Chimesfreedom Blog To Be Made Into a Movie!

Chimesfreedom Marquee

We have been waiting to share this exciting news until the papers were finally signed. Chimesfreedom is going to be made into a major motion picture to be released in summer 2013. We cannot reveal too much about the story as the screenplay still needs to be developed further, but the movie will incorporate stories relating to several of our posts as well as the real life drama of blogging.

We are thrilled with the support and encouragement we have received so far, and the studio is currently negotiating with Aaron Sorkin for screenplay development. As you probably know, Sorkin wrote the screenplay for the recent The Social Network. The producers are still signing up the actors and director for the movie, so look for announcements soon with more details.

In the early days of this blog, we never imagined this day would arrive. To celebrate, give a listen to “April Come She Will” from Simon & Garfunkel’s famous 1981 Central Park Concert. [Update: For anyone reading this post after the day it was posted, note the date that this information was posted.]

Who should be cast in the Chimesfreedom movie? Did you know that today’s holiday supposedly has its origins in confusion that resulted from the introduction of the Gregorian Calendar? Leave a comment.

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    All This Science I Don’t Understand: William Shatner

    William ShatnerI enjoy William Shatner’s half-hour talk show on the Biography Channel, Raw Nerve. The show features an intimate conversation with various guests, and I like that Shatner asks each guest to bring an object from home that has some special meaning. William Shatner is not a trained inteviewer, but he is William Shatner and he brings his Shatnerness to each show. Although he interviews a wide variety of guests, a few shows have featured Star Trek alum, and one show revealed Walter Koenig, who played Chekhov on the original series, to be quite thoughtful about his career. It was also interesting to see Shatner struggle with how he has treated other cast members disrespectfully in the past.

    William Shatner, who turned 80 last Tuesday, has a personality that has aged well. He makes a good career of mocking his image as a younger man who was full of himself. One of the best things one can do in maturity is to laugh at one’s younger self.

    Time Magazine recently did a fun feature of The Top 10 Unforgettable William Shatner Moments, only a few of which involve any scenes from Star Trek. One of my favorite moments is from the 1978 Science Fiction Film Awards, where William Shatner’s performs Elton John’s “Rocket Man.” What is better than one William Shatner? Three William Shatners! The video starts off amazing and just gets better, so make sure you hang around for the second and third William Shatners to appear. Unfortunately, there is no evil Shatner with a goatee but there is a lot of cigarette smoking.

    While his performance of “Rocket Man” above is great because it is funny, Shatner’s cover of Pulp’s “Common People” with Joe Jackson is just a great version of of a great song. I have it on my iPod by choice.

    “It was fun.” — James T. Kirk, in Star Trek: Generations.

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    Buy from Amazon

    Is Your Job Your Life?: Lessons from A Folk Singer & Al Pacino

    U.S. Department of Justice
    The New Yorker recently published a sad story by Jeffrey Toobin about the prosecution of Alaska Senator Ted Stevens, and how the fallout from the case affected a young Justice Department lawyer named Nicholas Marsh, who committed suicide. (Casualties of Justice, Jan. 3, 2011).

    The media is all over a story until suddenly the story disappears, and it was that way with the Sen. Stevens prosecution.  There was extensive coverage of the case against Ted Stevens, who was charged with failing to report gifts of reduced rates on renovations to a house. While the case was pending, Stevens lost reelection in 2008. Then the media coverage died down. But the Stevens case did not result in a conviction, and the Attorney General’s Office ultimately asked for all charges to be dropped against Stevens because prosecutors breached ethics by failing to disclose information indicating Stevens may not have been guilty. Stevens died in a plane crash in Alaska in 2010.

    Nicholas Marsh was one of the prosecutors in the Alaska investigation that resulted in nine successful convictions revealing corruption in the state political system. Although Marsh participated in the Stevens case, Toobin wrote that apparently Marsh had nothing to do with the unethical actions by his fellow prosecutors. But because of Marsh’s involvement in the case, officials removed Marsh from his high-esteem position and moved him to a lower-prestige department. Meanwhile, the Office of Professional Responsibility continues to investigate the conduct of the Stevens prosecutors.

    Even though Marsh may ultimately be cleared, the stress from the ongoing investigation took its toll on him. Depressed and unsuccessfully fighting his demons, in September 2010 he hanged himself in the basement of his suburban Washington, D.C. home. Married less than five years, he did not leave a note for his young wife.

    It is tragic to think of Marsh feeling his life was crashing down as his career identity was crumbling. Maybe he could have left town and started over again and eventually been happy again. But one suspects that for whatever reasons he felt like he could not get away.

    In an earlier post about life lessons, Chimesfreedom discussed Ernest Becker’s Pulitzer-Prize winning book, Denial of Death.  In the book, Becker explained that people identify with things — be it possessions, esteem, organizations, sports teams, etc. — to give meaning to their lives and to give us defense mechanisms against our fears.  Many of us identify ourselves by our jobs. And, as has happened frequently to far too many people in the last several years during the recession, if we lose a job we feel we lose our entire identity and our defense mechanism against our fears.

    Railroad Workers The story about the Stevens case reminded me of a song by folk-singer and activist Charlie King.   King is an excellent performer, full of stories and good songs about social issues.  One song, entitled “Our Life is More than Our Work,” has common-sense lyrics reminding us something we often forget when we get wrapped up in our own worlds: “You know that our life is more than our work / And our work is more than our jobs.”

    The song reminds us that we are not our jobs.  Additionally, we each have work to do during our lives that is beyond our jobs. But even that broader work is not the whole of your life.

    The New Yorker story about the Alaska prosecution also reminded me of Insomnia (2003), a movie that focuses on a criminal case in Alaska involving questionable professional ethics that haunt the lead character. Insomnia is a very good movie about a Los Angeles detective played by Al Pacino who goes to Alaska to investigate a crime. While there, he is unable to sleep from the constant daylight and from being haunted by his past choices. The movie, directed by Christopher Nolan, features excellent acting by Al Pacino, Hilary Swank, and a creepy Robin Williams. It reveals how our jobs can take us down a well-worn path where we feel we do not have control.

    Most likely, there were other factors contributing to the Nicholas Marsh tragedy besides the ethics investigation, and it is ridiculous to think that lessons from an action movie or a folk song could save a life. But music and movies can make us think about our lives and maybe change our attitudes a tiny bit. And that’s something. As Charlie King sings, “Think how our life could be, feel how our life could flow / If just for once we could let ourselves go.”

    King, Charlie – Our Life Is More Than Our Work

    {Our Life Is More Than Our Work – Charlie King}

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    Adjustment Bureau (Short Review)

    The Adjustment BureauAdjustment Bureau (2011) has engaging actors in Matt Damon and Emily Blunt, some cool uses of New York City landmarks, and an interesting plot idea from a short story by Philip K. Dick. From the previews, I expected an intelligent movie with something to say about life and free will, with a thoughtful twist on reality as in movies like Inception and The Matrix.

    Instead, The Adjustment Bureau never reached very deep and is more of an action-romance movie, diverging from the interesting original Philip K. Dick story, “Adjustment Team.” I will not ruin the ending of the movie, but a darker ending inspired by film noir movies instead of the predictable conclusion might have made the movie more memorable. It is not a bad movie, and in some ways is like a light fantasy version of the Bourne movies on some level, so it is enjoyable. I just wanted more.

    Did you like The Adjustment Bureau? Leave a comment.

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    Buddy Miller’s Majestic Silver Strings (CD review)

    Buddy Miller Majestic Silver StringsI love Buddy Miller’s music, and I love Bill Frisell’s jazz guitar playing. So when I heard they were working together, along with guitarists Marc Ribot and Greg Leisz, and singers that included Patty Griffin and Julie Miller, it did not take me long to plop down my money for the CD, Majestic Silver Strings. I own all of Buddy Miller’s eight albums, and I admire his other work too. This new album, released earlier this month, continues his excellence.

    In recent years, as Buddy Miller has worked on producing other artists and backing them up, he has not released as much of his own music as he otherwise might. But he continues to make great music, and this new album is no exception. Majestic Silver Strings differs from his other albums by adding a large number of guests and a more atmospheric sound from the excellent guitarists on board, but it is still great music. While some versions of the songs stay close to their country roots, other versions stray further from traditional country, such as the outstanding reworking of Roger Miller’s “Dang Me” by Chocolate Genius that gives the song new force and power over its humorous roots. The album is full of excellent music, no matter how you label it. But you will not hear this album on most commercial music radio stations, which generally ignore the great work done by both Miller and his wife, Julie Miller.

    Majestic Silver Strings features covers of a number of classic country songs — such as “Cattle Call” and “Bury Me Not On the Lone Prairie” — as well as some originals. While there is an emphasis on the instrumentation, there are also excellent vocals by Buddy Miller along with Patty Griffin, Julie Miller, Shawn Colvin, Emmylou Harris, Lee Ann Womack, and Ann McCrary. Because of the number of guest artists, Majestic Silver Strings is in many ways more like a tribute album than a one-artist album. So like most tribute albums, there are a variety of sounds from song-to-song. Sometimes that works on albums and often it does not, but here the excellent musicians throughout make this album more cohesive than many other multi-artist albums. My favorite tracks on the album include Shawn Colvin singing “That’s the Way Love Goes” and Lee Ann Womack singing “Return to Me,” neither of which would sound out of place on the Grand Ole Opry stage or in a smoky jazz nightclub.

    Conclusion? If you do not mind variety and a little jazz atmosphere mixed in with your music, you will most likely love Majestic Silver Strings. If you are looking for something that sticks closer to great traditional country sounds consistently throughout an album, you might want to start with one of Buddy Miller’s other albums, like the excellent Cruel Moon. You cannot go wrong either way.

    Bonus Bill Frisell Video: If you are not familiar with Bill Frisell’s outstanding guitar work, while his home is in jazz, he often incorporates country music elements into his work. Additionally, he has covered songs by artists that include Bob Dylan and Madonna. Check out his take on the classic song “Shenandoah” from his Good Dog, Happy Man album.

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