The Les Paul & Mary Ford Show

Les Paul Guitar
Les Paul, who passed away in 2009, was born in Wisconsin on June 9, 1915. His guitar playing and innovations, like his development of the solid-body electric guitar, are responsible for much of the music we hear today.

Among his many accomplishments, in the 1950s he had a five-minute syndicated television show with his wife at the time, Mary Ford. During that decade, Ford and Paul had a string of hit jazz songs, and The Les Paul & Mary Ford Show was often used to fill in space between regularly scheduled shows.

You may read more about Les Paul’s life at the Les Paul website.

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  • Listen My Children and You Shall Hear Inaccuracies About Paul Revere

    On June 2, 2011, while traveling on a tour of U.S. historical sites, Sarah Palin sparked interest in Paul Revere because of her claim that the famous rider warned “the British that they weren’t gonna be takin’ away our arms. . . by ringing those bells.” I suppose how one feels about her statement about Paul Revere — who actually rode to alert the Americans about the approaching British and who did not use bells — may depend on pre-existing feelings about the speaker. So, we will leave the debate about her statement and her continued claims t

    hat she was correct to the political commentators and others, including those attempting to rewrite Revere’s Wikipedia entry. But the interest in the historical event is a good side effect of her statement.

    Revere’s Famous Ride
    Paul Revere Picture Book
    Revere made his famous ride near Boston on the evening of April 18, 1775.  The British were on the move to seize military stores in Concord. According to the excellent one-volume history of the U.S., A History of the United States by Alan Nevins and Henry Steele Commager:

    “Patriots were on the watch and a lantern in the tower of North Church flashed word to Paul Revere beyond the Charles River, who galloped off to arouse the countryside. The embattled farmers gathered at dawn with their muskets . . . There was a brief skirmish, eight Americans fell dead, and the Revolution was under way. Sam Adams was not far away, and as he heard the rattle of the guns, he exclaimed: ‘What a glorious morning is this!'”

    To give Palin some credit, she did recall correctly that the ride was prompted by the British plan to seize weapons. I suspect some of her critics did not recall that part of the story themselves. Further, she is not the first to make historically inaccurate statements about the ride.

    Henry Wadsworth Longfellow’s Version

    In Henry Wadsworth Longfellow’s famous poem, “The Midnight Ride of Paul Revere,” he exaggerated Revere’s role by ignoring the other riders. And Longfellow’s poem inaccurately claimed that Revere made it all the way to Concord.  In fact, British soldiers captured him and took away his horse.

    But Longfellow’s goal was to tell a tale about a national hero, not to teach history. Hence we have the term, “poetic license.” Still, the famous opening lines of the poem make it easy for one to remember the correct date of the ride:
    Paul Revere and the Raiders
    Listen, my children, and you shall hear
    Of the midnight ride of Paul Revere,
    On the eighteenth of April, in Seventy-Five;
    Hardly a man is now alive
    Who remembers that famous day and year.

    Paul Revere and the Raiders

    There is another famous “Paul Revere.” He was in Paul Revere and the Raiders, the band that had several hits in the 1960s and 1970s. Paul Revere the rider started out as a silversmith.  And the Raiders’ musician Paul Revere started out as a barber in Boise, Idaho. “Paul Revere” was his real name, although Revere was his middle name and his full name was Paul Revere Dick.

    The band’s biggest hit was “Indian Reservation (The Lament Of The Cherokee Reservation Indian),” which was written by songwriter John D. Loudermilk. Mark Lindsay, the lead singer of Paul Revere and the Raiders, was part Native American and wanted to record the song even though it was released a few years earlier by Don Fardon.

    During the summer of 1971, aided by Revere’s promotion of the song with a cross-country motorcycle ride, the Raiders version of “Indian Reservation” became the most popular tune in the U.S. and the biggest hit Columbia Records had ever released.

    “Indian Reservation” also became the most popular song in my childhood home that summer, as my older sister purchased the 45 record and played it repeatedly. Some Native Americans used the Paul Revere and the Raiders version in their struggle for civil rights.

    In addition to the version by Paul Revere and the Raiders, the song would later be covered by UK band 999 and be sampled in a Tim McGraw song.

    The Cherokee

    Like Longfellow’s poem about Paul Revere, the song by Paul Revere and the Raiders was based on historical events. In the early 1800s, Cherokee Indians lived around Georgia.  But as new pioneers came to the land with its fertile soil, conflicts soon arose. Although the tribes had built houses and settled in the area, the incoming white settlers desired more land.

    In 1838, the Federal government ordered that the Cherokee be resettled in the western United States. The Cherokee were sent from Georgia and other states along with other Native Americans, including Creeks, Choctaws, Chickasaws, and Seminoles.

    Many of the Cherokee died as they made the long trip.  They traveled largely on foot and by wagon, facing exposure, hunger, and illness. Because of the sorrow and death caused by the removal, the forced march to what is now Oklahoma became known as the Trail of Tears.

    As Paul Revere and the Raiders sang, “Cherokee people, Cherokee tribe/ So proud to live, so proud to die.” In upcoming political campaigns, all of our politicians would do well to remember these parts of American history — and perhaps visit those historical sites too — in addition to taking pride in the the glorious stories like the one about Paul Revere’s ride.

    What do you think about Paul Revere, the Raiders, the song, or the media coverage of Sarah Palin’s statement? Leave a comment.

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    Can You Hear the Artist’s Life in the Song?

    On Sunday, May 22, 2011, Joseph Brooks — the writer of the song “You Light Up My Life” — was found dead in his Manhattan apartment, apparently having killed himself while waiting trial for the sexual assault of more than twelve women. Prosecutors claimed that he brought women to his apartment through an online ad saying he was giving auditions for a movie role, and then he allegedly drugged and raped them.

    According to some reports, he would sometimes show the Academy Award he won for “You Light Up My Life” to help gain the trust of the young women. In killing himself, the 73-year-old Brooks wrapped a plastic bag around his head and attached it to a helium tank. On top of those allegations, his son was arrested five months earlier for strangling his girlfriend to death.

    You Light Up My Life

    A jury had yet to hear the case against Brooks, so we do not know the extent of his guilt or innocence of the charges. His 3-page rambling suicide note left no clues about the alleged crimes and alluded to his health problems, as he had suffered a stroke in 2008 followed by declining health.

    For those of us who grow up hearing Debby Boone’s version of the song “You Light Up My Life,” it was a sad coda to the story behind the mega-popular song, which originally was sung by Kasey Cisyk for a movie of the same name. Actress Didi Conn lip-synced the song in the movie, which was written and directed by Brooks. The song won the 1977 Grammy for Song of the Year and an Academy Award, and Boone’s version set records as the biggest hit of the 1970s. But it was so overplayed, I doubt that many people listen to the song nowadays except at weddings.

    “You Light Up My Life” is still a very good song, but we are just sick of it, on top of the covers by LeAnn Rimes, Whitney Houston, and others. Still, I cannot help wondering how the news about Brooks will affect how people hear the song.

    In music, can you hear the artist’s life in the song? In addition to Brooks, consider producer and convicted murderer Phil Spector, and how his conviction might affect how we view the great songs he produced throughout his career. Maybe because Spector was a producer and not the performer, his troubles do not hinder my enjoyment of his songs, such as one of my favorite songs of all time, “Be My Baby” by the Ronettes. But I do sometimes think about the man when I hear the songs, wondering if the madness occasionally peeks through the swirling layered sounds.

    Brooks’s ending may tarnish “You Light Up My Life” more than Spector’s life may tarnish his songs. Spector’s work was so broad with different artists, while Brooks’s work will always be summed up with “You Light Up My Life” as his one gigantic hit song. Thus, while each Spector-produced song may carry a little part of his madness, “You Light Up My Life” bears the entire weight of Brooks’s demise. But it is also true that the relationship between the artist’s crimes and her or his music may diminish over time, such as in the case of other artists like Lead Belly or Chuck Berry.

    To a large extent, most of us probably enjoy music because we like how it sounds, not because of the life of the musicians. I enjoy music by jerks too, but when the artist is a decent person, it can add something. It may be something unconscious in the back of one’s mind, but I like to think that upon listening to the whole body of work of some artists, their decency may come through into their songs.

    For example, I feel fortunate that two of my favorite artists have been Bruce Springsteen and Steve Earle, not only because of their great music but because they have struggled to live good lives. Like all humans, they are not perfect, but I was lucky that after I was drawn to their music I later discovered their work for good causes and attempts to be decent men. You may find it in other artists you like, such as John Lennon, Emmylou Harris, Elton John, or U2, which has been involved with causes such as Amnesty International.

    Can I find the troubled mind of Joseph Brooks in “You Light Up My Life” now? I may be imagining what I hear in 2011 in the song that won the Academy Award and the Grammy so long ago in 1977. But now the sadness of the song stands out a little bit more. I hear it in Debby Boone’s recording, and I hear it in this 1979 version below by punk rocker Patti Smith on “Kids Are People Too.” In Smith’s performance, she is accompanied on piano by a young Joseph Brooks, decades before he knew how his life would end.


    At around 3:10, Smith, who also performed the song in concert, begins explaining why she chose “You Light Up My Life.” With the brilliant Patti Smith, though, one may speculate there is more to the reason she often sang the song. Brooks appears at around 3:45.

    Do you think the lives of the artists affect how you see and hear their work? Do hidden stories, like the story behind “Heartbreak Hotel” affect the music? Leave a comment.

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    Springsteen, American Idol Ain’t Good Enough For You?

    {This conversation was overheard Thursday morning at American Idol Headquarters}

    Anonymous Producer 1: “What a great finale. America loves us, and Scotty McCreery and Lauren Alaina did a great job. They are both great kids. It was fun seeing them sing with their idols, like McCreery singing with Tim McGraw on ‘Live Like You Were Dying,’ although I’m not sure I understand the meaning of the song.”

    David Cook Don't You (Forget About Me)

    Anonymous Producer 2: “Yes they are sweet kids. But they are kids.”

    AP1: “That’s great. It means we are hip and current. Look at the hip goodbye song we used this year of David Cook’s ‘Don’t You (Forget About Me)’. That reminds me that we have to pick a song for next year soon.”

    AP2: “Um, that song was a cover of of Simple Minds’ ‘Don’t You (Forget About Me)’ from The Breakfast Club in 1985.”

    AP1: “Yeah, but kids love that movie. Do you have any suggestions for next year’s song?”

    AP2: “There’s one superstar we have not been able to get who would bring in some older viewers: Bruce Springsteen. Earlier in the season, Twitter was buzzing when Springsteen visited the contestants, and there was speculation he might appear on the show.”

    AP1: “What’s Twitter? Anyway, didn’t we have Springsteen’s band member Clarence Clemons at our final show playing saxophone while Madonna simulated sex on stage?”

    AP2: “You mean Lady Gaga singing ‘Edge of Glory,’ a great song. Yeah, but I think we could get Springsteen on the show if we select one of his songs as the goodbye song we play over videos of departing contestants.”

    AP1: “What song?”

    AP2: “He has a great song from 1978 . . .”

    AP1: “1978 is hip?”

    AP2: “Well, he only recently released it, and it’s called ‘Ain’t Good Enough for You.’ It is on Springsteen’s most recent release, The Promise, a collection of outtakes from 1978’s Darkness on the Edge of Town. ‘Ain’t Good Enough For You’ would be an empowering exit song for the contestant voted off the show, saying, ‘Yeah no matter what I do, well you know it’s true / Ain’t good enough for you, hey!'”

    AP1: “The song does not sound overwrought and sentimental enough for our kiss-off song.”

    AP2: “A little humor would be a good change of pace, and we did use Daniel’s Powter’s ‘Bad Day’ in 2006, which was funny.”

    AP1: “I don’t know. I think we should check with Jimmy.”

    AP2: “But that’s the best part! In ‘Ain’t Good Enough For You,’ Springsteen describes our American Idol makeover of contestants and then he mentions American Idol coach Jimmy Iovine, who in 1978 was Springsteen’s recording engineer”:

    I tried to change, I got a job in sales;
    I bought a shirt uptown in Bloomingdales;
    And babe I tried to make the latest scene,
    Hitting cool just like Jimmy Iovine.

    AP1: “Brilliant! This Springsteen guy is a genius if he wrote a song for American Idol in 1978. I can see him playing it on the 2012 finale show right now. Does Springsteen do simulated sex on stage?”

    Bonus “Ain’t Good Enough For You” Version: Springsteen performed “Ain’t Good Enough for You” at a special New Jersey session with fans to promote the release of The Promise. He relies upon the audience to sing “Jimmy Iovine,” so you may not make out his name as well as in the 1978 version. What is great about both versions of the song, though, is that Springsteen appears to be having a blast.

    What do you think? Would you like American Idol to feature Bruce Springsteen or one of his songs? Or should he avoid having any connection to the pop show? Leave a comment.

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    Don’t Kill My Baby and My Son

    On May 25, 1911, a mob lynched an African-American woman and her teenage son near Okemah, Oklahoma. Through a direct family connection to the lynching, the acts that day would later inspire one of Woody Guthrie’s great songs.

    Oklahoma Lynching

    The lynching of the woman and her son occurred in response to the death of a well-respected white deputy sheriff, Goerge Loney. Earlier, Loney was investigating the theft of livestock when teenager Lawrence Nelson reportedly thought the officer was going for a gun and shot Loney. Loney bled to death.

    A posse then went to arrest the teen and his family, which included his mother Laura Nelson and her infant son. Lawrence’s father ended up in jail too.  But a mob eventually took the teenager and his mother Laura, who at one point tried to protect her son by saying she fired the fatal shot.

    It is unclear what happened to the infant, but the mob ended up hanging the teen and his mother from a bridge. According to some reports, Laura Nelson was raped before she was lynched.

    “Don’t Kill My Baby and My Son”

    One of the members of the lynching crowd was a man named Charley.  A year later, Charley would name his new son Woodrow after Pres. Wilson. Woodrow grew up to have quite a different view of the lynching than the participants. And Woody, as we would come to know him, developed political views that diverged from his father, Charley Guthrie.

    Woody Guthrie wrote the song, “Don’t Kill My Baby and My Son” about that lynching in Okfuskee County, Oklahoma. In the chorus, Woody chose to view the song from the standpoint of the woman who was lynched rather than choosing the voice of his father in the crowd:

    O, don’t kill my baby and my son,
    O , don’t kill my baby and my son.
    You can stretch my neck on that old river bridge,
    But don’t kill my baby and my son.

    Now, I’ve heard the cries of a panther,
    Now, I’ve heard the coyotes yell,
    But that long, lonesome cry shook the whole wide world
    And it come from the cell of the jail.

    Singer-songwriter Brooke Harvey, who is from Newcastle, New South Wales, Australia, recorded a beautiful rendition of Guthrie’s song:

    Harvey’s version does not appear to be available outside of YouTube, and there are few people who have performed “Don’t Kill My Baby and Son.” Apparently, Guthrie himself never recorded the song.

    But if you are looking for an album with the song, then Joel Rafael has a wonderful version of “Don’t Kill My Baby and Son” on his album, The Songs of Woody Guthrie Vol 1 & 2. Check it out.

    Although “Don’t Kill My Baby and Son” is not one of Guthrie’s most well-known songs, it is among his most heartbreaking. Besides being a great song, it documents a horrible injustice that we should not forget.

    More information about the lynching is in the biography Woody Guthrie: A Life, in a recent book on the history of capital punishment and the use of lynching, and on the Executed Today website, which includes the haunting photo of the lynching that was later used as a postcard.

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