building . . . building . . . toward release and salvation. Beautiful.

    Although Cooke recorded many great popular songs as a secular artist, few reached the intensity of “Nearer to Thee.” The one secular song that reaches a similar frenzy is his live version of “Bring It On Home to Me,” available on One Night Stand: Live at the Harlem Square Club 63.

    Pressing On, Bob Dylan

    I was too young to notice when Bob Dylan first became a phenomenon, but I do remember when everyone was surprised that he became a born-again Christian in the late 1970s. His music from this period includes a number of outstanding original gospel songs, including “Gotta Serve Somebody.”

    One song from this period that is less well-known than some others is “Pressing On.” As Sam Cooke did in “Nearer to Thee,” Dylan effectively uses repetition. He repeats “I’m pressing on” throughout the song to provide a hypnotic quality not unlike a moving church service.

    Here is the version of “Pressing On” by John Doe that was featured in the very good movie “about” Bob Dylan, I’m Not There (2007). Doe, founder of the punk bank X, does an excellent cover.

    In this scene, Christian Bale does a great job of playing the singing Dylan and capturing the hypnotic nature of the song. Critic Greil Marcus wrote that the Doe-Bale combination is the place where the song found its voice. (“Themes from a Summer Place,” New West, July 28, 1980).

    Another great gospel song by Bob Dylan, and perhaps his greatest, is “Every Grain of Sand.” For other great gospel songs by popular artists, check out upcoming posts in this series of Best Gospel Songs by Pop Singers. ..

    What are your favorite gospel recordings by popular artists? Leave a comment.

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