Versions of “An Occurrence at Owl Creek Bridge”

Occurrence Owl Creek Bridge American author Ambrose Bierce originally published the short story “An Occurrence at Owl Creek Bridge” in 1890 in  The San Francisco Examiner. Today the story remains in the national consciousness more than one hundred years later, largely due to the story’s appearance in film and TV.

Director Robert Enrico made the story into a 1962 French short film La Rivière du Hibou (“The Owl River”). The film won awards at the Cannes Film Festival and the Academy Awards.

But you may have seen the French film without knowing it was a French film. Rod Serling broadcast it with the short story’s title during the 1964 season of The Twilight Zone.

The Story of “An Occurrence at Owl Creek Bridge”

In “An Occurrence at Owl Creek Bridge,” Civil War soldiers prepare to hang a man named Peyton Farquhar at Owl Creek Bridge. When the man drops, the rope breaks, dropping him into the river below.  Farquhar escapes and tries to return to his family and loved ones.

In the film, the escaped prisoner, played effectively by Roger Jacquet, conveys his desperation to get back home. If you have never seen the film or read the story, I will not ruin the ending.

The French Film Version

The original French short film won the Golden Palm for Best Short Subject at the 1962 Cannes Film Festival.  It also won the Best Live Action Short at the 1963 Academy Awards.

Unlike the short story, the film begins with the execution, omitting the back story but thrusting the viewer right into the action. [October 2015 Update: Unfortunately, the entire French film is no longer available on YouTube, but below is reportedly an excerpt from the original French film with the song “Livin’ Man.”]

The Twilight Zone Broadcast

The French film attained a larger audience when Rod Serling incorporated the film into a Twilight Zone episode.  In a series of original productions, Serling’s use of the film in this way was unique.

Different sources give different stories about how the film came to be a Twilight Zone episode.  One source claims that Rod Serling attended a film festival and saw the short.  Then, he bought the rights for broadcasting on his series.

However, most other sources report that Twilight Zone producer William Froug first had the idea when he showed the movie to a film class. At the beginning of this video, Froug, who passed away in September 2013, explains how the idea arose.

Below is the “special and unique” 1964 Twilight Zone episode that incorporated the French short film and added a Rod Serling introduction. The original French film achieved its tension with very little dialogue and used English for what little dialogue there was.  So, the French film easily translated to American TV.

The Twilight Zone episode includes some music around the 15:20 mark that does not appear in the French video above (although one source says the song “Livin’ Man” appears in the French version too).

Reportedly, the Twilight Zone episode of “An Occurrence at Owl Creek Bridge” was the last one produced for the series.  But it was not the final episode that was broadcast.

For a long time after the broadcast and one repeat showing, viewers could not watch the episode.  Twilight Zone did not have the syndication rights for the film. So after its initial broadcast and a repeat, for years the “An Occurrence at Owl Creek Bridge” episode did not rerun on TV in syndication with the other episodes. Eventually, though, the episode was reunited with the other series episodes on DVD.

Alfred Hitchcock Presents

The Twilight Zone episode, however, was not the first to tell Ambrose Bierce’s story on television. Several years earlier in 1959, Alfred Hitchock Presents aired its own version of the story.

The Hitchock version, like the original short story, provided more back story on how the man came to be sentenced to death. [September 2016 Update: Unfortunately, a decent quality of the video is currently not available on YouTube.]

A Song, “Owl Creek Bridge”

Finally, more recently, Montreal-born singer-songwriter David Rubin wrote and recorded a song inspired by “An Occurrence at Owl Street Bridge.” The song, “Owl Creek Bridge,” appeared on his album Secret Agent in 2006.

One can speculate that Ambrose Bierce could never have imagined how his story “An Occurrence at Owl Creek Bridge” would reach so many people.  It continues to grip us even today because the tale of one man’s desire to get home reflects the tragedy of both death and war.

Which is your favorite version of “An Occurrence at Owl Creek Bridge”? Leave your two cents in the comments.

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    Volkswagen Salutes A-ha’s Famous “Take on Me” Video

    aha

    If you were around in 1985, you could not miss the Norwegian band A-ha and their video for “Take on Me.” The cutting edge animation by Michael Patterson and Candace Reckinge in the video directed by Steve Barron is still amazing even after decades of technological advances. The video won six MTV Awards.

    More recently, Volkswagen incorporated the song and the animation style in a new commercial “Feeling Carefree.” The animated story features a Volkswagen Passat winning a race and then it goes into its own twist ending of sorts. David Shane directed the new ad. Check it out.



    What is your favorite animated ad? Leave your two cents in the comments.

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    “Jungleland” Makes Louis C.K. Sad

    On Conan, comedian Louis C.K. talked about the importance of being alone. He explained how the constant presence of cell phones removes us from the existential feeling of sadness, an experience he wants his daughters to understand.

    Previously, we discussed how Bruce Springsteen similarly wanted his children to understand a certain sadness in life as revealed in his song “Racing in the Street.” Louis C.K., however, used another Springsteen example for his existential crisis, “Jungleland,” even singing a few bars.

    So if you are the mood for that kind of sadness, put away your cell phone and sit back and listen to Bruce Springsteen and the E Street band live.

    What is your favorite song that makes you feel alone? Leave your two cents in the comments.

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    “Frasier” Debuts in 1993

    Frasier First Episode On September 16 in 1993, the Cheers spin-off Frasier made its debut on NBC. The show starred Kelsey Grammer relocating his Cheers character Dr. Frasier Crane from Boston to Seattle.  One of the reason for the relocation was because the creators wanted to distance the show from Cheers in more than one way.  Had it been set in Boston, fans would have expected continuing cameos from Cheers characters.

    Other characters included Frasier’s father Martin (John Mahoney), Frasier’s brother Niles (David Hyde Pierce), housekeeper-therapist Daphne Moon (Jane Leeves), and Frasier’s radio show producer Roz Doyle (Peri Gilpin). And, of course, there also was the dog Eddie (played by Moose and then his son Enzo after season 7), who received more fan mail than anyone else in the cast.

    Frasier stayed on the air for eleven seasons until May 2004 (matching the eleven seasons of Cheers) and won a number of Emmys. The success is not bad for a character who was supposed to only appear in a few episodes of Cheers before becoming a regular character there.

    Few TV shows can make me laugh out loud, and Frasier was one of those shows. I miss it, although it is great that one can still catch reruns in syndication or streaming.

    Below, travel back to 1993 with some highlights from the first season of Frasier.

    Goodnight Seattle!

    What is your favorite episode of Frasier? Leave your two cents in the comments.

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    The Great AGT Rebirth of Marty Brown

    Marty Brown Shellie Regular readers know Chimesfreedom has been a Marty Brown fan since he released four albums in the 1990s. A few years ago we wished for him to return to the national stage, and our hopes came true this summer when he became a contestant on NBC’s America’s Got Talent. As the season draws to a close, it seemed like a good time to look back on his amazing run on the show.

    Brown’s Surprising Debut on AGT

    TV viewers saw Marty Brown back at the beginning of June when he appeared on the first episode of season eight of America’s Got Talent. The show included Brown auditioning in San Antonio singing Bob Dylan’s “Make You Feel My Love” after it introduced him simply as a carpenter from Kentucky.

    We learned that Brown’s wife Shellie tricked him into appearing on the show, illustrating her faith in him and making a nice storyline that continued through all of Brown’s appearances. After the introduction, Brown gave a heartfelt performance of the song.

    The judges apparently did not know the full backstory on Brown. Judge Howard Stern called him an “undiscovered treasure.” The judges’ comments throughout Marty Brown’s tenure on the episodes continued to show that even as they praised him, they really had no idea about the depths of his talent. But after this first performance, the judges had nothing but praise and put Marty Brown through to the Las Vegas round. The audience loved him too.

    Las Vegas Rounds

    In the Las Vegas round shown in July, contestants performed in front of the judges with no audience. Below is a video of what they showed on television from the Las Vegas rounds, including a part of Brown’s performance of Keith Whitley‘s “When You Say Nothing At All.”

    Howard Stern and Howie Mandel did not like the performance as much as Marty Brown’s San Antonio performance of “Make You Feel My Love.” On the other hand, if you saw the entire episode, you would see the editing was designed to create drama, so it showed the judges saying something negative about everyone. Meanwhile, one of the other competitors noted about Brown, “He makes me like country music.”

    Most importantly, the judges liked the performance enough to send Brown to the live performances at Radio City Music Hall in New York City. Brown had made it through two rounds with the judges to advance to the next stage where viewers would be the judge.

    Brown’s performance thus far was impressive. As a country act, it was tough competition against a range of acts that included acrobats, magic, and people risking their lives. The next question was whether the viewing audience would vote for a traditional country music act among all of the other contestants.

    A Tough Round at Radio City Music Hall

    For his debut at Radio City Music Hall at the end of July, Marty Brown sang Shania Twain‘s “You’re Still the One.” The artists are not allowed to select any song they want, but it was still a good choice because many voters would know the song. Unlike the previous performances, Brown went with a band this time, which appeared to be a good choice. He has played with bands in the past, and he needed to do something to use the big stage before the big audience.

    But almost immediately, viewers knew something was wrong. As Brown’s sister has explained on this website, Brown’s father had been ill, and when Brown saw the lead-in video with his father it choked him up. The judges would claim that nerves got the better of him.  But regardless of the cause, Brown’s voice cracked at the start of the song.

    Eventually, he recovered during the performance.  But on what was probably the biggest stage of his career thus far, it was far from the best performance of his career.

    The judges were tough on him after the performance. Howard Stern genuinely seemed to be rooting for Brown but expressed his disappointment. Melanie Brown, i.e., Mel B, was especially critical, not only getting his name wrong, but Tweeting a few minutes after the performance, “Ok. ok. I got his name wrong!! He blew it anyways, so what!!”

    The next night on July 31, the results came in. The judges and many others expected Marty Brown to go home. Had the run ended here, it would have been tragic. Brown would have come all this way to launch a comeback and then have to live the rest of his life wondering if he blew it.

    But something only slightly short of miraculous happened: America appreciated the emotion in his performance and voted for him to go to the next round. The judges were shocked, but nobody was surprised as much as Brown himself, appearing humbled by the support of his fans. The audience still loved Brown and recognized the real emotion in his performance, even if the judges did not.

    The whole run on America’s Got Talent featured Brown seeking redemption, and now he would get another chance thanks to the voters. The pressure, though, ramped up. With one less-than-perfect performance, he could not afford to follow it with another mistake in his next performance.

    Semi-Finals Round

    On September 3, on a semi-finals show of America’s Got Talent, Marty Brown performed “Bless the Broken Road,” made famous by the Nitty Gritty Dirt Band and Rascal Flatts. After the awkwardness with the band in the previous round, Brown opted to go it alone again with his guitar.

    Howard Stern would say it was a “safe” performance and that he wished Brown had done something to blow him away. Maybe he was right, but Brown had something to prove after the judges claimed he could not handle pressure. He had to go out and show he could do a solid performance on that stage facing extra intense scrutiny.

    And he did what he set out to do, showing he could handle the pressure. He gave a touching performance of the song within the limited time given to performers on the show, earning a standing ovation.

    The heartfelt performance of “Bless the Broken Road” would be Marty Brown’s last song in the competition because he found out the next night that he would not advance further. But if he were to have a final song on the show, it was a perfect one to go out on. As we have previously written, his life has taken a broken road to get to this point. So the song fittingly connected to this one moment on stage, reflecting the path of both his career and his life, including finding the love that inspired his entire run on the show. He lived the song, and it was a great heartfelt performance.

    Going Home To a Revitalized Career

    Looking back on the show, one might understand why the run ended here. Brown has never been a pop artist. The audience for real traditional country music is big, but it might not be enough for winning a talent show like this one. And, of course, on the show, America never really got to see the depths of Brown’s talents.

    Because of the limited time on the show, the producers showed Brown as part of the story they created, never coming near to showing Brown’s real intelligence. Had he been able to bust out a few of his own songs, it might have changed the outcome. But even an unknown Bob Dylan or Hank Williams would not have advanced further on such a talent show. For example, a principal closed the curtain on Dylan at a high school talent show.

    Marty Brown Sparky As the field narrowed, the producers and judges also seemed to stray away from the initial strong support for Brown. On the September show, they put him in the second spot, traditionally one of the worst places to be on one of these shows because viewers do not remember the second or third performers on a long show.

    By contrast, in that show, the producers put Brown’s main competition, country singer and former Marine Jimmy Rose, in the prime finale spot. Rose is talented and seems like a great guy, but his subdued (but very good) cover of Garth Brooks’s “The Dance” is not a traditional closing act.  Producers made an interesting choice to promote Rose, especially when they had bigger acts such as dancer-special-effects master Kenichi Ebina or even powerhouse singer little Anna Christine.

    That is not to say there was a conspiracy or that Brown might have advanced given a better spot during the night. Someone has to go into the second slot, and the producers have to sell a show. So, I do not begrudge them their choices, and I appreciate that they put him on the show. But if Brown won, some viewers might have felt cheated that the producers never mentioned his 1990s albums (even though artists with careers are allowed to compete on shows like America’s Got Talent and The Voice). People are more critical of you when you win. On the other hand, had Brown sang his own songs, it would have been a different competition.

    For Brown and his family, I wish they had won and were a million dollars richer. But as a selfish fan, had I written the story of Marty Brown’s tenure on America’s Got Talent, I pretty much would have written it exactly how it went. It is a great story of someone climbing back, falling, and rising again through his talent and the love of family and fans. And throughout the whole run, Brown showed nothing but class, decency, and heart.

    As for the outcome, had Brown won, there would have been more expectations, more critics, and more outside control. Instead, it worked out perfectly for those of us who love great country music. Marty Brown got some attention, new fans fell in love with him, and now we hope for some new recordings and performances (and all his old CDs back in print).

    True art is not a competition, it is about the artist bearing the soul. And this new music will be done Marty Brown’s way. And that’s the way it should be.

    We look forward to the next chapter in the great rediscovered career of Marty Brown.

    What was your favorite performance on “America’s Got Talent”? Leave your two cents in the comments.

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