Lincoln, Lincoln, Lincoln, Lin-coln

louie lincoln

Some of the most innovative half-hour television comedy shows in recent years has been comedian Louis C.K.’s show on FX, Louie. Last night, Louis C.K. hosted Saturday Night Live, and one of the best segments was a mash up of Louie with the sixteenth president of the United States. As we go to the polls this week, the “Lincoln” segment is a good reminder to keep our good humor. Check out what a comedy starring Abraham Lincoln just might look like in 2012 if Lincoln were anything like Louie.

2024 Update: Currently the video is not available, but here is another SNL segment about Lincoln.

What did you think of Lincoln? Leave your two cents in the comments.

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    Triumph the Insult Comic Dog Visits Presidential Debate

    In case you missed it on Conan, our funny video of the week is Triumph the Insult Comic Dog’s appearance at the final presidential debate in Florida. Check it out.


    What’s your favorite part of the video? Leave your two cents in the comments.

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  • Watch Classic Music from Dick Clark’s Saturday Night Beech-Nut Show

    Dick Clark's Beech-Nut Show NRR Archives on YouTube started posting old rock and roll clips from Dick Clark’s Saturday Night Beech-Nut Show. Clips feature Johhny Cash, Jerry Lee Lewis, Connie Francis, Dion and the Belmonts, Bobby Darin, Annette Funicello, The Platters, Sam Cooke, The Everly Brothers, Conway Twitty, Ronnie Hawkins, Jackie Wilson and many others. Check out the NRR Archive link to see the clips. Here is Roy Orbison singing “Uptown” (the clip also includes Anita Bryant singing “Paper Roses”).

    Dick Clark’s Saturday Night Beech-Nut Show, also known as “The Dick Clark Show,” ran on ABC at 7:30-8:00 p.m. (EST) on Saturdays (of course) from February 15, 1958 through September 10, 1960. During this same period, Clark also hosted the show for which he is most remembered, American Bandstand, which ran on weekdays. Bandstand, which in contrast to the Beech-Nut Show featured dancing, was mainly broadcast from Philadelphia, requiring Clark to travel back and forth to Manhattan, from where the Beech-Nut Show was generally broadcast.

    Although the Saturday show sponsored by “the brightest and the happiest gum there ever was” may be less remembered than some of Clark’s other work, the show had a lot of great classic music. Check out Johnny Cash singing “The Rebel (Johnny Yuma)” below and then check out the other clips.

    What is your favorite clip in the archive? Leave your two cents in the comments.

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  • A Story of the Land and the People: Centennial Miniseries

    CentennialIn October 2012, Alex Karras, a defensive tackle for the Detroit Lions passed away. Many will remember him for his excellent play on the field or his nights in the Monday Night Football booth. Or maybe they will remember him as Mongo in Blazing Saddles (1974) or as George Papadapolison the TV series Webster (1983-1987). But to me he will always be Hans Brumbaugh, the immigrant who started out as a gold miner and ended up as a Colorado farmer in the miniseries Centennial.

    I have already written about one of my favorite TV miniseries, Lonesome Dove, but another one of my all-time favorites is the 1978 12-part Centennial, which originally ran on TV in two and three hour segments over a four-month period. The show dramatized the settling of the West over centuries by focusing on one town in Colorado.

    Like many of the 1970s miniseries, the show was a who’s who of TV stars and others, including: Chief Dan George, Robert Conrad, Richard Chamberlain, Lynn Redgrave, Sharon Gless, Timothy Dalton, Barbara Carrera, Robert Vaughn, Brian Keith, Raymond Burr, Richard Crenna, David Janssen, Donald Pleasence, Dennis Weaver and Alex Karras. Another two of the stars, Andy Griffith and Chad Everett, also recently passed away. Rotten Tomatoes reports that at the time, Centennial was the most-expensive, the longest, and most complicated miniseries up to that time, with four directors and more than 100 speaking parts.

    When the miniseries first ran, I rushed out and bought the very long book by James Michener, who wrote many other novels adapted for film or TV like South Pacific (1958) and Hawaii (1966). Like many of Michener’s other books, Centennial tells the story of an area in Colorado beginning with the land and following animals and generations of people through centuries.

    In the TV version, the land formation information is condensed down to a few minutes in the opening clip and we begin following the people on the land. But even the mentions of the animals and the land foreshadow how they will affect the humans on the land in later episodes. The story really begins when the narration drops off and Robert Conrad appears as a trapper.

    While the miniseries and novel are not about real people, many of the characters are based upon real people and many of the events reflect real events. One of the things that makes the series work so well is that Michener and the producers convey real history while also telling compelling stories about people using fiction’s freedoms.

    Among other things, Michener’s practice of doing extensive research results in a tale that incorporates many people often underrepresented in Westerns. The series’s portrayal of strong pioneer women and the struggles they faced, as well as its portrayal of the tragedies heaped upon the Native Americans will likely go beyond what you might expect from a 1970s TV miniseries.

    It is hard to tell a compelling story when a large time period and generations are covered, but the miniseries keeps the focus on several characters from youth to old age. Some of the episodes, such as one about a cattle drive, seems to digress to a new group of characters, but eventually you see the connections.

    If there is a weakness in the series, it is when it finally jumps ahead to modern times in the final episode and tries to tie all of the history together through a local election. While the final episode does not quite live up to what it should be for such an outstanding miniseries and it does not give the payoff you should get from a 26-1/2-hour series, it does not diminish the enjoyment of the rest of the show. I like what the writers tried to do with the final episode, even if it does not live up to the rest of the series, and the final show goes out on a high note with a touching performance by Merle Haggard.

    Conclusion: If you like tales of the American West and do not mind history mixed with fiction if it tells a good story with interesting characters, then check out Centennial, an excellent Western and human saga in the form of a mini-series. The series is available on DVD.

    What do you think of Centennial? Leave your two cents in the comments.

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    A Look Back: Kelly Clarkson Crowned First “American Idol”

    american idol anniversaryOn September 4, 2002, the first season of American Idol came to a close as they announced that Kelly Clarkson beat Justin Guarini for the top spot. It is difficult to believe it has been so long since the crowning of one of the most successful artists (if not the most successful singer) to come out of any reality television show.

    I still remember the sense that everyone knew that Clarkson would win and then came Guarini’s over-the-top reaction but still genuine happiness for Clarkson.  It also was our last time seeing Brian Dunkleman on stage co-hosting the season with Ryan Seacrest, who continued as a solo host in subsequent seasons.

    But the most memorable part of it all was seeing Clarkson’s joy as she broke down in tears while singing her coronation song, “A Moment Like This.”

    What we did not know then was how long American Idol, which was based on a British show Pop Idol, would continue and would be popular in various formats around the world. We also had no idea how that season helped transform American television into a factory for many lesser reality shows.

    American Idol also was part of a sea change in the music business.  New technologies challenged some talented struggling artists, leaving much of the market to reality show artists.

    In other ways, the September 2002 finale also was a sign of a return to normalcy one year after the events of September 11, 2001.  Once again Americans showed they could care so much for something silly. There is probably something wrong with that, but at the time the show just seemed like a lot of fun.

    What do you think of the legacy of American Idol? Leave your two cents in the comments.