Who Was Frank Sinatra’s “Best Singer”?

Frank Sinatra Best After George Jones passed away, a number of articles about him recalled a famous quote from Frank Sinatra where Sinatra called George Jones “the second-best singer” in the world. The Kennedy Center uses the quote on its page about Jones, and after Jones’s death, The Atlantic used the “second-best” quote in its headline. Some articles asserted that Sinatra said that Jones was the second-best “white” singer, implying that Sinatra recognized the great history of great non-white singers, and others claimed Sinatra used the qualification “in America,” while Philly.com claimed that Sinatra added the qualification “male.” While Jones is a great singer and any one of these statements is high praise coming from Ol’ Blue Eyes, it also raises the question about who did Sinatra then think was “the best”?

Most articles did not answer that question and encouraged or left the impression that Sinatra meant that he himself was the best singer. For example, Examiner.com and NBC’s Today Show website stated the quote about Sinatra saying Jones was the second-best “white” singer with both adding, “No prizes for guessing first place,” as if it should be obvious that Sinatra’s ego would lead him to put himself in the top spot. George Jones’s own website implies that Sinatra saved the top spot for himself: “Frank Sinatra famously (and coyly) referred to Jones as ‘the second greatest singer in America.'” The legendary Rolling Stones guitarist Keith Richards made the same mistake in his otherwise touching statement about the passing of the great country singer: “Sinatra called him the second best singer ever. (The number one obviously being Frank!).”

But Sinatra did not put himself in the top spot, which he reserved for Tony Bennett. I have not found a reliable source for Sinatra’s entire quote about George Jones and Tony Bennett to verify whether Sinatra used any of the qualifications such as “white,” “in America,” or “male.” But other sources give us a good idea who Sinatra put in the first place spot. Throughout his career, Sinatra often claimed that Tony Bennett was the best singer, so it does make the most sense that he was ranking Jones in the second slot not because of himself but because of his love for Bennett. For example, a 1965 Tony Bennett album featured this quote from Sinatra: “For my money Tony Bennett is the best singer in the business.” Frank Sinatra, even in death, does not need me to defend his ego. But these articles in their attempts to praise the great George Jones unfortunately made Frank Sinatra sound like an egomaniac (or more of one than he was) and slighted Tony Bennett at the same time.

So to right this wrong, watch this video of Tony Bennett singing “Body and Soul” with Amy Winehouse and note what a great singer he is (as well as what a great singer the late Winehouse was). Their duet on “Body and Soul” appeared on Bennett’s 2011 Duets II album.



Who is your favorite singer of all-time? Leave your two cents in the comments.

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    The End of Maryland’s Death Penalty and “Green, Green Grass of Home”

    Maryland 1795 On Thursday, May 2, 2013, Maryland Gov. Martin O’Malley signed a bill passed by the state legislature to make Maryland the eighteenth state (along with Washington, D.C.) to abolish capital punishment. In the last decade, six states have recognized that the death penalty is applied unfairly and that it does not make us safer than other punishments. Additionally, the discoveries of innocent people on death rows have illustrated the risks of the punishment, and studies also show that the death penalty is more expensive than a sentence of life in prison.

    For these and other reasons, in recent years Connecticut, Illinois, New Jersey, New Mexico and New York also have stopped using capital punishment. Other state legislatures are considering bills to abolish the death penalty.

    “Green, Green Grass of Home” and Its Twist Ending

    Thinking about Maryland’s death penalty, I remembered a hit song from the 1960s called “Green, Green Grass of Home.” Claude “Curly” Putman, Jr. wrote “Green, Green Grass of Home,” which is probably his biggest hit song along with Tammy Wynette’s “D-I-V-O-R-C-E” (he also co-wrote the George Jones song “He Stopped Loving Her Today”).

    “Green, Green Grass of Home” belongs in a unique group of songs that have a twist ending. The song begins with the singer talking about a trip home, but in the last verse, we learn that it was all a dream. Although there is no specific reference to the death penalty or executions, the verse makes clear that the singer will die at the hands of the state in the morning.
    green grass
    Then I awake and look around me,
    At the four gray walls that surround me,
    And I realize that I was only dreaming,
    For there’s a guard and a sad old padre,
    Arm in arm we’ll walk at daybreak,
    And at last I’ll touch                                                                                                                                        
    the green green grass of home.

    Putnam performs a clever sleight of hand in the song. He gets us to see the singer as a human being, one with feelings we can relate to, because everyone has been homesick. Only then does he let us know that the singer is on death row. Had the song begun by telling us the singer was condemned, we would have seen him in a different light and judged him as something other than human. But like Steve Earle’s “Over Yonder,” the song “Green, Green Grass of Home” lets us see the humanity even in the worst of us, which is pretty cool.

    Porter Wagoner Version

    Many have performed and recorded “Green, Green Grass of Home,” including Elvis Presley, Johnny Cash, The Grateful Dead, and Gram Parsons. It was first recorded by Johnny Darrell.

    But Porter Wagoner was the first one to have a hit with “Green, Green Grass of Home” in 1965. Check out this performance and note the subtle special effects where the prison bar shadows appear at the end.

    Tom Jones Version

    The next year in 1966, Tom Jones had a hit with the song.  His version went to number 1 on the U.K. charts.

    This TV rendition of the song goes for a less subtle approach than the Porter Wagoner shadows.  Here, Tom Jones sings from a jail cell. The setting of the song, though, kind of spoils the surprise ending.

    Jerry Lee Lewis Version

    Tom Jones was inspired to record “Green, Green Grass of Home” after hearing it on Jerry Lee Lewis’s 1965 album Country Songs for City Folk. While it is easy to remember Lewis’s place in rock and roll history, sometimes his excellent country work is overlooked.

    Here is Lewis’s version.

    Joan Baez Version

    Joan Baez gives a unique version by being one of the rare woman’s voices to tackle the song.  It is appropriate because there currently are approximately sixty women on death rows around the country.

    Baez does a nice job in this performance from The Smothers Brothers Show.

    Finally, in 2006, Lewis and Jones performed “Green, Green Grass of Home” together. While the lyrics of the song constitute a soliloquy that does not lend itself to being a duet, it was still cool to see the great Tom Jones singing with the legend who inspired him to record one of his biggest hits. [October 2014 Update: Unfortunately, the video of the duet is no longer available on YouTube.]

    Capital Punishment After “Green, Green Grass of Home”

    One may only speculate about the impact of the song on society or society’s impact on the song. But in 1965-1966 when the song was a big hit for Porter Wagoner in the U.S. and for Tom Jones in the U.K., the death penalty was at low levels of popularity in those countries.

    Great Britain would abolish the death penalty on a trial basis in 1965 and abolish it permanently in 1969. In the U.S., executions ground to a halt in the late 1960s as courts considered court challenges to the U.S. death penalty.

    Within a decade, after states passed new laws, the U.S. death penalty machine began chugging along in the late 1970s, even as other countries continued to abolish capital punishment. But more recently, since the turn of the century, several states have joined the other states and countries that have decided the death penalty is unnecessary, uncivilized, and wasteful of resources.

    Maryland has now joined those civilized states and countries. The end of the death penalty, unlike “Green, Green Grass of Home,” is not a dream.

    What is your favorite version of “Green, Green Grass of Home”? Leave your two cents in the comments.

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    80 Years of Willie: From Opry Singer to Outlaw to Wizard

    Willie Nelson Heroes Eighty years ago this week, Willie Hugh Nelson was born on April 29, 1933 in Abbott, Texas. Nelson is still going strong making music, and he using his annual birthday concert to benefit the West, Texas volunteer fire department that was affected by the recent fertilizer plant explosion that killed fourteen people and injured many others.

    We have highlighted some of Nelson’s songs in other posts, and the man has such a range it is hard to select one song to celebrate the special occasion. So here are several spanning the birthday boy’s career.

    Here is some early Willie Nelson from before the long hair and the beard. In this video, he performs a medley of songs at the Grand Ole Opry. One of the songs he performs is “Night Life,” which he wrote and which became a hit for Ray Price. Nelson also played bass for a time in Price’s band. Nelson also performs part of his classic ‘Crazy,” which of course was a big hit for Patsy Cline.

    Around 1970, Nelson left Nashville and moved back to Texas, where he became an “outlaw.” Here in this performance from 1974, Nelson performs “Good-Hearted Woman,” which he wrote and recorded with Waylon Jennings.

    Here is a 1975 performance of “Blue Eyes Crying in the Rain.” The song was written by Fred Rose, but the song is forever linked to Willie Nelson after he covered the song on his great concept album, Red-Headed Stranger (1975).

    Here is one you might have missed, a more recent song from Nelson. Nelson is a great interpreter of a range of styles and songwriters, which he shows here in a cover of “Gravedigger,” a Dave Matthews song. The song appeared on Nelson’s 2008 album Moment of Forever.

    Finally, here is something even more recent showing Nelson’s sense of humor. Conan O’Brien recently showed Willie Nelson’s audition tape for the role of Gandalf in Hobbit 2. Of course, there is some of Nelson’s pot humor as well as a short rendition of “Mamas Don’t Let Your Babies Grow Up to be Orcs.”

    Whether you like early Willie, Outlaw Willie, or modern Willie, put on some music today.

    What is your favorite Willie Nelson song? Leave your two cents in the comments.

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    Marty Brown’s Tribute to George Jones: “Who’s Gonna Fill Their Shoes”

    Who's Gonna Fill Their Shoes George Jones Marty Brown This weekend, country singer Marty Brown posted a video tribute to George Jones with Brown appropriately singing Jones’s classic song, “Who’s Gonna Fill Their Shoes.” Regular readers of Chimesfreedom know that we are big Marty Brown fans, so we cannot pass up posting Brown’s touching tribute here.

    “Who’s Gonna Fill Their Shoes” was written by Troy Seals (who co-wrote “Seven Spanish Angels“) and Max D. Barnes. George Jones released the song as the title track on a 1985 album of the same name. “Who’s Gonna Fill Their Shoes” mentions a number of country music legends including Johnny Cash, Waylon Jennings, Patsy Cline, and Willie Nelson. Apparently because Jones recorded the song it does not mention him, but as Marty Brown notes in his introduction, Jones left some pretty big empty shoes.

    What is your favorite tribute to George Jones? Leave your two cents in the comments.

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    Michael Bublé Sings In a NYC Subway Station

    michael buble naturally 7

    I have seen some talented folks in the New York City subway systems, but I missed the performance a few days ago when Michael Bublé and the group Naturally 7 did an acapella performance of “Who’s Lovin’ You.” The song is from Bublé’s new album To Be Loved (2013).

    I am not sure I believe that the highlight of Bublé’s tour is actually singing in the subway station at W. 67th Street, but it does look like everyone had a good time.

    Where would you like to see Michael Bublé and Naturally 7 sing next? Leave your two cents in the comments.

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