What Song Would Springsteen Want His Children to Know?

When Bruce Springsteen was asked which of his songs featured a character he would want his children to understand, he replied with “Racing in the Street.”

55 Chevy

In early 2011, VH-1 Classic broadcast a program, Bruce Springsteen: a Conversation with his Fans. The program — which promoted Bruce Springsteen’s release of the Darkness on the Edge of Town box set, including the new album, The Promise — featured fans asking Springsteen questions. The fans were chosen in advance based on their questions, and many of the questions were very good.

My favorite question was quite thoughtful. One woman asked Springsteen which character from the songs on the set would he “most want his children to understand.” It was a great question, requiring him to reflect about his life and the meaning behind his songs. He responded that “‘Racing in the Street’ sums up a lot for me.” He explained that he would like his children to be “untouched by that particular sadness, but that’s not the way the world works.”

Noting that the song “Racing in the Street” is still very emotional for him, Springsteen added that he would want for them to “have that understanding [conveyed in the song] without the pain, but that is not possible.” So, he would like for his kids to “have the resilience . . . to be able to navigate their way through that kind of pain because that is what we all have to do.”

It was an insightful statement about a beautiful song. “Racing in the Street” is one of the saddest songs written by someone who writes a lot of sad songs. If you go back through his catalog during the first fifteen years of his career, it would be impossible to find more than a few songs that are not touched by some type of sadness.

The Pain in “Racing in the Street”

What is “that particular sadness” in “Racing in the Street”? The song is narrated by a young man who makes money by racing his ’69 Chevy for money by riding from town-to-town with his friend Sonny (“We only run for the money, got no strings attached/We shut ’em up and then we shut ’em down”). The guy does not die in a crash, and he even gets the girl in the end. So why is the song sad?

There are two reasons the song is sad. First, the lyrics reveal that the song is not a James Dean fantasy. They recognize the pain of real life and the existential struggle to just survive in the face of so much bleakness in the world.

Some guys they just give up living
And start dying little by little, piece by piece,
Some guys come home from work and wash up,
And go racing in the street.

Although the hero won the girl by blowing away a Camaro driven by “some dude from L.A.,” that one happy moment happened three years ago. You do not get such heroic moments every day of your life. So, in the present, the man and the woman both live with the pain and consequences of day-to-day life.

But now there’s wrinkles around my baby’s eyes
And she cries herself to sleep at night
. . .
She sits on the porch of her Daddy’s house
But all her pretty dreams are torn,
She stares off alone into the night
With the eyes of one who hates for just being born

The other big reason the song is so sad is Roy Bittan’s piano. Even if the song had no lyrics, Bittan’s piano playing on “Racing in the Street” would still convey that “particular real world sadness” that Springsteen mentioned in response to the fan’s question. Throughout the song, the piano’s relentless rhythm, sometimes accompanied by a metronome drum sound, echoes the continuous steps the hero must take to just live through each day in a world where there are not victorious car races every moment.

The lyrics end with a little hope, as Springsteen sings, “Tonight my baby and me, we’re gonna ride to the sea/And wash these sins off our hands.” After his voice fades, Bittan’s piano continues its rhythm, also offering some hope by echoing existential angry defiance in the face of hopelessness.

As the Boss wished for his children, in your life too, may you have the resilience to find your way through that kind of pain.

Bonus “Racing in the Street”: The video above is a live performance from 1978 in Houston. “Racing in the Street” appeared on the original Darkness on the Edge of Town album, but Springsteen included an alternate version of the song, entitled “Racing in the Street (78),” on the new The Promise album. This Promise version, which had been around on Bootlegs through the years, features a full band sound throughout most of the song. The music focuses on the anger and resistance part of the song, and for much of the song the rock sound is inconsistent with the lyrics. The band sounds great, but the band version lacks the focus of Roy Bittan’s piano in the original. Although I enjoy this other version, Springsteen made the correct choice in the 1970s to put the quieter piano version Darkness on the Edge of Town.

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    Grammy Awards: Eminem and Bob Dylan?

    Rumors are circulating that Bob Dylan will perform at tonight’s Grammy Awards with Eminem. If true, it is almost guaranteed to be an exciting collaboration. [Update 2/14/10: It turned out not to be true. Dylan ended up playing with Mumford and Sons and the Avett Brothers. See video toward end to see where Dlyan joins the bands for “Maggie’s Farm.” It’s a fun performance.]

    Eminem Marshall Mathers

    It will be hard to top Eminem’s collaboration at the Grammy Awards on February 21, 2001. Was it really a decade ago?! At the 2001 show, Eminem performed with Elton John. In light of homophobic lyrics in some of Eminem’s songs, it was great to see the two perform together and hug at the end, reinforcing Eminem’s claim that the offending lyrics in his recent CD, The Marshall Mathers LP, should not be taken seriously.

    The 2001 performance was certainly a classy act, especially on the part of Elton John, who showed us that the best force against hate, ignorance, and prejudice is usually a little love. It is the kind of force we saw in action this week, when peaceful protesters were able to topple a corrupt dictator in Egypt. Of course, the 2001 performance by Eminem and Elton John did not change the leadership of the country and did not end prejudice in general or homophobia specifically. And it did not necessarily undo damage Eminem had done with his songs. But it did show the power of music to heal a little bit. It was a lesson the U.S. would need again less than nine months after the 2001 Grammys.

    Eminem and John have remained friends through the years, and the rapper even turned to John for help when he was dealing with a prescription drug addiction. Also, in the decade since the Grammy performance, views on issues such as gay rights, civil unions, and gay marriages have progressed in the U.S., especially among the younger generations. Did the 2001 performance have a little to do with that? I don’t know, but I like to think so.

    What do you think? Leave a comment.

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    The composition uses excerpts from several of Lincoln’s speeches, along with original music that samples American folk songs from Lincoln’s time period, such as “Camptown Races” and “Springfield Mountain.”

    For a 1943 program book of the Boston Symphony Orchestra, Copland explained that the work is roughly in three sections.  First, he noted, “In the opening section I wanted to suggest something of the mysterious sense of fatality that surrounds Lincoln’s personality. Also, near the end of that section, something of his gentleness and simplicity of spirit.”

    Copland continued, “The quick middle section briefly sketches in the background of the times he lived in. This merges into the concluding section where my sole purpose was to draw a simple but impressive frame about the words of Lincoln himself.”

    In the following recording, Gregory Peck provides the voice of Lincoln.

    The composition was not among Copland’s favorites according to a 1953 New York Times article. If I had to choose, I would choose his Appalalachain Spring, which is one of my favorite pieces of music of all time. But I still love A Lincoln Portrait. It is a fitting tribute to the sixteenth president of the United States.

    Did you know that 2011 was the Civil War Sesquentennial, i.e., the 150th year since the start of the Civil War? On March 4, 2011, it was 150 years since Lincoln was sworn into office. What do you think? Leave a comment.

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    White Stripes – im Lonely But I Aint That Lonely Yet I‘m Lonely (But I Ain’t That Lonely Yet) – The White Stripes (press play)

    Last week, The White Stripes announced that the band “has officially ended and will make no further new recordings or perform live.” In the announcement, Meg White and Jack White noted that the end is not due to differences or to any health issues. The split is for many reasons, “but mostly to preserve what is beautiful and special about the band and have it stay that way.” They conclude with a warm thank you to the fans:

    White Stripes Under Great White Northern Lights

    “The White Stripes do not belong to Meg and Jack anymore. The White Stripes belong to you now and you can do with it whatever you want. The beauty of art and music is that it can last forever if people want it to. Thank you for sharing this experience. Your involvement will never be lost on us and we are truly grateful.”

    The news may not be that surprising to most people, as Jack White has been working on other projects for several years, including his work as part of the bands The Raconteurs and The Dead Weather. But he was most identified with The White Stripes, and he and Meg even appeared on an episode of The Simpsons. On the other hand, considering that they were married when the band formed in 1997 (although they initially claimed they were brother and sister), and then divorced in 2000, in some ways it is amazing that they worked together for so long.

    I have a few albums by The White Stripes, and it always impressed me how they got such big sound with just two people. One of their quieter songs, though, is “I’m Lonely (But I Ain’t that Lonely Yet)” off their Get Behind Me Satan CD. It is a beautiful song, simply about being lonely, missing people, and contemplating suicide. Although it is not as loud as many of their other songs, it is still powerful with Jack White’s voice singing over the piano.

    I also have a strong fondness for Jack White’s work outside the band. So I hope the news of the White Stripes’s demise means he will spend more time on work like he did with Loretta Lynn for her album Van Lear Rose (2004). Below is their duet of the song, “Portland, Oregon.” The song is about a one-night stand:

    Well Portland Oregon and sloe gin fizz
    If that ain’t love then tell me what is
    Well I lost my heart it didn’t take no time
    But that ain’t all. I lost my mind in Oregon

    His guitar work on the song adds great texture, and the rock band sound contrasted with Lynn’s country voice created a modern classic. The long 97-second instrumental build-up to Lynn’s voice is perfect. One of my favorite parts of the video is that White and Lynn do not seem to know how to look at each other. I assume if they were closer in age, they would have been gazing lustfully at each other like lovers while they sang. Instead, they look like a couple of friends — or mother and son — singing about a one-night stand.

    The song won “Best Country Collaboration with Vocals” at the Grammys, but is it country? I do not know. I just like it.

    Will you miss The White Stripes? Leave a comment.

    Bonus Documentary: The band was profiled in the 2009 documentary The Great White Northern Lights.

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    Bon Iver Wisconsin“Wisconsin” by Bon Iver (click play button)

    Bon Iver For EmmaChimesfreedom continues its celebration of today’s Super Bowl battle between the Pittsburgh Steelers and the Green Bay Packers with a song about the home of the Packers: “Wisconsin” by Bon Iver.

    Although Bon Iver’s “Wisconsin” is a recollection of events that happened in Wisconsin, the song is more universal. The narrator is singing about a lost love and his memories of their time in Wisconsin.

    Bon Iver is the recording name taken by Justin Vernon, and “Wisconsin” is a hidden track on Bon Iver’s 2007 album, For Emma, Forever Ago. Most of the album was written by Justin Vernon during a time of seclusion in a Wisconsin cabin. Following a break up with his former band, an illness, and the end of a relationship, Vernon moved from North Carolina to his childhood state of Wisconsin to live alone in his father’s cabin for almost four months. Out of his pain, he created the album.

    You’re up on the bar and your shaking
    With every grimy word
    Who will love
    Whats love when you’ve hurt
    You wonder as you see the snow kissed the curb
    Love is loves return

    That was Wisconsin that was yesterday
    Now I have nothing that I can keep
    Cause every place I go I take another place with me
    Love is loves critique

    Vernon took the name Bon Iver from an episode of Northern Exposure where residents of Cicely, Alaska emerged from their homes after the first snow to wish each other “bon hiver” — French for “good winter.”

    Have a good Super Bowl Sunday and be safe. Bon hiver.

    Bonus Cheerier Songs: If you would like a “happier” song set in Wisconsin, here is the opening to Laverne & Shirley.

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