The Coolest Thing About the Opening of “O Brother, Where Art Thou?”

James Carter Po Lazarus

The excellent Coen Brothers’ movie O Brother, Where Art Thou? (2000) opens with a scene of prisoners in the old South working on a road and singing the work song “Po’ Lazarus.” Unlike many of the other songs on the T-Bone Burnett produced soundtrack, though, “Po’ Lazarus” was not recorded specifically for the film.

Recording of “Po’ Lazarus”

The recording of “Po’ Lazarus” was one of the many recordings made by Alan Lomax and his father John Lomax. The two men visited the Mississippi State Penitentiary in 1959 and recorded prisoner James Carter leading a group of other prisoners in the song.

That recording of “Po’ Lazarus” later appeared on Lomax’s 1960’s album Bad Man Ballads credited to James Carter and the Prisoners. The song recounts a sheriff going to arrest Lazarus.  Then, the sheriff ends up shooting “Po’ Lazarus”: “Well then they taken old Lazarus/ Yes they laid him on the commissary gallery.”

Finding James Carter

But that background is not even the coolest part of the story. According to The Southern Journey of Alan Lomax by Tom Piazza, the Coen Brothers movie brought a little more good will to singer James Carter.

After the soundtrack to O Brother, Where Art Thou? became a bestseller, Alan Lomax’s daughter Lomax Chairetakis and others tracked down the 76-year-old Carter living in Chicago. They gave him a substantial royalty check.  And then in February 2002 flew him, his wife, and two daughters to the Grammy Awards ceremony.  At the ceremony, the soundtrack won the album of the year for 2001.

The New York Times noted that Carter had left home at age 13 and did time in prison for theft, a parole violation, and weapons possession.  Before his rediscovery, he barely recalled singing the song for the recording.

James Carter passed away in November 2003, less than two years after his trip to the Grammys. The other prisoners in the recording have never been identified. But together they created an outstanding recording used in a classic film.

What is your favorite song from O Brother, Where Art Thou? Leave your two cents in the comments.

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    Remembering Bob Dylan’s 1969-1971 Period

    Another Self Portrait Bob Dylan has released a short film promoting his new CD set Another Self Portrait (1969 – 1971): The Bootleg Series Vol. 10. The video features studio player Al Kooper, producer Bob Johnston, and guitarist David Bromberg discussing the 1969-1971 Dylan. During that time period, Dylan produced his much-maligned Self-Portrait album as well as New Morning.

    The interesting nearly 12-minute version of the film addresses questions such as why many were disappointed in that period, what was up with Dylan’s voice at that time, and why it is worth reconsidering that period. [Update: The 12-minute version appears to be no longer available, but here is a shorter promotional film.]

    Another Self Portrait will be released August 27.

    What is your favorite song from the 1969-1971 Bob Dylan? Leave your two cents in the comments.

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    Why Is There No Ballad of Frank James?

    Frank James 1898
    Frank James 1898

    On August 21 in 1883, Frank James went on trial in Gallatin, Missouri. In April 1882, Robert Ford had shot and killed Frank’s brother Jesse. Instead of waiting for someone to shoot him in the back, Frank James decided to turn himself in to authorities in October 1882.

    Despite the crimes committed by the Janes brothers, many Missourians thought highly of the two outlaws. Although the James-Younger Gang had killed many people during their robberies, many citizens saw them as heroes, taking money from the banks and railroads and giving it back to the poor.

    Post-Civil War sympathies also helped Frank James, who had fought for the South. So, the jury found him not guilty. Likewise, Alabama would fail to convict Frank James of armed robbery.

    After the Trial

    In late 1883, Missouri released James, and he went to live with his mother in Oklahoma for awhile. He lived within the law, doing a number of jobs including berry picker, shoe salesman, lecturer, Burlesque theater ticket taker and betting commissioner.

    Unlike his brother, Frank James died peacefully in Missouri on February 18, 1915 at the age of 72. He was cremated and his ashes were kept in a bank vault to avoid the risk of grave robbers. Eventually, his ashes were buried with his wife in Missouri.

    Popular Culture

    There is a very inaccurate Henry Fonda movie about Frank after Jesse’s death, called The Return of Frank James (1940). The film was a sequel to 1939’s Jesse James, starring Tyrone Power.

    Frank James is also portrayed as an older man, briefly, near the end of the 2010 version of True Grit. In the scene, where the James character remains sitting, Mattie Ross says, “Keep your seat, trash.”

    Perhaps, because Frank James died peacefully, he never became the subject of many songs like his brother did. The most famous song about Frank’s brother is the folk song “Jesse James,” which makes Jesse a hero and calls his killer a coward.

    “Jesse James” was first recorded in 1924, and it also appears in the excellent 2007 movie The Assassination of Jesse James by the Coward Robert Ford, where Sam Shepard played Frank James. Bruce Springsteen recorded a nice version as part of his Seeger Sessions.

    Below is a version of “Jesse James” by Van Morrison with Lonnie Donegan and Chris Barber from The Skiffle Sessions (2000).

    Although dying in a blaze of violence is more likely to be mythologized than a quiet death at old age, I suspect there is yet to be a great song written about Frank James.

    (Photo of Frank James via Library of Congress – Public Domain)

    What is your favorite version of “Jesse James”? Leave your two cents in the comments.

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    Tompall Glaser RIP

    Wanted The Outlaws Country outlaw Tompall Glaser passed away this week. Glaser had a distinguished career, performing with his brothers and running a publishing company. But most of us know him for his work on the first “outlaw” country album, appropriately named Wanted! The Outlaws. The 1976 album — which also featured Willie Nelson, Waylon Jennings and Jessi Colter — was a landmark album that went platinum.

    One of the songs Glaser performed on the album, along with “Put Another Log on the Fire,” was “T for Texas.” Here he is performing the song in the 1980s.

    Glaser also co-wrote the great song, “Streets of Baltimore,” for Bobby Bare. The song contains a lot of alt-country street cred because of the wonderful version by Gram Parsons. More recently, the song has been covered by The Little Willies. Here is a 2006 Virginia performance of the song by Ryan Adams.

    T for thanks for the great music, Mr. Glaser. Rest in peace.

    What is your favorite Tompall Glaser song? Leave your two cents in the comments.

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    End-of-the-World Movies . . . Without Special Effects

    Science Fiction Without Special Effects In the last several years, there have been a number of interesting science fiction films that manage to avoid using special effects, or use very limited special effects. Maybe it is a response to the prominence of CGI, where so many movies are weighed down by images that you know just are not “real.” Maybe it is an attempt to return to using science fiction elements to actually say something besides blowing up things. In this genre, Chimesfreedom has discussed three films that we really liked: Robot & Frank (2012), Another Earth (2011), and The Man from Earth (2007). Another film that was interesting was Melancholia (2011). Two other films to add to this list are It’s a Disaster (2012) and Seeking a Friend for the End of the World (2012), both now available on DVD and Blu Ray.

    Of the two, Seeking a Friend for the End of the World has the bigger stars, featuring Steve Carell and Keira Knightley (as well as a small appearance by Martin Sheen). The film begins with Dodge (Carell) and his wife listening to the announcement that an asteroid is going to crash into earth in three weeks, resulting in his wife making a mad dash to leave her husband. Thus begins Dodge’s quest to find some company for the end of the world.

    The movie, directed by Lorene Scafaria, has some laughs and some interesting thoughts on different ways people might react to the end of the world. The film avoids going the expected route of going for an all-out fantasy comedy or for going for futuristic reality. But because the movie tries to walk a middle ground between comedy and tragedy, it seems to zig zag back and forth, making for interesting but somewhat unsettling viewing, especially as the movie becomes more serious toward the end. Still, I enjoyed the film and the fact that it aimed for something a little unusual.

    By contrast, It’s a Disaster is clearly a comedy. The film follows the interactions of several couples during a Sunday “couples brunch” as they gradually come to learn that someone has set off some dirty atomic bombs not far away and, inevitably, they are all going to die, probably within the day. But the film centers less on the morbid future and more on the relationships between the couples as they go about their afternoon finding things out about each other, occasionally taking some time to come up with ideas to figure out what they should do.

    The low-budget film directed by Todd Berger pretty much stays inside the house for most of the movie, but it makes you laugh at the characters and what you would do in the same situation. As when you watch Seeking a Friend, at some point you also will start wondering how the movie might end. If you go into the film with modest expectations, you might enjoy the comedy of manners that takes place. To reveal much more would ruin your fun. It’s a Disaster stars Julia Stiles, David Cross, Rachel Boston, Kevin M. Brennan, and Laura Adkin.

    Conclusion? Seeking a Friend for the End of the World and It’s a Disaster are two interesting minimal special effects end-of-the-world movies that are worth your time on a lazy rainy afternoon. While they are not great movies, they are somewhat unusual and might make you think a little while entertaining you. Of the two, Seeking a Friend for the End of the World is more ambitious, while It’s a Disaster is a little more light-hearted take on a serious subject.

    Other Reviews Because Why Should You Listen to Me? Rotten Tomatoes has mediocre ratings for Seeking a Friend for the End of the World from both critics (56%) and audience members (54%), perhaps reflecting the unevenness of the movie. By contrast, on Rotten Tomatoes, the less ambitious but more consistent It’s a Disaster gets a decent audience rating (68%) and an even better critics rating (77%). Jason Bailey at Flavorwire sums up It’s a Disaster as an “odd, funny, invigorating little movie.”

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    What did you think of these films? Leave your two cents in the comments.

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