Super Bowl Songs: I Am a Patriot

It is time once again for Chimesfreedom to take a look at songs related to each Super Bowl team. With this year’s battle between the New England Patriots and the New York Giants, we first consider the Patriots, using a song incorporating the New England mascot instead of going with Barry Manilow’s “Weekend in New England.”

Back in the 1980s before there was the Internet where you can find a large amount of music and concert footage of your favorite artist, I was desperate for anything related to Bruce Springsteen for the long years between albums. In one of those periods, I discovered the music of Little Steven and “I Am a Patriot.”

Little Steven, of course, is “Miami Steve” and Silvio Dante and Steven Van Zandt, a guitarist and singer in Springsteen’s E Street Band. While Springsteen’s songs gradually included more political allusions, Little Steven wore his social issues on his sleeve. “I Am a Patriot,” though, he reclaims the word “patriot” from the politicians and asserts its meaning as an advocate for freedom.

And I ain’t no communist, and I ain’t no capitalist;
And I ain’t no socialist;
and I sure ain’t no imperialist;
And I ain’t no Democrat;
And I ain’t no Republican either;
And I only know one party,
And its name is freedom;
I am a patriot.

Little Steven recorded several very good albums on his own during the 1980s, including Men Without Women (1982), Voice of America (1984), Freedom No Compromise (1987) and Revolution (1989). He added one last album in the 1990s with Born Again Savage (1999), which was not as successful as his previous albums. “I Am a Patriot” is off of Voice of America, and the song has been covered by Jackson Browne and Eddie Vedder, among others. Browne also has performed the song with Little Steven.

As for this weekend, at the end of the day on Sunday, New Englanders are hoping they can proudly assert the refrain of the song. Meanwhile, check out the Super Bowl song for the New York Giants.

Are you a fan of Little Steven? What other songs are appropriate for the New England Patriots? Leave your two cents in the comments.

Some Related Chimesfreedom Posts:

  • Nelson Mandela, Sun City, and Changing Times
  • Super Bowl Songs: Bon Iver & “Wisconsin”
  • Little Steven and Bruce Springsteen: “It’s Been a Long Time”
  • Little Steven is Releasing “Soulfire”
  • Purple Rain: Prince at 2007 Super Bowl
  • Springsteen and Vedder Sing “Bobby Jean”
  • New E Street Band Sax Player: Eddie Manion?

    southside johnny Yesterday, in The Record, Southside Johnny talked about his friendship with Bruce Springsteen, adding, “He’s stealing my saxophone players to replace Clarence, so we steal from each other’s bands occasionally.” Southside did not mention a saxophone player by name — and he did use the plural “players” unless that was a misprint. But one may assume that the theft at least includes Eddie “Kingfish” Manion. Manion played with Springsteen as part of The Sessions Band when Springsteen was touring to promote The Seeger Sessions. In addition to being an original member of Southside’s Asbury Jukes, Manion also played with The Miami Horns and Little Steven and the Disciples of Soul. He also was part of the backing horns when Springsteen played the Super Bowl halftime in 2009, and he played baritone sax with the E Street Band in the Carousel House video shoot for songs from The Promise in December 2010. So, considering the long relationship, the rumor seems like it could be true. [Feb. 9, 2012 Update: As noted below, it has been confirmed now that Manion will be playing saxophone on the upcoming tour — with another saxophonist.

    Assuming Manion is part of the tour, it is unclear whether Manion will be a full-fledged permanent member of the E Street Band or whether he is just filling in for the upcoming tour or whether he will be one part of a larger horn section. Of course, Southside’s comment is not official and Springsteen has not made any announcements yet. Nobody can replace Clarence and those are some mighty big shoes to fill, but the music must go on. Welcome, Kingfish.

    Update: Blogness on the Edge of Town speculates on the addition of a horn section while noting that we may not know the makeup of the touring band until the first rehearsal show.

    Update 2 (Feb. 9, 2012): Bruce Springsteen’s website has now confirmed that Eddie Manion will be playing saxophone on the new tour along with another saxophonist, Jake Clemons — the nephew of Clarence. The tour will also feature singers Cindy Mizelle and Curtis King, trombonist Clark Gayton, and trumpeters Curt Ramm and Barry Danielian.

  • Little Steven and Bruce Springsteen: “It’s Been a Long Time”
  • Soul Engines Running Through a Night: “Jungleland” Lives On
  • Jake Clemons Plays “Jungleland”
  • Little Steven is Releasing “Soulfire”
  • Springsteen and Vedder Sing “Bobby Jean”
  • Bruce Springsteen: Always Roaming With a Hungry Heart
  • (Some Related Chimesfreedom Posts)

    Jack White’s “Love Interruption”

    Jack White Blunderbuss Love Interruption

    Jack White, formerly of The White Stripes, is getting ready to release his first solo CD. The new song “Love Interruption” from White’s new forthcoming solo CD Blunderbuss is coming out April 23.

    I like the bluesy feel of the song provided by the keyboard, so I’m looking forward to hearing the rest of the album.

    What do you think of Jack White’s new song? Leave your two cents in the comments.

  • White Stripes Ending: I’m Lonely in Portland
  • The First Song Loretta Lynn Ever Wrote
  • Wanda Jackson, The Queen of Rockabilly and Rock
  • (Some Related Chimesfreedom Posts)

    National Clash Day

    Apparently, Saturday was National Clash Day, as well as National Kazoo Day. While I suspect that I was supposed to wear clothes that do not match, which I often do anyway, I am celebrating National Clash Day with one of the bands that helped keep my faith in rock music through the 1980s before the group broke up in 1986. So, celebrate National Clash Day with one of my favorite songs from The Clash, “Train in Vain” from London Calling (1979).

    Fortunately, there are no kazoos in the song.

    Should there be a National Clash Day in honor of the band? Leave your two cents in the comments.

  • Jakob Dylan Returns With The Wallflowers
  • Peter Paul & Mary’s First Contract . . . and Puff

    Peter Paul & Mary signed their first recording contract on January 29, 1962.  Thus began a recording career with Warner Brothers that would help bring folk music and Bod Dylan’s music to a broad audience.

    That broader audience included me when I was a kid. We did not have Bob Dylan albums in my house when I was a kid, but we did have Peter Paul & Mary’s second album, Moving (1963), which included “Puff the Magic Dragon.” The trio and “Puff” eventually led me to Dylan and other folk singers. They even led me to John Denver with their cover of “Leavin’ on a Jet Plane.”

    Although today I only have a couple of Peter Paul & Mary albums, I have a huge collection of Dylan and other folk songs that they helped me discover. So, while some hear them and think of a group less authentic than some other folk singers because of their smooth harmonies and the way the group formed, I hear the joy in their music.  And I appreciate the role they played in my music education.

    “Puff the Magic Dragon”

    The story of “Puff the Magic Dragon” began in 1958 when Leonard Lipton, who was a Cornell student, found inspiration in Ogden Nash’s “The Tale of Custard the Dragon.” Lipton used that inspiration to write his own poem about a dragon.

    Lipton showed his poem to another Cornell student, Peter Yarrow, who added music and additional lyrics. Not much later, Manager Albert Grossman, looking to capitalize on the growing folk music trend, put together what he saw as a commercial pairing of Yarrow with Peter Stookey and Mary Travers.

    Thus began Peter Paul & Mary.  The new group recorded “Puff the Magic Dragon” in 1962, and it went on to rise to #2 on the Billboard charts.

    What is “Puff” About?

    Several years after “Puff the Magic Dragon” was released, rumors started about drug references in the song. Yarrow and Lipton have both explained that the song is really about a loss of innocence, and Lipton has compared the story to Peter Pan on his blog.

    Many decades on, the song’s themes about lost innocence resonate more strongly for those of us who grew up listening to the song. When I hear the song, I think not only about the lost innocence of Little Jackie Paper.  I also think about my own childhood listening to the unusual dark children’s song.  In the song, I sensed some frightening message about the world ahead where little boys do not live forever and dragons are left alone to disappear.

    But in addition to the haunting elements, there was something comforting in the way the three voices blended together, revealing something else in the world.  Perhaps there was a touch of the nearly half-century friendship between the three singers that continued until Mary Travers’s death in 2009.

    And maybe some things do last forever. I do not know where I will be in another half century, but I do know that children still will be singing the college student’s poem about a dragon who frolicked in the autumn mist in a land called Honalee.

    And that is The Story Behind the Song.

    Update: Dick Kniss, who played bass for Peter Paul & Mary for almost five decades, passed away in 2012 at the age of 74. He also co-wrote John Denver’s hit, “Sunshine on My Shoulders.” RIP.

  • Peter, Paul & Mary’s Ode to Playing “Right Field”
  • Peter Paul & Mary: El Salvador
  • John Denver’s First Number One Song
  • Duet of the Day: Cass Elliot and John Denver “Leaving on a Jet Plane”
  • What Song Did Jennifer Jason Leigh Sing in “The Hateful Eight”?
  • The Story Behind the Album Cover: Dylan’s “Highway 61 Revisited”
  • (Some Related Chimesfreedom Posts)

    Buy from Amazon