My Heart’s in the Ice House: John Prine’s Bruised Orange

john prine bruised orange chain of sorrow One time on the streets of New Orleans I saw a street performer who had a dog who would retrieve donations from audience members. A person would hold out a bill while the performer played guitar and sang, and the dog took the cash in his mouth and dropped it in the guitar case.

Initially, we were attracted to the dog’s skills. But after awhile, I noticed that the talented street performer was only playing John Prine songs. I was impressed with his taste in music and willingness to play songs that most tourists may not recognize. I guess having a talented dog gives one a little artistic freedom.

“Bruised Orange (Chain of Sorrow)”

One of my favorite John Prine songs is “Bruised Orange (Chain of Sorrow).” It is a beautiful song about anger, frustration, and accepting what we cannot change. The song, which first appeared on Prine’s Bruised Orange (1978) album, provides a valuable lesson in its chorus.

For a heart stained in anger grows weak and grows bitter;
You become your own prisoner as you watch yourself sit there,
Wrapped up in a trap of your very own chain of sorrow.

The True Story Behind “Bruised Orange”

A tragic true story inspired the opening tale in “Bruised Orange (Chain of Sorrow).”

Like a long ago Sunday when I walked through the alley,
On a cold winter’s morning to a church house,
Just to shovel some snow.

I heard sirens on the train track howl naked gettin’ nuder,
An altar boy’s been hit by a local commuter,
Just from walking with his back turned
To the train that was coming so slow.

The John Prine Shrine website quotes Prine explaining the inspiration for the opening lines of the song.  One day he was driving to do his job shoveling snow at a church:

Turns out one of the altar boys on his way to the Catholic church was walking down the train tracks. God only knows where his mind was, but a local commuter train come from behind and they had to put him in bushel baskets – what was left. I saw a group of mothers standing near the accident, not knowing whose boys it was. When they finally identified the boy, the mother broke down, and the other mothers consoled her with a great sense of relief. This story is coupled with a shattered romance, juxtaposed with a loss of innocence: “My heart’s in the ice house/Come hill or come valley.” In the following video, he tells the story of the alter boy, followed by a video of him singing the song.

Why an “Orange”?

But why the “orange” in the title? The Prine Shrine website quotes from Clay Eals’ biography of Steve Goodman Facing the Music for an explanation. (p.511)

Prine explained that he used the word “orange” for the reason that “he liked the colors of autumn and Halloween, and he ate oranges ‘by the dozen’ as a child.”  He added, “‘It just came up as somethin’ that’s really sweet and delicate and gettin’ bruised just by bein’ mishandled,’ he says. In short, the orange symbolized the human heart.”

And that is the Story Behind the Song.

Leave your two cents in the comments.

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    Eddie Vedder Joins Tom Petty for “The Waiting”

    eddie vedder and tom petty
    We looked back at another Tom Petty song recently, so let us revisit another old Petty classic with a new lead singer. In Amsterdam recently, Pearl Jam’s Eddie Vedder joined Petty and the Heartbreakers on stage to sing “The Waiting.” Petty focuses on his guitar playing to let Vedder sing the 1981 song. Check it out.

    The performance is from 24 June 2012 at Music Hall.

    Who would you like to hear sing with Tom Petty? Leave your two cents in the comments.

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    The Killing of “Two Good Men”

    Sacco and VanzettiOn August 23, 1927, Massachusetts executed Ferdinando Nicola Sacco and Bartolemeo Vanzetti. The two admitted anarchists were Italian immigrants executed for the 1921 murder of a person during an armed robbery of a shoe company paymaster.

    The Trial and Execution of Sacco and Vanzetti

    The fish-peddler and shoemaker had no prior criminal record when they were arrested for the murder.  But they were prosecuted during a period of anti-immigrant and anti-radical sentiment, and many aspects of their trial were unfair.

    The judge overseeing the proceedings saw the two men as “anarchist bastards,” but others rallied in support of the accused. At the time of their execution, protests were held at many places around the U.S.

    Many still believe to this day that the two men were innocent of the crime.  Also, there have been recent arguments that only Vanzetti was innocent. There is a Sacco and Vanzetti Commemoration Society that works to keep the case in the public eye, and there is an exhibit about the case at the courthouse in Massachusetts.

    Woody Guthrie and “Two Good Men”

    Many years after the execution of Sacco and Vanzetti, folk-singer Woody Guthrie found some kinship in the plight of the two men. In the mid-1940s, he worked on a project of several songs about Sacco and Vanzetti to tell their story.

    One of the songs in the cycle is “Two Good Men.”

    Like Guthrie’s song about “Tom Joad,” which we discussed previously, “Two Good Men” is a story song.  “Two Good Men” focuses on the trial of Sacco and Vanzetti. Although the song is not as complete and detailed as “Tom Joad,” it contains many details.

    Some of the details in the song include the names of the judge (Webster Thayer) and the people who prosecuted the two men: “I’ll tell you the prosecutors’ names,/ Katsman, Adams, Williams, Kane.”

    In addition to the details of the case, in “Two God Men” Guthrie also focuses on connecting the execution to the labor movement of his day:

    All you people ought to be like me,
    And work like Sacco and Vanzetti;
    And every day find some ways to fight
    On the union side for workers’ rights.

    Supposedly, Guthrie was unsatisfied with his cycle of songs about Sacco and Vanzetti. Eventually, he gave up on the project.

    Fortunately Guthrie’s songs about Sacco and Vanzetti were not lost.  The founder of Folkway Records Moe Asch, who had commissioned the songs, went ahead and released the unfinished product.

    Guthrie was probably right that “Two Good Men” and the other songs did not live up to his best work. I prefer folksinger Charlie King’s song about Sacco and Vanzetti with a similar name, “Two Good Arms.” But Guthrie also was right that we should continue to remember and fight against injustices.

    {Woody at 100 is our continuing series celebrating the 100th Anniversary of the birth of American singer-songwriter Woody Guthrie on July 14, 1912. Check out our other posts on Guthrie and the Woody Guthrie Centennial too. }

    Photo via public domain.

    What do you think of “Two Good Men”? Leave your two cents in the comments.

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    Be Sure to Wear Some Flowers in Your Hair

    scott mckenzie san francisco Scott McKenzie, who sang “San Francisco (Be Sure to Wear Flowers in Your Hair),” passed away on August 18, 2012. McKenzie, who was 73, had been living with Guillain-Barre Syndrome, a disease that affects the nervous system.

    McKenzie’s most famous song as a singer was “San Francisco,” which was released in May 1967 in honor of the upcoming Monterey Pop Festival.  The song and became an instant hit.

    John Phillips of The Mamas & the Papas wrote the song, but McKenzie had inspired him to write it.  Phillips and McKenzie had been childhood friends and played music together.  McKenzie, who was born Philip Wallach Blondheim III on January 10, 1939, got his stage name after John Phillips’ daughter, the future actress Mackenzie Phillips.

    As Monterey was preparing for the festival and concerned about the large crowds, the song was written as a plea to make the event a peaceful one.  Ultimately, the event was both peaceful and successful.

    The song, of course became a song for a generation and went far beyond that festival. Wikipedia notes that the song became an anthem for young people during Czechoslovakia’s 1968 Prague Spring uprising. The song has appeared in movies such as Forrest Gump (1994) and has been covered by a number of artists.

    Note that the song subtitle “San Francisco (Be Sure to Wear Flowers in your Hair)” differs from the line used in the song, “Be sure to wear some flowers in your hair.”

    McKenzie’s Life After “San Francisco”

    McKenzie’s website states that after the song was a hit, “Scott ‘dropped out’ in the late 60’s. In 1970 he moved to Joshua Tree, a California desert town near Palm Springs.”

    He then lived in Virginia Beach, Virginia for a decade before touring as part of The Mamas & the Papas into the 1990s. In 1988, he co-wrote the Beach Boys hit “Kokomo” with John Phillips, Mike Love and Terry Melcher.

    McKenzie performed off and on until recently, and he recorded “Gone to Sea” in 2009. He had been in and out of the hospital since 2010 and he likely had a heart attack earlier this month. He asked to leave the hospital and died at home . . . in another California city, Los Angeles.

    RIP.

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    Gotye’s Symphony of Covers

    We previously reported on one of the many parodies of Gotye’s “Somebody That I Used to Know” as it was made into “The Star Wars That I Used to Know.” Well, now Gotye has created a new video incorporating many of the YouTube versions of his hit song. Slate calls it “a delightfully populist response to the popularity of his song.” I think it is just fun.

    Gotye’s blog has a list of the videos in his new video.

    What do you think of Gotye’s new video? Leave your two cents in the comments.

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