American Idol & the Curse of “River Deep, Mountain High”

Ike and Tina Turner, River Deep Mountain HighLast week’s American Idol shocked viewers when Pia Toscano went home in ninth place. There are various theories about why the audience did not vote for the excellent singer, who reportedly will come out okay with a new record contract anyway. Perhaps voters felt confident that Toscano would advance and so did not vote for her. Some have argued that this season’s judges — without Simon Cowell — are praising everyone to the same degree, so the judges do not help viewers distinguish the wheat from the chaff. There is another possibility: Maybe Toscano lost because of her divisive song, “River Deep, Mountain High.”

“River Deep, Mountain High,” originally by Ike and Tina Turner with a Phil Spector production, is both loved and hated. Some see it as one of Phil Spector’s last great songs, while others see it as overblown crap. Rolling Stone magazine recently listed it as number 33 on the “500 Greatest Songs of All-Time,” as ranked by people in the music industry and updated last year. But in The Heart of Rock & Soul (1989), critic Dave Marsh did not even list the song among the top 1001 singles every made. He explained that the song is not on his list “because it sounds to me like a muddle, an album’s worth of sounds jammed onto one side of a 45, with a little girl lyric that completely contradicts Tina Turner’s true persona as the Queen of R&B Sleaze.” (p. 545.)

When “River Deep, Mountain High” was released in 1966, critics gave it mixed reviews. The song went to number 5 in the U.K., but on the other side of the pond, it flopped and only went to number 88 in the United States. As one critic later reasoned, “The general consensus in America was that the record was too black for white radio stations to play, and too white for the black stations to play.”

Even the recording of the song was divisive. Tina Turner noted that working on the song was like “carving furniture.” One of the songwriters threw the finished acetate across the room in disgust. In her autobiography, singer Darlene Love described the sessions as “a miserable experience,” adding that only Phil Spector was happy with the results. The now-incarcerated Phil Spector later explained that “River Deep, Mountain High” “was like my farewell. I was just saying goodbye, and just wanted to go crazy, you know, for a few minutes—four minutes on wax, that’s all it was. I loved it, and enjoyed making it, but I didn’t think there was anything for the public.” After the disappointing public reaction to the song, Spector went into early retirement and into his decline with personal demons.

So maybe when Pia Toscano sang the song on American Idol, the haunted song was too much for the public. Or maybe some viewers did not like her singing a song unfortunately associated with men like Phil Spector and Ike Turner. I do not know if the song choice had anything to do with the American Idol elimination. I just know I am in the camp that loves the music. Every time I hear it, it gets stronger in every way.

Bonus “River Deep, Mountain High” Versions: Although Ike Turner is listed with his wife on the original recording, Darlene Love later recounted that he had nothing to do with the sessions for the song. Tina Turner later recorded another version of “River Deep, Mountain High.” In addition to the American Idol Pia Toscano version, there is a recent Glee television show version. Both do a good job, and it is great to see the song still appearing in mainstream performances, but neither rivals the original Tina Turner version. As far as I can tell, the song only appeared on American Idol once before. Amanda Avila sang it when she was in the top 16 during Season 4 (2005). The judges did not love her performance. And, like Pia Toscano, she was eliminated after her performance of the cursed song.

[May 2012 Update: During the 2012 season, Hollie Cavanaugh sang “River Deep, Mountain High” when she was among the five finalists. Perhaps she broke the curse, as Skylar Laine, not Hollie, was sent home after that show. Hollie was in next-to-last place.]

What do you think of “River Deep, Mountain High”? Was Pia Toscano’s elimination the most surprising ever on American Idol? Leave a comment.

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    Take the Baseball Movie Quote Quiz!

    Bull DurhamWith the new baseball season just getting under way, it is time to reflect on some of the great baseball movies with a quote quiz. Match the quote from a baseball movie with the correct movie. Some are easy, some are more difficult. Answers will be posted in the comments.

    The Quotes:
    (1.) “This field, this game, is a part of our past. It reminds us of all that once was good, and what could be again.”

    (2.) “You know what we get to do today, Brooks? We get to play baseball.”

    (3.) “People all say that I’ve had a bad break.”

    (4.) “There’s no crying in baseball.”

    (5.) “You throw the ball. You hit the ball. You catch the ball.”

    (6.) “Mild thing, you make my butt sting!”

    (7.) “You love the Red Sox, but have they ever loved you back?”

    (8.) “You have never been this close to greatness in your short life son. And you love it.”

    (9.) “I am hung over, my knees are killing me and if you’re gonna pull this shit at least you can say you’re from the Yankees.”

    (10.) “I’ve been brushing up on my Spanish of late, and I think he is saying something about, you know, his being Catholic, and it’s [wearing a cup] a sin.”

    (11.) “Say it ain’t so, Joe. Say it ain’t so. ”

    (12.) “God, I just love baseball.”

    The RookieMatch Each Quote With Correct Movie from This List:
    (a) Bull Durham (1988); (b) A League of Their Own (1992); (c) Bad News Bears (1976); (d) Cobb (1994); (e) The Natural (1984); (f) Pride of the Yankees (1942); (g) Fever Pitch (2005); (h) Major League (1989); (i.) Field of Dreams (1989); (j) Eight Men Out (1988); (k) Major League II (1994); (l) The Rookie (2002).

    Ratings:
    0-2 correct: Little League; 3-4 correct: Single A; 5-6 correct: Triple A; 7-8 correct: Major League Rookie; 9-10 correct: Major League Starter; 11 correct: Major League All-Star; 12 correct: World Series Champ.

    Answers will be posted in the comments. What is your favorite baseball movie quote?

    Best Gospel Songs By Pop Singers (Part 1): Nearer & Pressing

    Bob Dylan Slow Train Coming It has been awhile since I spent a Sunday in church, and the last time I visited, the preacher spent more time talking about politics than about faith. But I do love to hear beautiful gospel songs. You do not need to be religious to open yourself up to these songs, which at the heart, are really love songs. In this three-part series, we are discussing the Best Gospel Songs by Pop Singers. We start off with songs by Sam Cooke and Bob Dylan.

    Nearer to Thee, Sam Cooke

    Yes, I’m cheating. The Soul Stirrers were a gospel group.  But this song is featured because their lead singer Sam Cooke, who is one of my favorite singers, went on to popular secular success on his own.

    The song builds gradually with the hypnotic background vocals and Cooke’s fantastic voice. On this recording you can hear Cooke gradually working up the crowd, slowly, slowly, building . . . building . . . building . . . toward release and salvation. Beautiful.

    Although Cooke recorded many great popular songs as a secular artist, few reached the intensity of “Nearer to Thee.” The one secular song that reaches a similar frenzy is his live version of “Bring It On Home to Me,” available on One Night Stand: Live at the Harlem Square Club 63.

    Pressing On, Bob Dylan

    I was too young to notice when Bob Dylan first became a phenomenon, but I do remember when everyone was surprised that he became a born-again Christian in the late 1970s. His music from this period includes a number of outstanding original gospel songs, including “Gotta Serve Somebody.”

    One song from this period that is less well-known than some others is “Pressing On.” As Sam Cooke did in “Nearer to Thee,” Dylan effectively uses repetition. He repeats “I’m pressing on” throughout the song to provide a hypnotic quality not unlike a moving church service.

    Here is the version of “Pressing On” by John Doe that was featured in the very good movie “about” Bob Dylan, I’m Not There (2007). Doe, founder of the punk bank X, does an excellent cover.

    In this scene, Christian Bale does a great job of playing the singing Dylan and capturing the hypnotic nature of the song. Critic Greil Marcus wrote that the Doe-Bale combination is the place where the song found its voice. (“Themes from a Summer Place,” New West, July 28, 1980).

    Another great gospel song by Bob Dylan, and perhaps his greatest, is “Every Grain of Sand.” For other great gospel songs by popular artists, check out upcoming posts in this series of Best Gospel Songs by Pop Singers. ..

    What are your favorite gospel recordings by popular artists? Leave a comment.

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    MLK Shot This Morning, er. . . Evening

    U2’s powerful song “Pride (In the Name of Love)” commemorates this date in 1968 when Dr. Martin Luther King Jr. was shot and killed on a balcony outside his room at the Lorraine Motel in Memphis, Tennessee. Dr. King was in town to support striking sanitation workers, and the day before he had given his famous “I’ve Been to the Mountaintop” speech.

    U2’s song, which was from The Unforgettable Fire (1984) album, recounts the assassination:
    U2 Unforgettable Fire
    Early morning, April 4
    Shot rings out in the Memphis sky
    Free at last, they took your life
    They could not take your pride

    The shooting occurred at around 6:01 p.m. on this date, so why does “Pride (In the Name of Love)” refer to “early morning”? I have seen various explanations.

    Some wondered whether at the time of the shooting, the band was in Dublin.  In that city, the time is six hours later than Tennessee time, making it just after midnight and “early morning” in Ireland. But then the date for them would have been April 5, and the song still has the correct Tennessee date of April 4.

    The time change could have been poetic license, but most likely it was an error.  Perhaps the error occurred due to Bono’s memory of when he heard the news.

    Sources note that Bono eventually recognized the mistake years later and began singing “early evening” instead of “early morning.” For example, in U2’s performance at the 2009 concert to celebrate the inauguration of Pres. Obama, Bono sang the “early evening” lyrics.  Most recently, on U2’s Songs of Surrender release of new recordings of old songs including “Pride (In the Name of Love),” Bono again used the “early evening” line.

    This energetic Chicago performance also uses the historically accurate time of day starting at around the 2:15 mark:

    John Legend recorded a moving version of “Pride (In the Name of Love)” for King (2008), a series on the History Channel. His version, which also appears on the CD Yes We Can: Voices of a Grassroots Movement, is less bombastic than the U2 version, but it is still powerful.

    Legend replaces the “early morning” line with the words “late afternoon.”  Thus, he gives us a third time option in the lyrics to “Pride (In the Name of Love).” Check it out, with the time of day mentioned at around the 2:20 mark.

    Unfortunately, I listened repeatedly to the U2 albums The Unforgettable Fire (1984) and Rattle and Hum (1988).  So,I always expect to hear “early morning” as in the original music video.

    Either way, it is still a great song about a great man. And, the time of day Martin Luther King, Jr. was killed is much less important than what he accomplished in his life in the name of love.

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    The Lincoln Lawyer (Short Review)

    The Lincoln Lawyer, based on the book by Michael Connelly and starring Matthew McConaughey, is an old-fashioned legal thriller. The story follows criminal defense attorney Mickey “Mick” Haller (McConaughey), a criminal defense attorney who does much of his work out of the back seat of a Lincoln Town Car, as he takes on a big case representing a rich client accused of assaulting a woman. The movie also features Marisa Tomei, Ryan Phillippe, William H. Macy, and John Leguizamo.

    The Lincoln Lawyer Movies often depend on your expectations and mood. And if I were grumpier on the day I watched The Lincoln Lawyer or if I had high expectations, I might stress that there are some unbelievable points, and there might be easier ways for the lawyer to handle the legal ethics issues in the movie. Also, the movie features one of my pet peeves of portraying the bad guy as some sort of evil diabolical genius who would fit better in a James Bond movie than in a movie trying to be realistic.

    But those are minor gripes if you just want some fun entertainment. The Lincoln Lawyer is one of those movies where you just have to decide to roll with it. The story is fun, and, as he did in Time to Kill, McConaughey makes an engaging lawyer with a very good supporting cast. While The Lincoln Lawyer is not in the same league as law movies like Anatomy of a Murder (1959), The Verdict (1982), or even Tomei’s My Cousin Vinny (1992), it is a fun and interesting ride, like one of the better movies based on books by John Grisham or Scott Turow. In a recent interview, McConaughey mentioned the possibility of sequels following the further exploits of Haller. I would see the sequel, assuming I’m in the right mood that day.

    What did you think of The Lincoln Lawyer? What is your favorite lawyer movie? Leave a comment.

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