Now Johnny Cash Can Be On Your Tear-Stained Letter

Johnny Cash Forever The U.S. Postal Service is issuing a new Forever stamp later this year that will feature country singer Johnny Cash. The stamp will be the first in the Postal Service’s new Music Icons series, although it has not announced the date for the Cash stamp yet.

The Postal Service explains that the stamp is designed to look like a 45 rpm record sleeve. Frank Bez took the photo during a photo shoot for the album, Ring of Fire: The Best of Johnny Cash (1963). Greg Breeding designed the stamp.

And what better way to celebrate the news than with one of my favorite Johnny Cash songs from his American Recordings period, “Tear-Stained Letter.” The song, written by Cash, appeared on 2003’s American IV: The Man Comes Around, but it actually goes back much further. Another version of the song appeared on Cash’s 1972 A Thing Called Love, which apparently was never released on CD (but is available as an MP3).

The original 1972 version of “Tear-Stained Letter” is a slow sad song, as a lover makes one last attempt to win back his love. But Cash reworked the song for the 2003 version, adding some new lyrics and upbeat music. With the changes, Cash turned the sad plea into a message to make the ex-lover feel guilty (“I’m gonna to bring back to your mind / What you said about always being true.”). Here is the updated 2003 version.

Here is the 1972 version of “Tear-Stained Letter.” (Note that the Johnny Cash song is not the song of the same name written by Richard Thompson and recorded by other artists like Jo-El Sonnier and Patty Loveless).

Now, whether sending a sad or happy tear-stained letter, you can include Johnny Cash on the envelope taking the letter on its journey to your lost love. Or you can just use it to pay your bills.

Which version of “Tear-Stained Letter” do you like best? Leave your two cents in the comments.

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    Super Bowl Songs: “Save Me, San Francisco”

    San Francisco 49ers Fleece It was not that long ago when for our World Series songs we featured “San Francisco Bay Blues.” Now, we find ourselves again having to come up with a song for a San Francisco team. With the San Francisco 49ers in the Super Bowl this year, we feature a song with a title that fans in the city by the Bay will be screaming come Sunday. “Save Me, San Francisco” is the title track off of the 2009 Train album that also featured their huge hit “Hey, Soul Sister,” thus setting the record for songs on an album with unnecessary commas.

    I have a love-hate relationship with Train. Some of their songs get overplayed on the radio, so I end up with them stuck in my head. But I cannot deny they can produce some excellent pop songs with great hooks. And lead singer Pat Monahan — who co-wrote the catchy “Save Me, San Francisco” — has a great voice.

    The video for “Save Me, San Francisco” is a play on the Dustin Hoffman classic movie, The Graduate (1967). But in the Train video, when the man chasing his beloved gets to the alter, he finds a twist ending that plays on a political issue that has been in the news in California and elsewhere. And in case you were wondering, the members of Train have been outspoken in support of the type of marriage that occurs at the end of the video.

    You can check out the ending to The Graduate on YouTube. Or check out the funny Wayne’s World 2 (1993) spoof on the same race-to-the-church segment. But this Sunday, the San Francisco 49ers hope they will not be left standing at the alter of victory.

    What is your favorite song about San Francisco or your favorite nod to “The Graduate” ending? Leave your two cents in the comments.

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    Who Flipped a Coin With Ritchie Valens?: The Day the Music Died and the Coin Toss Controversy

    Day Music Died Coin Toss February 3 marks the anniversary of the day Buddy Holly, J.P. Richardson, and Ritchie Valens perished in a plane crash. You probably know the general outline of “the day the music died.” But you may not know the controversy surrounding the legendary coin flip connected to the tragedy.

    The Day the Music Died

    In early 1959, Buddy Holly, J.P. “The Big Bopper” Richardson, Ritchie Valens, and Dion and the Belmonts toured through the Midwest in what was called “The Winter Dance Party.” Also on the tour was Holly’s new back-up band replacing the Crickets: Tommy Allsup on guitar, Waylon Jennings on bass, and Carl Bunch on drums.

    Some of the performers were tired of traveling through the cold in an old bus that kept breaking down. The poor conditions led to drummer Bunch going to the hospital with frostbite. So Buddy Holly chartered a small plane for one of the upcoming trips on the tour.

    After their February 2, 1959 performance in Clear Lake, Iowa, three of the stars — Holly, Richardson, and Valens — boarded a three-passenger plane. The plane took off in the early morning hours of February 3 for Fargo, North Dakota but soon crashed in a snow storm.

    All three passengers were killed along with the pilot Roger Peterson. The young rock and roll music industry lost three of its brightest stars.

    The Competing Claims About a Coin Toss

    Although the story is familiar, there is still an ongoing question. Besides Holly, how did Richardson and Valens end up on the plane instead of the other headliner, Dion, or instead of other band members?

    Stories conflict about the events that night before the flight. Everyone agrees there was a coin toss. But survivors still debate who was the person who barely missed getting on a plane ride to their death, all due to the luck of a coin flip.

    Holly’s former band members tell one story. But Dion wrote in his book The Wanderer Talks Truth (2011) that the events “have been completely eclipsed by urban legends, cinematic retellings, gossip, and outright grandstanding.” (p. 41).

    Who is telling the truth? Let’s consider the different versions of the story.

    On a Behind the Music episode, “The Day the Music Died,” the producers presented the story that Buddy Holly planned for the airplane to the next stop on the tour for him and his two musicians, Waylon Jennings and Tommy Allsup. In the video, Waylon Jennings explains how he gave up his seat on the plane to the ailing Big Bopper. Jennings recounts that Holly had ribbed him about taking the bus. Jennings responded, jokingly, “I hope your ole plane crashes,” a retort that haunted him for years.

    In the same episode, guitarist Tommy Allsup recounts how when he went inside to make sure they did not leave anything behind, he ran into Ritchie Valens.  Then, Valens asked Allsup if he could take Allsup’s seat on the plane. Allsup then claims he flipped a coin, and Valens won the seat on the ill-fated plane.

    In other venues, Tommy Allsup repeated his version of the story of the coin toss that he lost to Ritchie Valens.

    Bob Hale, the emcee at the Surf Ballroom in Iowa for the last Winter Dance Party show before the plane crash, has a similar recollection. Hale remembers that Allsup suggested the coin flip. But Hale recalls that he was the one who flipped the coin for Allsup and Valens.  Hale remembers that Valens won by calling “heads.”

    Allsup, however, argues that Hale was not present at the coin flip. [February 2013 Update: See the comments section below for Mr. Hale’s comment on this post.][January 2017 Update: Tommy Allsup passed away on January 11, 2017.]

    Dion has yet another version of the events leading to the plane ride. According to Dion’s website:

    “Dion was, in fact, scheduled to fly in the fateful plane that went down. The headliners flipped a coin to see who was going to fly. The Big Bopper and Dion won the toss. Then he discovered that the flight would cost $36 — the exact amount of rent his parents paid monthly. He said, ‘I couldn’t bring myself to pay a full month’s rent on a short flight. So I said, ‘Ritchie, you go.’ He accepted and took my seat. Only the four of us knew who was getting on that plane when we left the dressing room that night. Of those four, I was the only one who survived beyond February 3, 1959.'”

    In his book The Wanderer Talks Truth, Dion explains that through the years he watched others (presumably Allsup who he never names) exaggerate their role.  Dion asserts that he only came forward to correct history when the Rock and Roll Hall of Fame contacted him about the conflicting stories.

    Filmmakers created a documentary about the tour that includes Dion’s memories. 2015 Update: The Winter Dance Party video interview with Dion has been completed and is posted below. Dion’s explanation of the coin toss involving Holly, Vallens, the Big Bopper, and him begins at around 42:20, although the entire video is worth watching for his memories of the tour.

    Allsup has threatened to “whip [Dion’s] ass for claiming he participated in the coin toss with Valens.  Sometimes Allsup’s anger about the dispute unnecessarily digresses to attacking Dion’s musical talents.

    Readers of this blog know I am a Dion fan, so I hate to believe that he is lying. And to a large extent, one may wonder why, as the fourth headliner, discussions of the fated tour often exclude mention of Dion.

    Then again, one may give some weight to Ritchie Valens’s sister, Connie Valens Lemos. She sides with Tommy Allsup on the issue.

    The Movie Versions of the Coin Flip

    The two major films about two of the stars on the tour do not add any insight. The Buddy Holly Story (1978) avoided the issue altogether. That movie ends with Buddy Holly on stage in Clear Lake, Iowa on the fateful night, playing his hits and having fun on stage.

    At the end of The Buddy Holly Story, Ritchie Valens and The Big Bopper join Holly on stage for the final song, leaving us with a happy moment. As in many retellings of the story, the film does not mention the fourth headliner, Dion.

    The film about Ritchie Valens, La Bamba (1987), also excludes all mention of Dion. A scene of a marquee on the final tour does not even show Dion’s name.

    La Bamba takes some additional literary license with the events leading up to the flight. Regarding the coin toss, in the first mention of the planned flight, the Big Bopper tells Valens (Lou Diamond Phillips) that Holly reserved the plane for the headliners. This conversation in the film is consistent with Dion’s story.

    But later in the movie La Bamba, it shows the group standing next to the plane. There, Holly explains he is flipping a coin to decide whether Ritchie or “Tommy” gets to go. “Tommy” is also called “Allsup” in the scene, so the movie follows the Allsup-Valens coin toss story.  But La Bamba moves the private toss between the two men to one conducted by Holly on the airfield. Allsup has criticized the movie’s fictionalized version of the coin flip.

    What Really Happened?

    Is Allsup telling the truth? And did Dion’s imagination insert the singer deeper into the story of “the day the music died”? It is easy to imagine a toll on Dion from decades of hearing about the music dying when he survived.  For decades, the tales surrounding the tragedy often have excluded that tour headliner.

    Or is Dion telling the truth, which would mean that Allsup and Waylon Jennings are wrong? And what about Hale’s version that he flipped the coin?

         Arguments Supporting Allsup’s Version

    Between Allsup and Dion, there is no way to be sure who is telling the truth. But some factors weigh in favor of Allsup. Since Holly arranged for the flight, it seems like he might first ask his friends and band-mates Allsup and Jennings.  This conclusion makes sense considering the band had lost drummer Carl Bunch for a while due to to frostbite.

    Also, Allsup’s wallet was found among the wreckage.  Allsup explains that  before the coin toss, he had planned to go on the flight. So he gave Holly his identification so Holly could pick up his mail waiting in Fargo. Still, even if Allsup had not planned to fly at some point, he could have given his wallet to Holly for the same reason.

    One strong argument for Allsup is that he consistently has told the same story since the crash. And most stories by other people are largely consistent with Allsup’s version of the coin flip. Bob Hale confirms that the coin flip involved Allsup and Valens, even though Allsup and Hale disagree about who actually flipped the coin. Jennings’ story also is more consistent with Allsup’s.

    Jennings’s story about Allsup seems truthful because he would have no motivation to make up a story that makes him look bad with his joking taunt about the plane crashing. Still, under Dion’s version, Jennings and Holly still could have had the exchange even if Jennings had not been one of the original passengers.

         Arguments Supporting Dion’s Version

    On the other hand, some reasons support Dion’s version of events. Holly might have asked the headliners first, expecting they most likely would be willing to have the money for the expensive flight.

    Also, according to Larrry Lehmer’s book, The Day the Music Died, Holly had asked Jennings to open for him in England but told Jennings that he was not going to tour in England with Allsup because he was going to get back together with his original Crickets. So maybe Allsup would not be the first person Holly would ask on the flight.

    There are other reasons why Holly might have first invited the headliners. For example, Valens and Richardson were both sick, so Holly might have asked them first, then included the other headliner, Dion.

    Waylon Jennings does remember that Dion was especially angry about the poor conditions of the bus that kept breaking down (Lehmer, p. 67). Thus, Holly might have thought that Dion would be the first to jump at the chance to fly. And Holly played drums for Dion for their last show, so they might have talked about the flight.

    Finally, there are questionable reports that Holly, Valens, and Richardson flew in a plane on some legs of the tour before the fateful trip. (Lehmer, p. 224) If true, it seems Holly was flying with the headliners, not his band members. If true, that practice would support the conclusion that Dion was invited on the final flight. On the other hand, many dispute the stories about other flights and even Dion does not remember any other flights.

    Trying to Put It All Together

    Larry Lehmer Larry Lehmer’s well-researched book is in the Allsup camp, recounting the version from Jennings and Allsup without mentioning the Dion controversy. Lehmer also quotes Carroll Anderson, the manager of the Surf lounge and the person who first contacted the pilot Roger Peterson, as saying that Holly said he wanted to get a flight for him and his band. (p. 95.)

    Maybe some combination of the stories is true. Maybe there was a coin toss among all of the men and Allsup and Dion both “lost” out on seats of the plane.

    Or maybe there were two coin tosses. Under both Allsup’s and Dion’s stories their coin tosses happened in different places at different times. Under this scenario, maybe Dion had a seat that he declined because of the cost.  Then later there could have been a coin flip between Valens and Allsup.

    Buddy Holly’s widow, Maria Elena Holly, similarly has suggested some merging of the two stories.  But it is reported that Allsup also has attacked the character of Ms. Holly too.

    Ritchie Valens Coin Toss

    If that is not enough controversy for the day, some people claim that the plane crash itself should be re-investigated. Some go as far to say that foul play was involved in the crash. But we will leave those “mysteries” for another day.

    Of course, the only people who know how these passengers were selected are Tommy Allsup, Dion, and Ritchie Valens. Whatever happened, the survivors’ trauma of hearing the news of the crash probably affected memories. Thus, it is likely both Allsup and Dion actually remember the story in different ways.  Neither of the men is probably intentionally lying.

    So that leaves Ritchie Valens. But unfortunately he is no longer with us and buried in California. Richardson was buried in Beaumont, Texas, although his body was exhumed in 2007, underwent an autopsy, and reburied. Holly is buried in Lubbock, and the pilot Peterson is buried in Iowa.

    Ultimately, to paraphrase Don McLean’s “American Pie,” all of this arguing about the coin toss just may be keeping Satan laughing with delight. It may not matter who lost the coin toss that night.  Those who won the toss and those who were on the plane constituted our great national loss.

    What do you think happened with the coin toss? Leave your two cents in the comments.

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    Steve Earle’s “The Low Highway” Coming Soon

    Steve Earle The Low Highway

    Steve Earle‘s new CD, The Low Highway is scheduled to be released April 16. The cover art indicates that the album will feature his band The Dukes along with the “Duchesses,” which includes his wife Allison Moorer.

    The track listings are: 1.The Low Highway; 2. Calico County; 3. Burnin’ It Down; 4. That All You Got?; 5. Love’s Gonna Blow My Way; 6. After Mardi Gras; 7. Pocket Full Of Rain; 8. Invisible; 9. Warren Hellman’s Banjo; 10. Down The Road Pt. II; 11. 21st Century Blues; and 12. Remember Me.

    You may listen to “Calico County” at this Rolling Stone link. Earle has been performing “Burnin’ It Down,” another song on the upcoming album, as support of protests against Wal-Mart.

    I can’t wait.

    Are you excited about the new Steve Earle album? Leave your two cents in the comments.

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    Edgar Allan Poe Put to Music: “The Raven” (Alan Parsons Project)

    Baltimore Ravens Fleece In coming up for a song in honor of the Baltimore Ravens, my first thought was Gram Parson’s “The Streets of Baltimore.” But Chimesfreedom has already covered that song, so I had to think back to another Parsons and a song I had not heard for many years, “The Raven” by The Alan Parsons Project.

    The Raven” first appeared on Tales of Mystery and Imagination: Edgar Allan Poe, the 1976 debut album by The Alan Parsons Project, perhaps best known for their 1982 progressive rock song “Eye in the Sky.” Tales is a compilation of songs inspired by the writer Edgar Allan Poe. The album title was inspired by a 1908 collection of Poe’s stories, Tales of Mystery & Imagination. I was first introduced to the album when I was in college when Dave — one of my roommates who introduced me to a lot of new music at the time — noted my interest in literature and led me to this literary inspired album.

    The song “The Raven” comes from Edgar Allan Poe’s most famous poem “The Raven.” In the 1845 poem, the raven taunts a broken-hearted lover by repeating the line “never-more.” Scholars debate whether or not there was a real “Lenore” in Poe’s life, whether she represented his ailing wife, or whether she represented a lost love.

    The above video also features the lyrics. The unusual vocal sound for the song was made with the use of a digital vocoder.

    The Baltimore Ravens also have several Poe connections. The football team’s name, like The Alan Parsons Project Song, also was inspired by the poem “The Raven.” A fan poll through the Baltimore Sun selected the new name for the former Cleveland Browns because Edgar Allan Poe is one of the favorite sons of Baltimore (although this Salon article argues that the city and the football team have neglected Poe’s legacy and his home). The team’s raven mascot’s name is “Poe” too, and there used to be similar mascots named “Edgar” and “Allan” too before they were retired in 2008.

    If you like Baltimore’s clever choice of mascot, consider that when Edgar Allan Poe began writing “The Raven,” he considered making the bird an owl.  That could have meant today that the Baltimore Owls could have been playing football.

    If the Baltimore Ravens win the Super Bowl, Ray Lewis and the other players will join Poe as Baltimore’s favorite sons. But if the Ravens lose, well, “Quoth the [Baltimore] raven, `Nevermore.'” Well, at least until next season.

    {Watch for an upcoming post on my favorite song from Tales of Mystery and Imagination: Edgar Allan Poe.}

    What is your favorite Baltimore or Ravens song? Leave your two cents in the comments.

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