chimesfreedom

For every musician who hits it big, there are many more who release an album or two and disappear for various reasons. We have written about some of those artists who have created some great music and then disappeared from center stage, such as Sinéad Lohan (leaving us for a quieter life) and Teddy Morgan (leaving us for Kevin Costner). Another one of these missing artists who we love and miss is Mike Ireland & Holler, who released two excellent alt-country albums around the turn of the century that were born out of Ireland’s personal turmoil. And then, Ireland disappeared.

Learning How to Live

Ireland, a tall bald man with long sideburns who grew up in Kansas City, did not look like the typical country musician. But the albums he created with his band Holler — Learning How to Live (1998) and Try Again (2002) — are built around a beautiful aching tenor twang that also led to appearances on the Grand Ole Opry as well as opening for Buck Owens.

Below, Ireland performs the title track from Learning How to Live on Signal to Noise. He is accompanied by the members of his band Holler — Mike Lemon, Paul Lemon, and Dan Mesh. Check it out.

Critics loved the album.  In describing this 1998 album, Allmusic noted that “few artists cut as deeply with raw, honest desperation,” calling Learning to Live “one of the finest (and certainly most underappreciated) country albums of the decade.”  A September 1998 Los Angeles Times review of a live show before “barely a dozen customers” compared him to Gram Parsons.

Unfortunately, though, Learning to Live did not sell well for the Sub Pop label.  It sold only around 2,500 copies in the first four years, while Ireland played shows to small audiences (even though he also got to play the Grand Ole Opry). But it was an unfair result for an album wherein the singer-songwriter poured so much of his soul. To understand how Learning How to Live came about, one must go back several years.

Holler’s Beginnings and Mike Ireland’s Heartbreak

Long before Mike Ireland put together his band Holler, he played music while in college in Columbia, Missouri.  There, he teamed up with singer-songwriter Rich Smith and formed a band called And How.

Several years later, the two reunited to form a band called The Starkweathers. In the early 1990s, The Starkweathers were starting to garner some success with a 1994 EP release. The group’s country-punk sound featured Ireland’s harmonies with lead singer Smith. Below is the band’s song, “Burn the Flag.”

The Starkweathers had formed out of an impromptu performance of friends at Ireland’s wedding. But his relationship with his wife would ultimately lead to the destruction of the band too.

Just as the band members were starting to put more time into their music and after Ireland quit his day job teaching English composition, in October 1995 Ireland found out that his wife was having an affair with his band partner Smith.

After the discover of the affair, the band broke up.  Rich Smith left the music business for awhile, working in a music store, before he would later try to start a new band, The Broadsides.  Smith continues to make music and was listed as a local performing artist in Missouri as recently as 2013.

So, Ireland not only lost his wife, he lost his band and his friend. As Ireland later explained, “So suddenly I was without a wife or a house or a band or a job or a best friend. And it was pretty devastating.”

Creating Music Out of Pain

He thought his life in music was ending. But Ireland poured the pain of his personal life into writing new songs. His life, which now sounded like an old country song, led him to find a connection to a more traditional country sound, incorporating honky-tonk and Billy Sherrill-like countrypolitan styles. The result was his 1998 debut album with new band Holler, Learning to Live.   The album featured ten original compositions and two covers.

The album leads off with a song, “House of Secrets,” a song about a man burning down a house holding his wife and her lover. It is an angry song that only could have been written by a man who genuinely felt betrayed.

Other highlights on the album included a cover of the murder ballad “Banks of the Ohio.” Ireland also recorded a song Chimesfreedom ranked among the most depressing Christmas songs ever, “Christmas Past.”

Try Again

As noted above, Learning to Live did not sell well despite some glowing reviews, including this recollection from Hillbilly at Harvard about a 1999 performance. Then, in 2002, Ireland released a second album with Holler, Try Again. The album features some bigger arrangements on songs like the honky-tonk title track, “Try Again.”

Ireland’s sophomore album continues using themes still tempered with reality.  One of the highlights is Ireland’s excellent cover of Charlie Rich’s “Life Has Its Little Ups and Downs,” which was written by Rich’s wife Margaret Ann Rich.

But Ireland was much happier around the time of this album. So, many of the songs show some rays of hope.  “I’d Like To” is one of the songs on the album also featured in a bonus disk version.

Disappearance From the Music Industry

As of today, that seems to be it for music from Mike Ireland & Holler. Many who have heard Ireland’s music find a deep connection to it, as do I.  At least one writer has called Ireland’s second album a “masterpiece,” while another called his first album “timeless.” But unfortunately, not enough people have heard his wonderful music.

One may wonder what Mike Ireland has been doing since his last album came out in 2002.  A more recent mention of him mentions a December 2005 Mike Ireland and Holler show at Mike’s Tavern in Ireland’s hometown Kansas City.  A video posted in 2011 shows an older Holler in fine voice performing “Learning to Live Again” as part of “the reclamation project concert.” It may be from 2011, but the date of the performance is unclear.  At the same concert, Ireland also performed “Happy Today” with Kansas City band Howard Iceberg & the Titanics backing him up.

One clue to Ireland’s whereabouts come from a comment on a YoutTube video, claiming that Ireland is semi-retired.  But it is unclear how that person got the information.

Some of the musicians who played with Ireland continued to make music. Another musician who played drums with Holler, Matt Brahl, went on to play with a number of bands, including The Hardship Letters, Potter’s Field, The Naughty Pines, and The Liz Finity Affair.  Other band members included Michael Lemon, Paul Lemon, and Dan Mesh.  And Mesh went on to play with Howard Iceberg and the Titanics (meaning that it could be Mesh in the blue shirt backing Holler on guitar in the more recent video of “Happy Today” posted above, although I cannot find a picture of Mesh to confirm).

One may wonder if Mike Ireland’s exit from the music industry might partly be related how his music career connected directly to a sad time in his life. Playing his songs of heartbreak must bring back painful memories. Additionally, every interviewer always brought up the breakup of his marriage.

Perhaps Ireland no longer wanted to bear that wound so publicly. Other artists have created great works resulting from pain. But, for example, when Frank Sinatra documented his relationship with Ava Gardner in In the Wee Small Hours, that album became just one part of a vast catalog. For Ireland, both of his albums remain connected to his heartbreak and his recovery.

Hopefully, Ireland is somewhere still singing and writing songs. And I hope that more people eventually discover his beautiful music. But I also hope he is happy.

{Update} In 2018, Cousin Banjo on Twitter pointed me to Ireland’s current career, writing movie reviews for KC Active, an online newspaper devoted to news and entertainment information for the Kansas City metro area.  He is a member of the Kansas City Film Critics Circle.  Ireland also has a website of movie reviews, The Rest Is Advertising, with his wife, Beck Ireland.  The link features a photo of the couple, showing Mike still has his signature sideburns. They provide a great resource about film, so check out their reviews.

It’s great that Ireland continues to use his wonderful writing skills. Yet, even if the two albums are all the music we will ever hear from Mike Ireland & Holler, I’ll continue to cherish those albums. Maybe his disappearance from the stage is him just teaching us again that “Some Things You Lose.” Ah, but sometimes the journey is worth the pain of our losses (and sometimes you have to lose something to gain something else).

Leave your two cents in the comments.

(Some related Chimesfreedom posts.)