Glenn Miller’s Disappearance

Glenn MillerOn December 15, 1944, trombonist and bandleader Glenn Miller got on a single-engine aircraft near London to fly to France. Somewhere over the English Channel, though, the plane went down and was never recovered. Miller was 40 years old.

Miller had left behind his successful career in 1942 to join the United States Air Force during World War II. After basic training, he formed the Glenn Miller Army Air Force Band, playing for troops to boost morale. He took the flight in 1944 to play for soldiers who had helped liberate France. Some attribute bad weather to the plane crash, while others have argued that bombs jettisoned from Allied planes may have accidentally hit Miller’s plane.

Miller had a number of popular swing hits that established a special sound for the Glenn Miller Orchestra. But when most people think of Glenn Miller, the first tunes that comes up are “Moonlight Serenade” and “In the Mood” (which also played an important role in a book recently reviewed here, Stephen King’s 11/22/63.) So, while we remember the great loss to popular music on this date, we also remember the great joy (and service) Miller gave us.

Photo via public domain.

What is your favorite Glenn Miller performance? Leave your two cents in the comments.

  • Stephen King’s 11/22/63 (Short Review)
  • (Some related Chimesfreedom posts.)

    All-Star “Fairytale of New York” on Jimmy Fallon

    fairytale new york hansard fallon
    On a recent Late Night with Jimmy Fallon, Sam Beam from Iron & Wine joined Calexico for a rousing version of The Pogues holiday classic, “Fairytale of New York” (a song discussed in a previous Chimesfreedom post about depressing holiday songs). As if that were not enough, Glen Hansard and Kathleen Edwards joined in the fun too. Check it out. [February 2014 Update: The video is no longer available from NBC, so below is an amateur video of the same group performing the song at the WWFUV Holiday Cheer Concert.]

    Iron & Wine, Calexico, Kathleen Edwards, and Glen Hansard recently played together, including a performance of “Fairytale of New York,” at a Holiday Cheer benefit concert in New York.

    What is your favorite “sad” holiday song? Leave your two cents in the comments.

  • The Story Behind “The Fairytale of New York”
  • ‘Fairytale of New York’ at Shane MacGowan’s funeral
  • New York Is Not “Invisible” When U2 Play on Fallon Debut
  • Late Night With Jimmy Fallon’s Last Waltz
  • Springsteen and Fallon as Two Springsteens Stuck in a Traffic Jam
  • Late Night Wars: Jay Leno and Jimmy Fallon Sing
  • (Some related chimesfreedom posts.)

    Mistakes in “Back to the Future”?

    A new video examines “Everything Wrong With Back To The Future in 8 Minutes Or Less.” CinemaSins compiled the errors and created the entertaining video. What happened to one of George McFly’s pens? How did Doc open the doors on the DeLorean inside the truck? How did Marty McFly turn around the car inside the barn? These and other questions will be raised (but not answered). Check it out.

    What is your favorite mistake in “Back to the Future”? Leave your two cents in the comments.

  • What Tarantino’s “Star Trek” Might Look Like
  • New Honest Trailer for “The Princess Bride”
  • Billy on the Street Thanksgiving Parade
  • Batman vs. Superman, Old School
  • 100 Cartoon and Film Impressions in Under Four Minutes
  • Biff from “Back to the Future” Is Doing Stand-Up Shows
  • (Some related Chimesfreedom posts.)

    “The Way Way Back” Way Way Suprised Me (Missed Movies)

    Sam Rockwell Way Way Back Occasionally, I will receive in the mail a Netflix movie where I have no idea how the movie ended up on my list. By the time I received The Way Way Back (2013) and popped it in my DVD player, I was expecting a film about prisoners escaping from a Siberian Gulag camp during World War II before realizing that movie was called The Way Back, a 2010 movie I still want to see. Instead, The Way Way Back turned out to be a surprisingly enjoyable movie about a teenage outcast trying to understand his life one summer.

    The Way Way Back
    , written and directed by Nat Faxon and Jim Rash, follows the awkward 14-year-old Duncan, played by Liam James, who goes with his divorced mother Pam (Toni Collette) on vacation to a Cape Cod beach house with her boyfriend Trent (Steve Carell) and his daughter. Duncan is out of place in the world of adults, and eventually he begins exploring on his own, finding a surrogate family at the local water park managed by Owen, played by Sam Rockwell.

    While I would not describe The Way Way Back as a small independent film, it does use a modest budget to illustrate a realistic story that does not overly play to Hollywood stereotypes. The victories and the defeats in the movie are not overblown, and the story seems honest, while also being fun.

    I suspect that The Way Way Back ended up in my Netflix Queue because I had read a good review and saw that two actors I like, Rockwell and Carrell are in the movie. Steve Carrell plays against type here, portraying someone who is a jerk, while Rockwell uses his quirky charm to full effect. And Toni Collette is brilliant at playing a troubled mom, as she did in About a Boy (2002). The excellent cast also includes Maya Rudolph and Rob Corddry.

    Considering the small budget, The Way Way Back was modestly successful at the box office and created a lot of buzz coming out of The 2013 Sundance Film Festival. But if you missed it the first time around, it is worth a rental.

    Conclusion? If you are in the mood for a modest story with interesting characters and are not expecting an overblown adventure, you probably will enjoy the small coming-of-age tale in The Way Way Back. The honesty of the story and the excellent cast make the movie a nice surprise and a good movie that you might have missed. Rotten Tomatoes gives the movie a respectable 86% rating from both critics and audience members.

    {Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}

    What did you think of The Way Way Back? Leave your two cents in the comments.

  • SNL Brings Together “The Hobbit” and “The Office”
  • “That One Night” by The Hunted: So Wrong, So Right
  • Snow Angels (Missed Movies)
  • End-of-the-World Movies . . . Without Special Effects
  • Ron Burgundy Enters the 1980s in “Anchorman 2” Trailer
  • Todd Packer Looks Back on “The Office”
  • (Some related Chimesfreedom posts.)

    Thoughts on the Passing of Nelson Mandela (Guest Post)

    The following is a Guest Post by James Silk, who is a Clinical Professor of Law at the Allard K. Lowenstein International Human Rights Clinic at Yale Law School. After Jim shared his thoughts privately, he gave us permission to share these reflections with our readers.

    I hesitate to share my thoughts about the death of Nelson Mandela. It feels pretentious to express my personal reaction when I have no claim to any insight or wisdom or connection to Mandela. To reflect without resorting to cliché seems almost impossible. I started to write tonight only to try to understand myself why the news of Mandela’s death affected me so strongly and felt so personal. But I decided to share my graspings, first, with my family and friends and then with others I know are struggling with their own complicated feelings.

    I was driving when I heard that Mandela had died. As I pulled over, tears overflowed my eyes, taking me by surprise. My immediate thought was, “What right do I have to cry over this great man’s death?” As tears continued to brim, I continued to question, “Who am I to mourn the far-off passing of a hero who belongs to his country and people?” But the sadness returns every time I hear his name or see his image or think about the loss. I wanted to understand, but I have found only feeble guesses, more questions than answers.

    Nelson MandelaFirst, most personal and removed from any more universal response, I imagined my father, with his gentle smile and voice not unlike Mandela’s, born a year before Mandela, in harsh circumstances that might have embittered him but, instead, made him an unfailingly loving and generous father. Maybe it felt, in the language so many used to talk about Mandela, like losing a father, but a father to us all. Or was it just that losing a hero so linked to the promise of life came as an especially hard-to-ignore reminder of the fate we all share but that, for some of us, is no longer far enough away to scorn?

    I thought back to myself fumbling through my twenties unsure of where I might find a path into life as a responsible adult until, in graduate school in the late 1970s, I happened into a small role in a modest effort with people of inspiring dedication and integrity trying to help end apartheid by pressing the University of Chicago to divest from companies doing business in South Africa. It was the clear wrong of apartheid, cynically consecrated as law, that pushed me eventually and diffidently to seek a place trying to contribute in some way to the cause, then beginning to blossom, of establishing and protecting human rights.

    And Mandela’s death felt instantly like the end of something, but what exactly was it that felt like such a terrible loss? It’s all the things that people have said, many, like Muhammad Ali, eloquently, about what Mandela accomplished and meant. Still, that didn’t seem to explain the desolation, here and tangible and personal, that I felt. That, I thought, must be the worry, even the fear, that we are deprived of Mandela’s profound optimism, his embodiment of the possible counterpoise between justice and love, his transcendence of bitter difference, hatred, and long years of life stolen in the service of greed and power. It’s not only that we’ve lost this one remarkable person who gave us these gifts; it is as if, without him, there is no one in the world who embraces, represents, insists on these values. Without his example, in a darkening time, where will we look to find the inspiration to optimism that the world so badly needs? The hope, as my son, Jonah, said, is that Mandela’s death will remind the world what he stood for. Optimism for most of us, I believe, requires work. That work may be even a little harder now.

    The closest I came to understanding why I have found myself experiencing grief (and not just the more comprehensible sadness of a hero lost) is something a little different or maybe just a summary of it all. In a world that has been looking uglier -– politics and its rhetoric, ugly like never before, our earth and home, turning violent and ugly, the ethic of terror, spreading its ugly contagion, ugly greed and disdain for people in need, pushing us further and further apart -– we have lost a great leader who was, in every facet of his life and despite the cruel injustices he suffered, beautiful. When you think of Nelson Mandela, you see a beautiful man and life. We are diminished because a world short on beauty is today less beautiful. Where we need it most, from the Middle East to South Africa itself without Mandela to the prisons of China and the United States to the city streets, who will stand, defying the ugly, beautiful in the face of hate, darkness, greed, and fear?

    For now, with no intent against the peace of Mandela’s final rest, I keep hearing the words of Dylan Thomas:

    “Do not go gentle into that good night.
    Rage, rage against the dying of the light.”

    Maybe Mandela’s gift to us is one more act of reconciliation: to insist that we “rage against the dying of the light” and still have permission to finally “go gentle into that good night.”

    Photo via Library of the London School of Economics and Political Science (public domain).

  • Nelson Mandela, Sun City, and Changing Times
  • (Some related Chimesfreedom posts.)