RIP Leroy “Sugarfoot” Bonner from the Ohio Players

Ohio Players Firefighter Leroy “Sugarfoot” Bonner, guitar player and front man for the classic lineup of the Ohio Players, passed away on Friday at the age of 69. If you were around in the 1970s you could not have missed their huge funk hits like “Fire.”

As a kid in Ohio at the time, I heard them a lot too. I remember looking through my older sister’s record collection and seeing this strange Ohio Players album with a woman firefighter. I am not sure what I expected to hear when I put the album on the record player, but from the band’s name and their roots in nearby Dayton, I did not expect what I heard. It sounded nothing like anything else in my sister’s collection of heartfelt singer-songwriters, and it was my first exposure to this strange new sound that I would later hear in their other songs like “Love Rollercoaster” (later covered by the Red Hot Chili Peppers).

I had not kept up with the members of the Ohio Players for a long time. In later years after their heyday in the 1970s, Bonner had put together his own spin-off band, Sugarfoot’s Ohio Players. And I never really knew much about their background beyond their music. But this interesting documentary about the Ohio Players tells more of their story. (Thanks to @WWedlock for pointing me to the documentary.) [2016 Update: Unfortunately, the documentary Unsung is no longer available on YouTube.]

What is your favorite Ohio Players song? Leave your two cents in the comments.

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    Three CDs of New Music from Marty Brown!

    Marty Brown Country Music In a recent review of the “lost” CD from Marty Brown, American Son, I mentioned that other new music was available from Brown. During the past several weeks, I have had these new CDs in constant play so that I am finally able to write about these three outstanding CDs that are available directly from the singer-songwriter.

    Marty Brown was an up-and-coming country music writer and performer in the 1990s but his fourth and most recent major record label CD, Here’s to the Honky Tonks, was released way back in 1996. Since then, many have wondered if Brown was still making music. American Son, which was recorded in 2002 and recently made available by Brown, gave some hint of his continuing work. But three new CDs that Brown is selling at his Kentucky performances reveal something surprising: Despite Music Row’s rejection, not only is he continuing to write and record a large amount of high-quality classic county songs, he is continuing to develop as an outstanding artist.

    The three recent CDs are: Marty Brown: Exclusive, Marty Brown: All-American Cowboy, and Marty Brown Christmas. Like American Son, they are packaged and sold by Brown and his wife, Shellie, so they are not in any fancy packaging, but the recording is generally of high quality.

    Marty Brown: Exclusive (2012) features twelve songs written and recorded by Marty Brown. The album opens with “Good Times,” an upbeat song that could open a set when he plays at local establishments. I am not sure another artist could work the phrase “chips and salsa” into a song so well. “Borderline Fool,” with its Mexican music flair, reminds me a little of George Strait’s “Seashores of Old Mexico,” and one could imagine Strait singing this song too. The CD includes upbeat songs and ballads, as well as the waltz “Horseshoes and Halos.” Highlights on the CD include the love song, “Absolute Love of My Life” and an anthem about being alive called “That’s My Kind of Sky.” Brown wrote several of the songs on this CD with the idea that another country artist would record those songs. But as of now, this CD is the only place to get the twelve songs, and I cannot imagine anyone else singing them better anyway.

    All-American Cowboy
    (2012) features nine original songs recorded by Marty Brown in Nashville. Although I recommend all three of these albums as well as American Son, if you were to only buy only one of these new CDs, this one might be the place to start. Every single song is fantastic, and while it contains two songs that also appear on American Son (“The Devil Was an Angel Too” and “Leavin’ Side of Me”), those are two of my favorites from that CD so they fit nicely with the other strong songs on All-American Cowboy. Every song is a highlight on this CD with songs like “Live Every Day Like Sunday,” “Love Can’t Live in a Honky Tonk” and the others having some of the best melodies in the Marty Brown catalog. If you were wondering what Marty Brown has done since the 1990s, buy this one now.

    Marty Brown Christmas (2012), with nine additional originals, is the hidden rough gem among the new CDs. While labeled as a “Christmas” CD that was given to friends and family, three or four of the songs might be classified as “Christmas songs,” while the rest might more generally be labeled “Christian” songs. But something about writing outside his traditional secular country songs freed Brown to do some of his most innovative work on this album. The CD’s rough take on Brown singing “There’s No Room for the Holidays in My Heart” is in the tradition of sad holiday songs that deserves a place with other holiday classics. Although the recording quality of that beautiful song is not as polished as songs on the other CDs, Brown’s quiet singing with just his guitar reveals another side of his singing skills.

    The freedom of writing a for a new category of music on Marty Brown Christmas also allows Brown to go in other directions besides quiet singer-songwriter. A song about Jesus’ crucifixion, “I Know the One Who Carried It,” shows that Marty Brown can be a rocker, and it makes me want to hear Brown sing more rock and roll songs. Meanwhile, Brown’s moving “Last Supper,” about a man on death row awaiting his last meal (“I couldn’t come to his Last Supper / But Jesus and momma are going to come to mine”) and “Washed My Hands in Muddy Waters” show that Brown can sing the blues too. Brown shines on these songs, and “Last Supper” features one of Brown’s most moving and powerful vocal performances ever. Despite the rough edges on this CD, or maybe because of them, on Marty Brown Christmas Brown approaches something wonderful that transcends musical boundaries, making me excited to hear what he does next.

    Conclusion? These three new CDs from Marty Brown are worth tracking down. If you do not live in Kentucky where you can make it to one of his shows, you may do like I did and order these CDs by emailing Shellie Brown at ilikeitthatwaymusic@yahoo.com for more details about the price and mailing address. (FYI, I have no affiliation with the sales of the new CDs and am providing the ordering information as a service to other fans like me.) You may find updates on upcoming shows on Marty Brown’s Facebook page and in the comments to our previous post on Marty Brown’s career. In the most recent news, Brown will be performing tonight at Wah Bah! Steakhouse in Bowling Green, Kentucky.

    What is your favorite Marty Brown CD? Leave your two cents in the comments.

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    The Return of Prince

    Prince has recently launched his own website, and new music is starting to trickle out. Although the website does not have much going on yet, it is a sign of the times that more is coming soon. For now, he does give us a new song and video, “Screwdriver.” Check it out.

    Are you excited by the news of a Prince return? Leave your two cents in the comments.

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    Sam Cooke’s “Live at the Harlem Square Club” (Great Live Albums)

    One of the greatest live albums of all time features Sam Cooke’s rousing performance on “Sam Cooke Live at Harlem Square Club.”

    Sam Cooke Live at Harlem Square Club

    On January 12, 1963, Sam Cooke performed in downtown Miami at the Harlem Square Club. The club was full of Cooke’s fans, and Cooke delivered one of the great live performances.  The show also resulted  in the album Live at the Harlem Square Club, 1963.

    In his detailed biography of Sam Cooke, Dream Boogie: The Triumph of Sam Cooke, Peter Guralnick described the Harlem Square Club as “a big barn of a building.” He noted that the show was early in the tour when Cooke performed at the Harlem Square Club. That night, the show included a late performance that went from 1 a.m. to 4 a.m. (p. 453.)

    Cooke used his live gospel background for his rousing performance, which contrasted with many of his pop hits played on radio. Guralnick writes, “There was nothing soft, measured, or polite about the Sam Cooke you saw at the Harlem Square Club.”

    The performance, however, was too much for the record company. RCA believed that the album would not attract the mainstream audience it wanted for Cooke. So the record was shelved and not released until 1985, long after the young singer’s tragic death in December 1964.

    The album is among my top few favorite albums, live or otherwise.  Cooke’s performance of “Bring It On Home to Me” on the album jumps off the CD.  His voice makes you feel like you were there on that January Miami night, as you ride through the slow 2-minute-plus build up to the release of the opening notes of the chorus.

    NPR has an interesting interview with Greg Geller, the record executive who rediscovered the tapes of the show in 1985. But the best thing to do to mark the anniversary is to put on the album, close your eyes, and let Sam Cooke take you back to a time when you believed that music could not only change your life but could transform your soul.

    What is your favorite track on “Live at the Harlem Square Club”? Leave your two cents in the comments.

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    The Great Nameless Country Voice of Texas Playboy Tommy Duncan

    Tommy Duncan Bob Wills Texas Playboys On January 11, 1911, Thomas Elmer Duncan was born in Whitney, Texas. Tommy Duncan, as he would become known, went on to become perhaps the most-recognized voice in country swing. If you have ever enjoyed a country swing song, you recognize his voice, but you probably do not know his name.

    Until fairly recently, I had incorrectly thought that Bob Wills sang lead on the classic country swing songs he recorded with the Texas Playboys. While band leader, fiddle-player, and entertainer Bob Wills is rightfully credited for his great work, the lead vocals on most of the songs you recognize were sung by Tommy Duncan. You may hear Bob Wills’s high-pitched voice throwing in an occasional “Ah-ha” or something like that, but it is Duncan who does the lead singing.

    Some folks have been working to get Duncan the credit he deserves, and there is a film in the works about him called In the Shadow of a King – The Tommy Duncan Story. I look forward to watching the film, but until then, I hope this birthday post helps a little bit in spreading the praises of the voice of Tommy Duncan, who passed away in 1967. Check out Duncan singing lead on “Ida Red” in this performance with Bob Wills and The Texas Playboys in the movie Blazing the Western Trail.

    Tommy Duncan did some work separate from the Texas Playboys, as he and Wills had an on-again off-again professional relationship reportedly due partly to Wills’s drinking issues. But both men are known for their peak work when they were together. Duncan, as part of The Texas Playboys, was inducted into the Rock & Roll Hall of Fame as an “Early Influence” in 1999.

    What is your favorite Tommy Duncan and Bob Willis collaboration? Leave your two cents in the comments.

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