Werewolves of London

Werewolf of LondonHappy Halloween! Warren Zevon was late in his career before I became a fan of his music. So my memories of him are mostly of him toward the end of his life. So I especially love seeing him rock out in this performance of the one of the great Halloween songs, “Werewolves of London.”

Zevon once referred to “Werewolves of London” as “a dumb song for smart people.”  But, of course, it is quite brilliant.   Zevon wrote the song with LeRoy Marinell and Waddy Wachtel, but they had some inspiration from Phil Everly of The Everly Brothers.  Everly suggested the song title to Zevon after watching the 1935 film Werewolf of London, directed by  Stuart Walker and starring Henry Hull, on late-night television.

Zevon, Marinell, and Wachtel began making up the lyrics for fun, adding in some howling.  Zevon’s wife at the time, Crystal Zevon, wrote down the lyrics.   The next day in the studio, Jackson Browne heard the new song, and he began performing it live years before Zevon got around to releasing it on an album in 1978.

Upon it’s eventual release, “Werewolves of London” became a Top 40 hit for Zevon.  But according to George Plasketes, the author of a biography about the artist, Zevon initially felt insulted that the record label had selected that song for a single release over other songs Zevon preferred on the Excitable Boy (1978) album.  The label’s choice proved correct, in the sense that “Werewolves of London” became a beloved classic.

The song even inspired the name for a baseball team in London, Ontario.  And there is that wonderful opening line, “I saw a werewolf with a Chinese menu in his hand.”  This live performance by Zevon is from Oct 1, 1982 at the Capitol Theatre in Passiac, New Jersey.   Check it out.

But I still cannot get this Tom Cruise image out of my head anytime I hear the song.

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    Pop Culture Roundup for Late October 2011

    Below are links to some of the latest pop culture stories you might have missed. . .

    Halloween

    Prince Charles
    The new Dracula costume?

    The Chicago Tribune‘s listed the top 25 scariest movies for Halloween.

    Batty? Prince Charles claims he is related to Dracula.

    Salon is featuring a slide show of the top ten Halloween special moments from The Simpsons.

    Zombies rise again in pop culture. Wait, what’s that at my door. . . arrrrrr.. . .


    Literature

    Renovation of Edgar Allen Poe’s cottage in the Bronx, where he wrote “Cask of Amontillado,” is almost finished.

    Did you know the original Pinocchio is a tragedy that ends with Pinocchio’s execution?


    Movies

    The Guinness Book of World Records named Samuel L. Jackson as highest grossing actor of all time. Blessed is he who, in the name of charity and good will, shepherds the weak through the valley of the darkness.

    “He’s brought the theater of the absurd to the masses.”- Jack Black on Will Ferrell receiving Mark Twain Prize.

    Check out this review of new documentary about the band The Swell Season, which features Once stars Glen Hansard and Marketa Irglova.

    Tim Burton has designed a balloon for Macy’s Thanksgiving Day Parade.

    A new biography delves into the life and career of Spencer Tracy.

    The Princess Bride cast reunited for a recent photo shoot.

    Washington Cougars Clock
    Betty White is now a Cougar.

    Television

    Betty White received an honorary doctorate degree from Washington State Univ. She’s a Cougar now.

    Survivor’s Rupert Boneham is running for governor of Indiana.

    Music

    U2 revisits Achtung Baby while pondering the band’s future.

    Listen to Tom Waits’s new album, Bad as Me on the NPR website.

    “I love to be in a barbershop where I know I don’t have to get a haircut.” — Tom Waits in interview about new CD.

    The Flaming Lips will pay tribute to Steve Jobs by playing “Revolution” by the Beatles at the O Music Awards.

    One writer gave a nice appreciation of Extreme’s “More Than Words” . . . with words. (from Popdose)

    If you are a fan of Harry Smith’s Anthology of American Folk Music, you should check out this person’s blog.

    Folk-singer Pete Seeger enters his ninth decade as an activist.

    The iPod turns 10 this month. How has it changed music?


    What are your favorite pop culture stories this month? Leave your two cents in the comments section.

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    “Guerrilla: The Taking of Patty Hearst”

    The documentary Guerrilla: The Taking of Patty Hearst (2004), now on DVD, tells the story of when the Symbionese Liberation Army kidnapped newspaper heiress Patty Hearst.  Although one might long for the movie to go deeper into the subject, it provides a good overview of the story and the time period, with some implied prophecies for our current times.

    Patty Hearst Wanted PosterIn February 1974, the nineteen-year-old granddaughter of William Randolph Hearst was kidnapped in Berkeley, California by a group calling themselves the Symbionese Liberation Army (SLA). What followed was a story that became stranger and stranger. After the SLA failed to negotiate a trade of Patty Hearst for other SLA members who were in prison, they then demanded that the Hearst family feed the poor, which the family tried to do with various degrees of success.  Two months after the kidnapping, in a recorded message, Patty Hearst announced that she had joined the SLA and was now named “Tania.”  A few weeks later the nation saw her holding a gun on a bank camera with other SLA members committing a robbery.

    Guerilla takes us step-by-step through the months while Hearst was missing. It also briefly follows up through Pres. Carter granting her a commutation (Pres. Clinton later gave her a full pardon).  Near the very end, the movie includes brief footage from the 2003 trial of some of the SLA members.

    Today, through our individual failing memories (or through no memory if you were not born yet), one might struggle to comprehend what was going on the minds of the members of the SLA, an organization created with a name basically out of thin air and with an almost equally non-defined practical strategy beyond bringing about “revolution” in American society.  Compounding our difficulty in understanding the movie is that 9/11 forever changed our our perspectives on terrorism, and the SLA’s acts in the pursuit of media attention are directly related to modern terrorism.

    The movie does an excellent job of telling the story about the kidnapping through the arrest and trial of Hearst and other members of the SLA. It features interviews with some people involved in the events, including some insight from Russ Little, a founding member of the SLA who was in prison when the captors tried to trade Hearst for him. The one weakness is that there is very little from Hearst or the captors who were later caught, so the details of the captivity and Heart’s change are summarized and left to conjecture. The hole is not the fault of the producers, as many of the key players are now dead. 

    Regarding Patty Hearst, the director explains on the DVD commentary that they deliberately chose not to interview her because the focus was on the surrounding events and not her ordeal.  The director also notes that Patty Hearst liked the movie and said it was better without her.  I disagree, and I am not sure why her perspective was less relevant to the director, than, say Mr. Little.  But the movie still tells a fascinating historical story about the time period and the events. And the movie does provide some new perspectives from some of the people involved at the time.

    Conclusion? Guerilla: The Taking of Patty Hearst is a compelling documentary that will tell you much about the events surrounding the kidnapping, and it is a great introduction or refresher for those who vaguely remember 1974, while providing some new depth for those who were there. The movie, however, will leave you with several questions. But a successful documentary will leave you with a desire to learn more and seek out additional information, such as this Larry King interview with Patty Hearst on YouTube.

    Do you have memories of the period when Patty Hearst was kidnapped? Leave a comment.

    Time Is On My Side

    Rolling Stones Ed Sullivan On October 25, 1964, the Rolling Stones made their first appearance on the Ed Sullivan Show.  On the show, they first performed Chuck Berry’s “Around and Around.” And then they closed the show with their own “Time Is On My Side.”

    At the time, the Stones were still finding their footing in the U.S., following the release of their second U.S. album 12 x 5.  Meanwhile, “Time Is On My Side” was climbing the U.S. charts. The performance on The Ed Sullivan Show would help take them to another level.

    “Time Is On My Side” & Irma Thomas

    The formulation of “Time Is On My Side” that we all recognize was written by Jerry Ragovoy and Jimmy Norman and recorded by Irma Thomas in early 1964. The song would go on to be a hit, but not for Thomas.

    Months after Thomas’s recording, the Rolling Stones recorded their version of the tune.  They added a guitar lick but otherwise changed very little from Thomas’s version. For the Rolling Stones, it would be their first U.S. top ten hit, and they would perform the song on The Ed Sullivan Show.

    Although Irma Thomas did not match the success of the Rolling Stones with the song, she continues to perform and is especially loved in her hometown of New Orleans.

    Prior to “Time Is On My Side,” Thomas had a Top 20 hit with “Wish Someone Would Care.” But she never got anything near the paycheck that the Stones got for their version of “Time Is On My Side.”

    In The Heart of Rock & Soul, critic Dave Marsh notes that Thomas was “ripped off not just once but twice, and by two of the best.” Otis Redding also took her “Ruler of My Heart” and changed it to “Pain In My Heart,” altering and improving on her version more than the Stones did with “Time Is On My Side.”

    It is unfortunate that Thomas never saw the success that the Rolling Stones had, as it was their time. They were the bigger stars, but they also had the unfair advantage of being a white rock and roll band in the market at that time.

    Yet, it is great that Irma Thomas’s music is still out there for us to hear. Below is a video from 2014 of Thomas performing “Time Is On My Side.”

    The Rolling Stones on the Ed Sullivan Show

    On October 25, 1964, the Rolling Stones brought “Time Is On My Side” to a wide audience on The Ed Sullivan Show.  About halfway through the show, the band appeared to play “Around and Around.”  Then, they returned to close the show with “Time Is On My Side.”

    After the performance, Sullivan encouraged the screaming audience, saying “Come on, let them hear it!”  But then the screams were so loud that viewers at home could not hear Sullivan’s short conversation with Mick Jagger.

    The performance brought a great deal of attention to the Rolling Stones.  It helped boost ticket sales for their fall concert tour.  At the same time, the performance and their unkempt appearance also drew criticism from some more conservative viewers.

    Here are the Rolling Stones performing “Time Is On My Side” in 1964 on The Ed Sullivan Show.

    The Rolling Stones returned to The Ed Sullivan Show the following spring. They ultimately would make six appearances on the show, performing many of their songs that would become classics.

    What do you think about the versions of “Time Is On My Side”? Leave a comment.

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    World Series Songs: St. Louis Blues (Bessie Smith)

    St. Louis Cardinals baseball As we did for the Super Bowl teams from Pittsburgh and Wisconsin, Chimesfreedom continues with songs related to the locales of the two Major League Baseball World Series teams. While the previous post focused on the Texas Rangers, this post considers the home of the St. Louis Cardinals with “St. Louis Blues,” performed by the great Bessie Smith.

    In “St. Louis Blues,” by the legendary W.C. Handy, the singer tells about her man leaving her for a woman in St. Louis: “St. Louis woman with her diamond rings / Pulls that man ’round by her apron strings.” As she contemplates her sadness and considers going to the city to try to bring him home, she tells us, “I love that man like a schoolboy loves his pie / Like a Kentucky Colonel loves his mint and rye.”

    Bessie Smith (1894-1937) was one of the greatest blues and jazz singers of the 1920s and 1930s, recording several duets with Louis Armstrong. We are fortunate to have her on film because she appeared in the movie, St. Louis Blues in 1929. But by the end of that decade, her career suffered from the Depression and her alcoholism.

    Essential Bessie Smith As her career was recovering in the 1930s, through recording with John Hammond and through a return to performances in shows and clubs, she died from injuries in a car accident in 1937. Thousands of mourners came to pay tribute to her coffin in Philadelphia, and thousands more attended her funeral. But there was no money to mark her grave. In 1970, Janis Joplin and Juanita Green, a child of one of Smith’s domestic employees, paid for a tombstone to mark the grave of the great Bessie Smith. Joplin once said, “She showed me the air and taught me how to fill it. She’s the reason I started singing, really.”

    The Cardinals hope to find a similar inspiration so they do not end up singing the blues.

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