I’ll Die With a Buzzer in My Hand!

Tonight on Jeopardy, one of the three contestants will be an IBM computer taking on two former champions, Ken Jennings and Brad Rutter. It is a battle of human against machine.

The classic human-versus-machine song is “John Henry.” Historians debate about who was the person who inspired the folk tale. But most seem to agree that somewhere at some point, there was a real person or persons who inspired the legend.

There are various versions of the song about the folk hero. In most versions of the story, John Henry is a railroad worker who, to save the jobs of his co-workers, claims he can beat the railroad company’s new steam-powered hammer. The tale and the song represent modern human beings’ attempts to maintain dignity in the face of rising corporate and technological powers. Although the various song versions differ, the lyrics from the song made famous by Pete Seeger include:

John Henry told his captain,
“A man ain’t nothin’ but a man,
But before I let your steam drill beat me down,
I’d die with a hammer in my hand. Lord, Lord.
I’d dies with a hammer in my hand.”

There are many great versions of the song by people such as Pete Seeger and Johnny Cash. There’s a blues version with some great guitar playing by Mississippi Fred McDowell.

Here’s another version by Bruce Springsteen and the Seeger Session Band that is a little less raw and a little more like a celebration of John Henry’s sacrifice.

John Henry beat the machine, but in the end he died. Tonight, we doubt there will be any deaths, but can Jennings and Rutter beat the machine? Please answer in the form of a question.

Post-Match Update: The computer won. But this match was just a warm up for a one-million dollar rematch that will be broadcast February 16, so there may still be hope for the humans.

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    Will Gov. Quinn Sign the Death Penalty Bill?

    Yesterday, the Illinois Legislature passed a bill to abolish the death penalty in that state. In order for the bill to become law, the governor must sign it. The bill now sits on Governor Pat Quinn’s desk, and he has said that he does not yet know what he will do.

    Lethal Injection ChamberIllinois has been a leader in the death penalty debate in recent years, so it will be interesting to see if the governor has the courage to accept the role in abolishing the death penalty. After several Illinois death row inmates were found to be innocent in the 1990s, then-Gov. George Ryan ordered a commission to review the criminal justice system and he ultimately commuted the sentences of everyone on Illinois’s death row. The results from the commission, and studies by other states inspired by Illinois, in effect, found that there are so many flaws in the criminal justice system, that we can never be sure that we will not execute an innocent person.

    Fifteen states and the District of Columbia do not have the death penalty, and there has been a strong worldwide trend for decades to get rid of the death penalty. Yet, when we hear about a violent crime, like the recent tragic shootings in Arizona, our first reaction is to reach for the lethal injection needle. That quest for revenge is normal and human, but it is also normal and human to act out of rational thought instead of anger. And rational thought and experience tell us that the death penalty is more expensive than life in prison, ineffective, racist, inaccurate, and discriminates against the poor.

    Steve Earle touches on several of these themes in his excellent song, “Billy Austin.” The stark tale is narrated by a death row inmate who is part Native American. He does not claim to be innocent, and he describes committing a murder during a filling station robbery. The song then addresses the trial, referencing the poor representation often given to those charged with capital crimes. Earle seems to be telling us that the death penalty is not given based on the worst crimes, it is given based on what happens in a courtroom.

    But my trial was over quickly
    And then the long hard wait began
    Court appointed lawyer
    Couldn’t look me in the eye
    He just stood up and closed his briefcase
    When they sentenced me to die

    The narrator then describes the wait on death row, touching on the racism in the system.

    I ain’t about to tell you
    That I don’t deserve to die
    But there’s twenty-seven men here
    Mostly black, brown and poor
    Most of em are guilty
    Who are you to say for sure?

    And the song ends with another question.

    Could you take that long walk with me
    Knowing hell is waitin’ there
    Could you pull that switch yourself sir
    With a sure and steady hand
    Could you still tell yourself
    That you’re better than I am.

    And those are the questions that face Gov. Quinn. If he does not sign the bill, he will be the one pulling the switch on everyone executed in Illinois from this day forward. And that is a heavy responsibility to bear. Because the death penalty ultimately is not about the person being killed, it is about who we are.

    Bonus Governors’ Dilemmas in Other States: In the past week, Missouri Gov. Jay Nixon, and Tennessee Gov. Phil Bredesen granted clemency to men on death row. Meanwhile, also in the last week, Colorado Gov. Bill Ritter granted a posthumous pardon to Joe Arridy, who was executed in 1936, because evidence now shows Arridy was innocent.

    Bonus Discussion of Another Steve Earle Song on the Death PenaltyJustice Stevens and Steve Earle’s “Ellis Unit One.”

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    Happy Birthday Elvis!

    Elvis Birthday On January 8 in 1935, the king of rock and roll was born in Tupelo, Mississippi.  The child was born to Gladys Love Presley and named after the middle name of his father, Vernon Elvis Presley.

    Thirty-five minutes before Elvis Presley was born, an identical twin brother named Jesse Garon Presley was delivered, stillborn. The deliveries took place in a small two-room house that Vernon had built in preparation for the anticipated births.

    Ten years later, Elvis gave his first public performance, standing on a chair at a fair to reach the microphone and dressed as a cowboy. He sang, “Old Shep.”

    In those pre-YouTube days, he made his first recording eight years later when he was eighteen. He went to Sun Records in Memphis to pay to record a couple of songs, with the first recorded sounds of that voice singing, “My Happiness.”

    There are varying stories about whether he simply wanted to record a song for his mother or whether he thought the recording might lead to his discovery. Either way, you can hear the start of something there.

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    YouTube Covers: Bob Dylan’s “Red River Shore” Edition

    When I purchased Tell Tale Signs: the Bootleg Series Vol. 8 (2008), the Bob Dylan CD that features unreleased songs from the time period of his more recent albums, the song “Red River Shore” stood out immediately as I played the CD in my car. I kept playing the song over and over again, barely getting to anything else on the CD. It is another example of a great song that Dylan originally decided to leave off an album he was making. At least they eventually get released. The music is great, as are the beautiful lyrics of loss.

    Bob Dylan Tell Tale SignsNow I’m wearing the cloak of misery
    And I’ve tasted jilted love
    And the frozen smile upon my face
    Fits me like a glove
    But I can’t escape from the memory
    Of the one that I’ll always adore
    All those nights when I lay in the arms
    Of the girl from the Red River shore

    Some writers have wondered if the girl from the Red River shore is the same person as was featured in Dylan’s “Shelter from the Storm,” as in this piece on Gardener is Gone. Some have found religious overtones in the song, such as in Songs for the Journey, with some arguing that the song is about Dylan’s relationship with Christ.

    At first, I was interested that there might be a hidden meaning in the song. Of course, Dylan is Dylan and one may never know his intent, but on further listening I think those claiming religious meaning are wrong. The song is what it appears to be: a song about loss and memory. And while the final verse does have a reference to Jesus, it’s a statement that in today’s modern world, we unfortunately cannot count on God to undo what is lost. “He knew how to bring ’em on back to life/ Well, I don’t know what kind of language he used/ Or if they do that kind of thing anymore /Sometimes I think nobody ever saw me here at all/ ‘Cept the girl from the Red River shore.”

    There are few Dylan videos on the Internet, and none of this song that I can find. Although covers rarely match the original, I am intrigued by the number of people who have the guts to play a song and post it on YouTube. There are some nice covers of this song on YouTube. [2024 Update:  Some  of the ones mentioned below are no longer on YouTube.]  There’s a good one by a German band called CCC Inc.

    A video of Henry Lim looks very professional, and it has nice instrumentation. Lim is the technical services assistant for the UCLA Music Library, and he has a busy extracurricular life. He has covered other artists like Radiohead with his string quartet, and he is an artist with Legos.

    There are some good versions in the “dude with a guitar” category, such as a nice one by Kevin Magoon, who also adds a little electronic drum. C22romero does a nice job on the song too, but maybe he should turn down the reverb a little. I wish Chris Pap below would focus the camera, but he does a nice quiet version of the song below.

    Perhaps because of the viewpoint of the lyrics, almost all of the covers are by men. But Linda Kosut performs the song in California.

    After this post was initially published, singer-songwriter Jimmy LaFave covered “Red River Shore” on his album, Depending on the Distance (2012). Below is the excellent version from that album.

    In another video after this post’s original publication, an artist named Kape does a nice version too. I cannot find much about him from the Internet, but he appears to be from Sweden.

    Finally, my favorite cover may be this version of “Red River Shore” by lornisply with a guy playing an electric piano in his home. He has a good voice and seems to connect to the song. And there is something about the simple weariness of the performance of the melancholy song that makes it believable.

    I know nobody matches the Bob Dylan version, but which cover version do you like best? Leave a comment.

    Life Lessons – From a Pulitzer-Prize Winner, a Country Star, and an American Idol

    Calendar January 2011 for Tim McGraw Live Like You Were Dying Chimesfreedom wishes you a happy and healthy new year with this post about a Pulitzer-Prize winning book interpreted indirectly through song, leaving you with a question to ask yourself every day throughout the new year.

    Although Tim McGraw is not one of my favorite singers, there are times when popular artists record a song that is undeniably clever and catchy.  Popular songs are popular for a reason.  And I cannot help liking his song, “Live Like You Were Dying,” and the way it also relates to one of my favorite books.

    “Live Like You Were Dying” exceeds anything else McGraw has recorded.  Part of the reason may be the somewhat unusual message in the song.  Although traditional country music has a history of delving into deep adult themes, often modern country music ends up as superficial as most pop music.  “Live Like You Were Dying,” though, summarizes one of the lessons from Ernest Becker‘s Pulitzer-prize winning book, Denial of Death.

    Ernest Becker & Our Mortality

    Ernest Becker's The Denial of Death Becker’s book touches on several themes, but a principal theme may be summarized (in a somewhat oversimplified way for a short blog post):  (1) human beings are intelligent; (2) because we are intelligent, we are faced with the knowledge that we are rotting pieces of animal flesh that will someday die; (3) this knowledge of our mortality is overwhelming, so we push the knowledge to our subconscious; (4) to help us deal with our knowledge of mortality, we latch onto various cultural devices that help us suppress our fear of death — such as activities that subconsciously make us feel immortal, like rooting for sports teams, shopping, exuberant patriotism, writing a blog, raising children, etc.

    There are both upsides and downsides to our subconscious quest for immortality.  It may drive us to do things that benefit others, but it also may make us subconsciously hostile to others who have belief systems different from us.  If you believe something different than I do, you threaten the subconscious protections I have created as a shield against my mortality.  In the last few decades, “Terror Management Theory” psychologists have done significant research regarding how these theories affect our real world interactions.

    Ernest Becker’s books, in particular Denial of Death and Escape from Evil, explain the theories in more detail.  But his work is based on philosophers, psychologists, scientists, etc. going back more than a century.

    What does all this have to do with a pop song by a country superstar?  Although there is an aspect of Becker’s work that initially sounds depressing, there is an uplifting side, and that is portrayed rather well in the song.  One of Becker’s points is that if you are consciously aware of reality — including one’s mortality and the ways we may try to suppress it — then it may help you embrace life and more accurately assess value to the things in our life.

    Live Like You Were Dying

    “Live Like You Were Dying” begins with a friend in his early 40’s telling the narrator about getting bad news from the doctor relating to his x-rays (otherwise the song is vague about the exact nature of the disease).  The narrator “asked him when it sank in,/That this might really be the real end?/ How’s it hit you when you get that kind of news? /Man whatcha do?”

    The friend, instead of responding about being angry or depressed, tells the narrator in the chorus of the song:

    An’ he said: “I went sky diving, I went rocky mountain climbing,
    “I went two point seven seconds on a bull named Fu Man Chu.
    “And I loved deeper and I spoke sweeter,
    “And I gave forgiveness I’d been denying.”
    An’ he said: “Some day, I hope you get the chance,
    “To live like you were dyin’.”

    The friend then explains how he became a better husband, a better friend, and a better son.  The chorus repeats with the friend restating the wish about hoping that the narrator gets the chance “To live like you were dyin’,” explaining in the bridge, as the music builds:

    Like tomorrow was a gift,
    And you got eternity,
    To think about what you’d do with it.
    An’ what did you do with it?
    An’ what can I do with it?
    An’ what would I do with it?

    Although the song was written by songwriter Tim Nichols and not by Tim McGraw, the video reflects McGraw’s connection to the song.  In the final chorus, starting at around the 3:00 mark, you see a Phillies pitcher throwing a strikeout to Willie Wilson of the Royals to win the 1980 World Series.  The image is not there because McGraw is a Phillies fan or because he hates the Royals; that’s his dad Tug McGraw on the mound.

    Tug fathered Tim as the result of an affair and they did not have a relationship until Tim was a teenager.  But the two became close later in life.  Tug McGraw passed away from a brain tumor in early 2004, and Tim McGraw recorded “Live Like You Were Dying” later in the year in memory of his father.

    In the song, because the friend is talking to the narrator, the singer is singing the questions to us.  So, you are asked, if you knew that each day was precious and you were dying, what would you do?  The question is relevant to all of us.

    As Ernest Becker explained, we each only have a limited number of days to live.  More than 56 billion people in the world died between Jan 1, 2010 and Jan. 1, 2011, with most enjoying last New Year’s Day not knowing it was their last. Many of us will not be here a year from today.

    Our time here is short, and each day we are closer to death, giving us the opportunity to live like we are dying — instead of just dying. This new year, each month, and each day, including today, is a gift.

    What can you do with it?

    What are you going to do with it?

    Live Like We’re Dying

    Bonus American Idol Copy of Idea and Song Title: In 2009, American Idol winner Kris Allen recorded a song with a very similar title and similar theme to Tim McGraw’s song.  Allen’s song, entitled “Live Like We’re Dying,” repeats the theme of McGraw’s “Live Like You’re Dying” with a riff that may be more catchy to those turned off by men wearing cowboy hats when they sing.

    We only got 86 400 seconds in a day to
    Turn it all around or to throw it all away
    We gotta tell ’em that we love ’em while we got the chance to say
    Gotta live like we’re dying

    The song, written by four writers, is more generic than the McGraw song.  It tries to send a similar message without the personal story of the country song.

    Oa recent road trip, I heard the song late at night driving through New Jersey, and the catchy tune did get stuck in my head.  But the meaning behind the song is not as emotionally powerful as in the personal story of the country song. Give it a listen.

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