One advantage to being a sitting president is that you do not have to go through the party debates. Instead of standing on stage with people attacking you, you get to do cool things like sing with B.B. King. This clip is from an tribute to the blues yesterday at the White House, which included Buddy Guy, Mick Jagger, and Booker T. Jones. At the end, Pres. Barack Obama gave in to the requests to sing a few lines of “Sweet Home Chicago,” his follow-up single to his cover of Al Green’s “Let’s Stay Together.”
White House press secretary Jay Carney commented on Pres. Obama’s impromptu songs by noting that the president has “a hidden talent that we’re just getting to hear.”
Which former president would you like to hear sing? Leave your two cents in the comments.
Folksinger and songwriter Woody Guthrie was born on July 14, 1912 in Okfuskee County, Oklahoma. In honor of his birthday, Chimesfreedom will consider some of the songs and life events of this man who looms large in both the American songbook and in our concepts of a period of American history.
Guthrie is a part of our past, but also our present and future, as his spirit lives on in many musicians, including the young disciple he met before he died, Bob Dylan. Guthrie’s songs reflect both the American spirit and the American struggles of his time, so it seems appropriate that we celebrate his life this year as the world has been struggling through economic hard times. But he is always relevant, as a large number of people suffer even when times are “good.”
“So Long It’s Been Good to Know You”
We start with one of Guthrie’s earliest songs, “So Long It’s Been Good to Know You.” According to Woody Guthrie: A Life, by Joe Klein, Guthrie wrote the song not long after dust storms hit Guthrie’s home in Pampa, Texas in spring 1935 (“In a month called April, a county called Gray”).
Out of the experience, Guthrie, who recently became a father, wrote the song. Originally, he called the song “Dusty Old Dust” and would sing in the local saloons.
Rob Tepper does this video of “So Long It’s Been Good to Know You” using his best Woody Guthrie imitation showing what a Woody Guthrie video might look like had they had videos back in Guthrie’s days. Tepper is a talented actor who does a one-man show portraying Woody Guthrie, and he appeared in the short film Been Good To Know Yuh – a Woody Guthrie Story. Check out his video of the song.
Inspirations for the Song
Guthrie took the melody for “Dusty Old Dust” from Carson Robison’s “Ballad of Billy the Kid.” But the chorus was Guthrie’s original work. Below is Marty Robbins singing “Ballad of Billy the Kid.”
When Guthrie wrote “So Long It’s Been Good to Know You,” Guthrie was still a young man in his early 20’s yet to do most of his travels. Despite his youth, his song shows a skill in using a happy-sounding song to express subtle anger.
Guthrie remembered local townspeople who raised prices to capitalize on the natural disaster. And he recalled the response of Preacher McKenzie, who “could not read a word of his text,/An’ he folded his specs, an’ he took up collection.”
Recordings
Years after Guthrie left Texas and ended up in New York City, he recorded the song for an album, Dust Bowl Ballads.
Later, Guthrie wrote another version of the song specifically about World War II. This other version included the lyrics, “So it won’t be long till the fascists are gone/ And all of their likes are finished and done.” Here is Guthrie singing the WWII version of the song.
As is the case with many of Guthrie’s songs, “So Long” seems like a tune I have known since birth. So I cannot remember when I first heard it. It just always was there.
Like many people, my introduction to “So Long” probably came through the Weavers, who polished up the song with some harmonies. The group, including Pete Seeger, also performed the song in a B-movie musical, Disc Jockey (1951).
So long, but only for now.
What’s your favorite version of “So Long”? Leave your two cents in the comments.
[Correction: An earlier version of this post incorrectly stated that Rob Tepper is the same Robert Tepper who sang the theme song from Rocky IV. Thanks to Julian Tepper for the correction.]
On today’s date of February 19 in 1981, the United States government released a report claiming an El Salvador insurgency came from aggression by communists. The report prompted the U.S. government under new President Ronald Reagan to begin to address the perceived threat. The U.S. then assisted the government of El Salvador against rebels by sending money and advisers to the country.
Through the 1980s, the U.S. government spent more and more money on El Salvador. Still, violence and instability continued in El Salvador, with many accusations of torture, kidnapping, and assassination on both sides.
Although Peter, Paul & Mary are best-known for the songs they recorded in the 1960s, they still made some excellent music later in their career. One of their late-career highlights is “El Salvador,” which they recorded in 1982 soon after the U.S. report and the escalations in that country.
In the song “El Salvador,” written by “Paul” — i.e., Noel Paul Stookey, the trio helped bring attention to the continuing atrocities in that country and the involvement of the U.S. government in the mess. Stookey and the other singers were surprised to sometimes hear booing when they sang the song, which later appeared on Songs of Conscience and Concern (1999). Here, Peter, Paul & Mary perform “El Salvador” at their 25th Anniversary Concert in 1986 — without any booing.
At the end of the song, the trio asked a question:
They’ll continue training troops in the USA, And watch the nuns that got away, And teach the military bands to play South of the Border, And kill the people to set them free; Who put this price on their liberty? Don’t you think it’s time to leave El Salvador?
In 1992, the United Nations and Costa Rica President Oscar Arias helped negotiate a deal between the warring parties in El Salvador. Although a U.N. commission condemned the U.S.’s involvement in Salvadoran military atrocities, then U.S. President George H.W. Bush claimed that the peace was a result of the U.S.’s long fight against communism El Salvador.
But today even the U.S. Department of State website recognizes the problems: “During the 12-year civil war, human rights violations by both the government security forces and left-wing guerillas were rampant.”
I have already discussed on this blog how I am a fan of Matthew Ryan’s music. His recent album I Recall Standing As Though Nothing Could Fall (2011) captures his trademark sound of a combination of gravely voice and hypnotic music with a touch of despair. On this CD, Ryan uses a number of friends and collaborators to help create an excellent sounding album.
The album came out several months ago, but Ryan’s website is selling the CD download for the low price of $5.00 if you like it. (I have no affiliation, just providing the links because I like the music.) I particularly like the opening track, “The Sea” and the full-band songs like “All of That Means Nothing Now.” The beautiful lyrics range from the heartbroken to the political, assuming wishing for peace can be qualified as political. On “I Want Peace” he sings:
You know the facts are being murdered By the din of politics And in the ways that we avoid each other While the big clock tics There’s a violence in doing nothing As if the plot could be ignored Just because you’ve picked your poison Doesn’t mean the wolf’s not at your door I get no thrill from bringing bad news I’d much rather make you smile But I refuse to be a passenger As we smile And swallow up the miles
Cause I want peace Yeah I want peace Cause I want peace Yeah I want peace For you And for me For you and me
There are many great love songs. But I am not sure there is a better one specifically about Valentine’s Day than Steve Earle’s song, “Valentine’s Day” from his 1996 album, I Feel Alright.
In this live version of the song below, Earle has The Fairfield Four providing backing vocals. And I’m not sure anyone has ever made a better, or simpler, video of a song.
The beauty of the song is how it turns the cliches around, reminding us that the things we associate with Valentine’s Day are things that really do not have much to do with love. The singer tells how he forgot about the holiday so does not have a card, flowers, diamonds or gold to give.
Finally, the singer offers an IOU and to make it all up to the person, concluding, “Until then I hope my heart will do.”
For a bonus, here is a video of Earle singing the song solo live.
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