The Death of Emmett Till

Bob Dylan Whitmark Demos

On January 24 in 1956, Look magazine published “The Shocking Story of Approved Killing in Mississippi” that featured a confession from two men claiming they had murdered the teenage Emmett L. Till on August 28, 1955.  The killing would inspire both Bob Dylan and the Civil Rights movement.

The Murder

Jurors had acquitted the two white men, Roy Bryant and J.W. Milam, of the 1955 kidnapping and murder of Till. But after the acquittal, in the magazine article, Bryant and Milam described the killing.

After beating and shooting Till, they used barbed wire to tie a heavy cotton gin fan around his neck to weigh down his body when they threw him in the Tallahatchie River.

Throughout the ordeal, the two men could not break the spirit of the teenager.  Till maintained that he was as good as them and that he had dated white women.

Emmett Till

Emmett TillTill was a 14-year-old African-American teenager from Chicago.  Prior to his death, he was visiting Mississippi relatives in 1955.

In Money, Mississippi, he went to Bryant’s Grocery and Meat Market to buy some candy. Reportedly, while he was in the store, the teen either whistled at or requested a date from Carolyn Bryant, who ran the store with her husband Roy, who was out of town.

As word spread around town about the incident, the husband Roy Bryant returned to town and contacted his half-brother J.W. Miliam. A few days after the encounter in the store between Till and Byrant’s wife, Miliam and Bryant abducted Till from his great-uncle’s home. Three days later Till’s body was found in the river.

Response to the Murder

Word of the horrible killing spread. Reportedly, 50,000 people attended the funeral, where Till’s mother had an open casket to show the world what was done to her son (warning: disturbing photo at link).

Authorities arrested Miliam and Bryant, who were tried and acquitted by an all-white all-male jury. Many were outraged with the acquittal, and some credit the events with helping inspire the Civil Rights Movement.

Miliam and Bryant later both died from cancer.  But as recently as 2005 the U.S. Justice Department was looking into the case about prosecuting others still living who helped with the crime.

Bob Dylan’s “The Death of Emmett Till”

The events also inspired a young Bob Dylan to write about the Till in the song “The Death of Emmett Till.” He performed the song on a radio program in 1962, explaining the tune came from a song by folk-musician Len Chandler.

On the March 11, 1962 radio show, the host flattered the young Dylan’s skills.  But Dylan responded, “I just wrote that one about last week, I think.”

Relatively consistent with Dylan’s comments, in Keys to the Rain: The Definitive Bob Dylan Encyclopedia, Oliver Trager reports that the 22-year-old Dylan wrote the song around February 1962.  That date means it is one of the first songs Dylan ever wrote. Trager also suggests that Emmett Till’s death may have affected Dylan because they were born only months apart.

Although Dylan initially was proud of “The Death of Emmett Till,” he later seemed embarrassed by its literalness.  He claimed he was just trying to write about something topical. He even went further and said that it was a “bullshit song.”

It’s true that the song does not rise to the poetic level of the more brilliant similarly themed song, “The Lonesome Death of Hattie Carroll.” But “The Death of Emmett Till” was a good start for the young songwriter, and it helped highlight a great injustice.

Through the years, listeners rarely got the chance to hear Dylan’s song.  “The Death of Emmett Till” never appeared on an official Bob Dylan release until in 2010 when it was on the CD The Witmark Demos: 1962-1964 (The Bootleg Series Vol. 9) (2010).

The photo above of Till — whose nickname was Bobo — was taken by his mother on Christmas 1954, eight months before he was murdered.

How does “The Death of Emmett Till” rank in the Dylan canon? Leave your two cents in the comments.

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    Best Gospel Songs by Pop Singers 4: Morning, Flying & Mystery

    O Brother Where Art Thou

    In response to popular demand, Chimesfreedom continues its periodic discussion of the best gospel songs by pop singers. In this Post, we consider one gospel song overwhelmingly identified with one pop singer, another gospel song that is recorded by many singers, and finally, a beautiful song about being an agnostic that deserves a place next to other songs of faith.

    “Morning Has Broken,” Cat Stevens.

    This song is so associated with Cat Stevens — now Yusaf Islam — that for a long time, I thought it was one of his original songs. But the Christian hymn first appeared in 1931, and the music goes back even further to the nineteenth century as a traditional Gaelic tune, “Bunessan.”

    “Morning has Broken” is a simple song with a simple message of being thankful for each day: “Praise with elation, praise every morning / God’s recreation of the new day.”


    “I’ll Fly Away,” Alison Krauss and Gillian Welch.

    Alfred E. Brumley wrote “I’ll Fly Away” in 1931. He was picking cotton when he came up with the song. As he later explained: “I was dreaming of flying away from that cotton field when I wrote I’ll Fly Away.” Many believe the song is the most-recorded gospel song of all time. If true, it is not surprising because it is a beautiful song.

    A number of country singers have recorded the song, including Johnny Cash, Hank Williams, Charley Pride, Jim Reeves, and Alan Jackson. Etta James does an uplifting version. Kanye West does an excellent version too. I especially like Alison Krauss’s version, and in particular this version with Gillian Welch from the film O Brother Where Art Thou? (2000).

    “Let the Mystery Be,” Iris DeMent.

    One might dispute including “Let the Mystery Be” from Iris DeMent’s Infamous Angel (1993) album in a discussion of Gospel songs because the song reflects DeMent’s agnosticism rather than faith in a higher power. Yet, the song only could have been written by someone who was raised in a religious environment.

    DeMent grew up in a Pentecostal family where she was not allowed to listen to non-gospel music, and the song brings out the division between her upbringing and her adult beliefs. But “letting the mystery be” takes a leap of faith too. And, as in many of the best gospel songs, it highlights a beautiful struggle in a beautiful song.

    Some say they’re goin’ to a place called Glory and I ain’t saying it ain’t a fact.
    But I’ve heard that I’m on the road to purgatory and I don’t like the sound of that.
    Well, I believe in love and I live my life accordingly.
    But I choose to let the mystery be.

    See our other posts in our series of Gospel Songs by Pops Singers.

    What is your favorite Gospel song by a pop singer? Leave your two cents in the comments.

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    Etta James RIP: All I Could Do Was Cry

    Etta James

    Singer Etta James has passed away from leukemia at age 73. You’ll be hearing a lot of her greatest hit, “At Last,” so here let us take a moment to close our eyes and listen to the more appropriately named, “All I Could Do Was Cry.” RIP.

    That is real emotion you hear in James’s vocals. Supposedly, “All I Could Do Was Cry” was inspired by her former boyfriend Harvy Fuqua dating Gwen Gordy. The song was written by Gwen Gordy and her former boyfriend, Billy Davis (and Berry Gordy). Fuqua and Gwen Gordy eventually got married, so there is genuine tension in the song from one of the broken-hearted writers and the broken-hearted singer. That is complicated, but the result is brilliant.

    What is your favorite Etta James song? Leave your two cents in the comments.

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    New Springsteen Single: We Take Care of Our Own

    bruce springsteen we take care of our own

    Bruce Springsteen released a new single today, “We Take Care of Our Own” from his forthcoming album Wrecking Ball, due to be released March 6. The new album reportedly addresses tough economic times and has been described as an angry album.

    The song combines common Springsteen themes of anger about recent events (“From the shotgun shack to the Superdome / We yelled ‘help’ but the cavalry stayed home”) to questions about recent economic hard times (“Where’s the work that’ll set my hands, my soul free?”) to a possible reference to the Springsteen canon (“Where’s the promise, from sea to shining sea?”) to a final hopeful chorus aching to be misused by a presidential candidate (“Wherever this flag is flown / We take care of our own”). Blogness on the Edge of Town has its own take on the anthem quality of the song.

    Here’s the track list for the new album:

    1. We Take Care of Our Own
    2. Easy Money
    3. Shackled and Drawn
    4. Jack of All Trades
    5. Death to My Hometown
    6. This Depression
    7. Wrecking Ball
    8. You’ve Got It
    9. Rocky Ground
    10. Land of Hope and Dreams
    11. We Are Alive

    What do you think of the new song? Leave your two cents in the comments.

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    Songs for Muhammad Ali & Sonny Liston

    muhammad ali January 17, is the birthday of Muhammad Ali, who was born in 1942 in Louisville, Kentucky. Ali’s life has had highlights inside and outside the boxing ring, and some of the highlights inside the ring were his fights with Sonny Liston. Ali and Liston have inspired other boxers and boxing fans, but they have also inspired songwriters, including Greg Trooper, Chuck Prophet, and Mark Knopfler. Below are some of the songs as well as video of one of the matches between the two boxers.

    Greg Trooper: “Muhammad Ali (The Meaning of Christmas)”

    I really love Greg Trooper’s song “Muhammad Ali (The Meaning of Christmas)” from his Floating (2003) album, as the song captures something special about Ali. It is a shame that the video performance of this beautiful song only has 349 views, because everyone should hear this song.

    “I am the greatest,”
    he said with a grin;
    But he was talking about you,
    Not about him;
    And was teaching me
    The meaning of Christmas.

    I remember they called him a clown;
    Then Sonny went down,
    In no more than six rounds;
    And he was teaching us all
    A new day was coming.

    Johnny Wakelin: “Black Superman (Muhammad Ali)”

    I remember Johnny Wakelin’s song when it was released in 1975, and I even had it on a 45 record when I was a kid. It is a catchy tune, using quotes from Ali in the lyrics (“He floats like a butterfly and stings like a bee”).

    Wakelin, who was from the UK, had his biggest success in his songwriting career with “Black Superman,” which was a number one song in the UK. He recorded another tribute to Ali called “In Zaire.” Wakelin is still around and has his own website.

    Freakwater: “Louisville Lip”

    Freakwater’s song “Louisville Lip” focuses on one alleged incident from Muhammad Ali’s life.  In 1960, Ali returned home to Louisville, Kentucky from winning the light heavyweight gold medal in the Summer Olympics in Rome.  Yet, the 18-year-old faced discrimination in his hometown. Reportedly, after being refused service at a restaurant, Ali threw his gold medal into the Ohio River.

    Ali later received a replacement medal, and according to some reports, he had merely lost the first one.  But Freakwater knows a good story and builds a song around the incident in “Louisville Lip.”

    The song appears on Freakwater’s 1998 album Springtime. (Thanks to @revRecluse for pointing me to “Louisville Lip.”)

    Whip the world whip this town;
    Whip it into the river and watch ’em all drown;
    When the king threw off his golden crown,
    Floating down like butterfly wings,
    It sank without a sound.


    Chuck Prophet: “Sonny Liston’s Blues”

    While Ali has become an American icon, few remember much about Sonny Liston except for his connection to Ali. Chuck Prophet reminds us that we should not forget about Liston.  Prophet reveals that Liston’s life also has meaning for us with his song “Sonny Liston’s Blues,” the lead-off track on his Let Freedom Ring (2009) album.

    In an interview with the Press Democrat, Prophet explained why he chose Liston for a song choice: “To me, he’s the perfect analogy for the American dream. He’s part reality and part myth — always just out of reach. He had to open the record. There was a myth people had that they were going to be able to comfortably retire and they woke up one morning and realized that reality was not quite what was sold to them.”

    Mark Knopfler, “Song for Sonny Liston”

    Mark Knopfer also performs a song about Sonny Liston, portraying him as a tragic figure and again reminding us that we cannot forget those who fought and lost. “Song for Sonny Liston” is from Shangri-La (2004).

    Joe Louis was his hero;
    He tried to be the same,
    But a criminal child
    Wears a ball and chain;
    So the civil rights people,
    Didn’t want him on the throne,
    And the hacks and the cops
    Wouldn’t leave him alone.

    In Trooper’s “Muhammad Ali (The Meaning of Christmas)” his reference to “no more than six rounds” indicates he is referring to the first of two fights between Liston and Ali held on February 24, 1964. In that fight, Ali (then Cassius Clay) upset Liston to win the heavyweight title. After the sixth round, Liston did not come out of his corner for the seventh round, claiming his left shoulder was injured.

    Most had expected Liston to beat the 22-year-old Clay. Some later claimed that Liston did not adequately train for the fight.

    The next year there was a rematch that Ali again won and was captured in a famous photo of Ali standing over Liston. Because many did not see Ali hit Liston when Liston went down, some claimed the fight ended with a “Phantom Punch” and that Liston took a dive.

    Below is video of the May 25, 1965 fight Between Sonny Liston and Muhammad Ali. Although this rematch, where Liston went down in the first round, is one of the most famous heavyweight fights in history, attendance was low due to the remote location of the fight in Maine.

    After the fight, Ali was a star. Liston took a year off from boxing but then started working his way back with some important wins in the ring during the next few years.

    Not long after winning a fight in June 1970, Liston was found dead in his home in January 1971. The cause of his death is still a mystery.  Some believe that he died from a heroin overdose and others believe he was murdered by some of his underworld contacts.

    On Liston’s headstone, the epitaph under his name says simply, “A Man.”

    Yes, Liston and Ali are just men. But no matter what you think of boxing as a sport, we can learn a lot from their lives. Their legends will live a long time.

    What do you think of these songs and the Ali-Liston fights? Leave your two cents in the comments.

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