On July 9, 1962, Bob Dylan entered Columbia’s Studio A in New York and recorded “Blowin’ in the Wind.” It would be a year, though, before the recording was released on his album The Freewheelin’ Bob Dylan. The song and album were a breakthrough for Dylan after his unsuccessful self-titled first album, with many crediting the song and album as a turning point for Dylan’s songwriting.
Most people, however, first heard the song from a source besides Dylan’s 1962 recording. Besides those who were lucky enough to hear him sing it in a performance, many first heard it in another voice. Before Dylan’s version of the song was released, Peter, Paul, and Mary had a pop hit with the song, which became a civil rights movement anthem.
This video captures Dylan performing the song on TV in 1963.
What is your favorite version of “Blowin’ in the Wind”? Leave your two cents in the comments.
The Remember website is making videos compiling music, movies, TV shows, video games and other pop culture references from past years. Their newest video takes a look at the year 1990. Remember Wilson Phillips, Beverly Hills 90210, “Vogue,” and Goodfellas? Check it out.
So far, they have covered five years. So far, the earliest year they have covered is 1986, but they are taking votes about which year to cover next. Below you may check out the 1986 video. Remember Alf, Don Johnson’s “Heartbeat,” the Challenger explosion, Stand By Me, and “Invisible Touch”?
What year would you like to see compiled into a video and why? Leave your two cents in the comments.
Several years ago, I saw a performer named Teddy Morgan perform to a small bar crowd in Manhattan. Having already discovered Morgan’s music through two friends, I was disappointed there was not a larger crowd for someone who made such great music.
But it is a tough business. The ups and downs of the music world eventually probably led Morgan to shift his focus from his talented work as the front-man of a band to being a backing performer for actor-singer Kevin Costner in his band Kevin Costner & Modern West.
You have to do what you have to do to survive. And the change allowed Morgan to make a living and play before much larger crowds than he was seeing out on his own. But I miss the music he might have made if he had continued on his prior path.
Teddy Morgan’s Early Career
Morgan grew up as a talented guitarist in Minneapolis recording his first album, Ridin’ in Style (1994), with a focus on blues. Allmusic lists an album from 1995 called Teddy Morgan & the Sevilles, but I have not been able to find it.
Although Morgan’s albums featured his singing, on other projects he often loaned his guitar skills to make other singers look good too. For example, he played guitar in a performance from 1994 backing up singer Candye Kane on the blues.
Below is another early Morgan performance where Morgan sings lead on a song when he was still focused on the blues. Here, he performs “Dear Ted Letter” with the Sevilles (Eric Mathew (bass), Esten Cooke (drums)) in July 1994 at the 19th Anniversary of Antone’s in Austin, Texas. July 12, 1994.
For me, though, Morgan’s best work so far came in his next four albums. Although the blues continued to color his work, these next albums blended his blues influences into albums that tended more toward roots-rock. Bob Dylan influenced Morgan’s music too, as Morgan occasionally covered some Dylan songs.
Louisiana Rain & Lost Love & Highways
His style shift reflected a geographic move after Kim Wilson of The Fabulous Thunderbirds heard the young Morgan in a bar and convinced him to move to Austin. Morgan’s next albums — Louisiana Rain (1996) and Lost Love & Highways (1999) — showed the influences of rock and roll as well as country music on his blues style.
Below is “Baby Don’t Leave Me” from Louisiana Rain (a song that at least one band, The Jelly Blues, has covered).
Lost Love & Highways included a sharp band called the Pistolas. NPR and Entertainment Weekly’s Ken Tucker selected Lost Love & Highways as one of the best albums of the year. But apparently the sales were not there.
Below is the title song from Lost Love & Highways, showing the country influence:
In 2000, Morgan made another geographic shift, moving to Arizona. Morgan then released two more albums on small or independent labels: Crashing Down (2003) and Freight(2003).
I saw Morgan perform live soon after the release of Freight, which may be his best album. But by that time, he was reduced to trying to sell the CD out of a cardboard box on breaks during his performances. I bought two copies from him.
One of my favorite Morgan originals is the song, “Along the Way,” which is a great combination of blues and rock with a little twang.
Yet, it was clear that after four albums, Morgan was far from being supported by a big label.
Move to Nashville & Joining Kevin Costner
It appears with a relatively disappointing solo career, Morgan used his talents in other ways. He moved to Nashville, and he played on CDs for other performers. He also worked as a producer and used his other vast talents to stay in the music business.
And at some point, because of Morgan’s talents and based upon the recommendation of John Coinman, Kevin Costner asked Morgan to join his band Modern West.
Teddy Morgan still maintained his own website for awhile after joining Modern West. But it is focused on promoting his work with other artists like Alternate Routes and Tim Warren as opposed to promoting his own solo music. Morgan also has performed with The Alternate Routes in addition to his gigs with Modern West. By 2017, Morgan abandoned his own website for a period. In 2021, we learned through him that he has a new website about his songwriting and work producing other artists.
More recently, Morgan played guitar on and produced “Love Shine” for Kevin Costner and Modern West. The band released the video in June 2017.
I understand that, like all of us, Morgan has to make a living. Unlike many others, he is fortunate to be using his talents in something he loves. And I am thankful for the music Teddy Morgan has made. I am a fan of Kevin Costner’s movies and do not begrudge him pursuing other artistic endeavors either. Modern West consists of talented musicians.
But I still wish Costner would occasionally let Morgan play “Along the Way” on stage. And I wish Morgan were making more music on his own.
By himself, though, Morgan probably never had a crowd anywhere near as big as this one with Kevin Costner singing Bob Dylan’s “Mr Tambourine Man.” When you watch the video, Morgan is on the far right side of the screen.
Who is your favorite side-person in a famous band? Leave your two cents in the comments. November 2016 Update: Apparently, Teddy Morgan no longer maintains a website for his own music.
As someone who regularly rides the subways of New York City, I am intrigued by a new movie montage video by Jonathan Hertzberg. Hertzberg put together a collection of film clips that feature the New York City subway system of the 1970s and 1980s.
Featured films include The French Connection (1971), Little Murders (1971), Nighthawks (1981), Saturday Night Fever (1977), The Warriors (1979), The Last Detail (1973), Serpico (1973), Bananas (1971), Death Wish (1974), Night Shift (1982), The Brother From Another Planet (1984), and The Taking of Pelham One Two Three (the 1974 original, not the 2009 remake). Hertzberg does a great job of putting together the clips in the way that makes it seem like one movie with Charles Bronson and Woody Allen on the same subway car. Check it out.
Slate writes a little more about the video, noting that it is a work in progress and Hertzberg will be adding other films.
What is your favorite New York Subway scene in a movie? Leave your two cents in the comments.
On July 1-3, 1863, Union and Confederate soldiers fought on the fields near the town of Gettysburg, Pennsylvania. During that time, between 46,000 and 51,000 men on both sides were injured or killed.
The battle was a significant victory for the Union, having repelled General Lee’s entry into the North, but the Civil War was far from finished. The battle’s significance, and the war’s meaning, was further solidified several months later on November 19 when the Soldier’s National Cemetery at Gettysburg was dedicated, featuring President Abraham Lincoln’s Gettysburg Address.
Of course, there are no survivors of Gettysburg on this anniversary. But on the fiftieth anniversary of the battle in 1913, some of the survivors of the war from both sides did attend a reunion. Ken Burns’s wonderful documentary The Civil War recounts that reunion as well as the seventy-fifth anniversary in 1938.
Have you been to Gettysburg? Leave your two cents in the comments.
On July 9, 1962, Bob Dylan entered Columbia’s Studio A in New York and recorded “Blowin’ in the Wind.” It would be a year, though, before the recording was released on his album The Freewheelin’ Bob Dylan. The song and album were a breakthrough for Dylan after his unsuccessful self-titled first album, with many crediting the song and album as a turning point for Dylan’s songwriting.
Several years ago, I saw a performer named Teddy Morgan perform to a small bar crowd in Manhattan. Having already discovered Morgan’s music through two friends, I was disappointed there was not a larger crowd for someone who made such great music.
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recounts that reunion as well as the seventy-fifth anniversary in 1938.