Jimmy Stewart’s Movie Mom

Jimmy Stewart's Movie Mom

Happy Mother’s Day this weekend! One famous movie mom was Beulah Bondi’s portrayal of Ma Baily in It’s a Wonderful Life. It was a great performance, including a touching scene with her son George Bailey, played by Jimmy Stewart, as she sends him off to court Mary Hatch, played by Donna Reed. At the other extreme, in an alternate reality in the same movie, Bondi plays a bitter and angry version of the character who does not recognize her son.

Did you know that Beulah Bondi played Jimmy Stewart’s mother in a total of four movies? She also was his mother in Mr. Smith Goes to Washington (1939), Vivacious Lady (1938 ), and Of Human Hearts (1938).

I did recently catch her as Stewart’s mom in Of Human Hearts on the Turner Classic Movies Channel. In that movie, she plays a faithful mother to Jimmy Stewart’s ungrateful son, resulting in Bondi’s second Oscar nomination for Best Supporting Actress. I learned of the persistent Stewart-Bondi connection from Robert Osborne on TCM when the movie ended. This “Top Ten Facts About It’s a Wonderful Life” also notes the connection.

I have not seen Vivacious Lady, which finally became available on DVD after this original post was written. Bondi makes a brief appearance in this trailer for Vivacious Lady at around the 2:35 mark.

Beulah Bondi gave memorable performances in other movies, including Make Way for Tomorrow (1937), where she played an abandoned mother, and Our Town (1940), where again she played a mother but not to Stewart. Her other Oscar nomination resulted from The Gorgeous Hussy (1936), where she did not play Jimmy Stewart’s mom. Bondi regretted not playing the role of Ma Joad in Grapes of Wrath (1940), where she missed portraying the mother of Stewart’s good friend, Henry Fonda.

Bondi appeared on several television shows, winning an Emmy for a performance as Aunt Martha Corinne Walton on a 1976 episode of The Waltons. Her TV work also occasionally reunited her with Stewart. IMDb notes that Bondi played Stewart’s mother in one episode of The Jimmy Stewart Television Show (1971). Earlier, she appeared in one 1957 episode of G.E. True Theater, called “A Town with a Past,” with Stewart, although apparently not as his mother.

In movies today, producers’ obsession with an actress’s age sometimes lead them to cast a mother who is in reality too young to be the mother of the actor son. For example, in The Fighter (2010), Melissa Leo played Mark Wahlberg’s mother while being only 11 years older than him. But in Bondi’s case, she was a more realistic age to play Stewart’s mother. She was born May 3, 1888 and Stewart was born May 20, 1908, which would have made her 20 years old when she gave birth to the fictional James Stewart.

In real life, one of the movies’ greatest moms never married and never became a mother herself, passing away in 1981. But Bondi’s warm portrayal of movie mothers gives her a special place in the hearts of anyone who loves old movies or moms. So Happy Mother’s Day to Beulah Bondi, to my mom, to the other mothers out there, and to all those who were born by mothers.

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    “This man’s dead, Captain”

    Leonard Bones McCoy, DeForest Kelley Probably the person most famous for announcing deaths is DeForest Kelley, i.e., Doctor Leonard “Bones” McCoy on the original Star Trek (1966-1969) series. This post considers when Kelley first said the notorious phrase and why he did not utter the declaration during the most memorable Star Trek death scene of all time.

    A few weeks ago, I watched The Man in the Gray Flannel Suit (1956), starring Gregory Peck. While watching the movie, I noticed Kelley appearing in a small role and saying the line that would be immortalized on Star Trek in different variations: “This man’s dead, Captain.” The commentary on The Man in the Gray Flannel Suit DVD pointed out that DeForest Kelley appears in the movie in an uncredited role in just the one scene. Kelley plays the doctor approached by Gregory Peck’s character, who is carrying his injured friend. When Gregory Peck asks the doctor for help, Kelley utters the memorable line (at around the 18-second mark) that he would repeat many times throughout his career. Did this scene launch his career?

    Of course, others have pointed out the connection in the past. But it was surprising to actually see it come out of nowhere while watching The Man in the Gray Flannel Suit.

    Who would have guessed while watching the movie that Kelley would build a career around proclaiming someone dead? See the video below for a montage of some of Dr. McCoy’s greatest hits.

    In a key scene of what is probably the best Star Trek movie, Star Trek: The Wrath of Khan, McCoy’s famous line was given to another character. According to Wikipedia — which cites Terry Lee Rioux’s biography of DeForest Kelley, From Sawdust to Stardust, Kelley recognized that his death announcements had turned into punch lines. So, he thought that if he said his famous “he’s dead” line about Mr. Spock, it would ruin the seriousness of the death scene. Therefore, in the movie, James Doohan’s Scotty tells William Shatner’s Kirk the news about his friend: “He’s dead already.”

    DeForest Kelley passed away on June 11, 1999.

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    3 Movies That Make Us Mad

    { Ignorance – Lori McKenna (Kasey Chambers cover)}

    lorimckenna_ignorance

    The Cove In the Kasey Chambers song “Ignorance,” covered above by folk-singer Lori McKenna, she sings, “If you’re not pissed off at the world / Then you’re just not paying attention.” There have have been several excellent documentaries in recent years that reveal disturbing information about our world that should make us mad. Chimesfreedom recently wrote about Gasland. Here, we discuss three other movies that make us mad: The Corporation, Food, Inc., and The Cove. All three movies are now available on DVD and Blu Ray.

    (1) The Corporation (2003) is a documentary about the role of corporations in our society. The movie paints a disturbing picture of the power that corporations have and the damage they have caused with almost complete immunity. The movie is very disturbing, and almost overwhelming at times. In watching it, I kept wanting to take a break from the movie but could not stop watching. Just when you think the stories could not get any more disturbing, they do, such as information about how American corporations profited through supporting Nazi Germany.

    Certainly, The Corporation has an agenda, so one should maintain a little skepticism. For example, the movie unnecessarily went a little overboard with a segment about corporations meeting the definition of a psychopath. But many of the techniques, like using movie clips, are designed to make the information entertaining. And if the movie makes you seek more information, then it is a success. Many of those interviewed provide intelligent commentary. In addition to insight from some who you would expect, like Noam Chomsky, there is interesting commentary from people like Ray Anderson, the CEO of Interface, the world’s largest commercial carpet manufacturer, who had an epiphany after many years.

    (2) Food, Inc. (2008) reveals information about the sources of our food. Yes, the movie includes some information about where our meat comes from, and I know a lot of people try to avoid being reminded of that knowledge. But animal flesh is not the focus of the majority of the movie. Among the interesting information is the extent to which corporations own and patent some of our basic food sources, a topic also briefly addressed in The Corporation.

    (3) The third movie, The Cove (2009), is not as broad as the other two movies. Instead, it explores a narrower issue. The Cove delves into secrets behind the dolphin meat industry, focusing on a hidden cove in Japan. While you are learning that dolphins are more intelligent than you thought they were, you also may realize that humans are more devious than you expected. The Cove won the Academy Award for Best Feature Documentary of 2009.

    Unfortunately, these three movies are not uplifting. The good news, though, is that there are intelligent people making these movies and that people are watching these movies to learn about the world around them.

    It is easy to look away from unpleasant Truths. And there is a cost to having your eyes opened. These movies may affect how you view your food, the corporations around you, and your decision whether or not to visit Sea World. Do you want to know the information or not? It is like the movie, The Matrix (1999). Your decision whether or not to watch these movies is similar to the offer of whether to take the red pill or the blue pill. Welcome to the desert of the real.

    “And you can turn off the TV
    And go about your day.
    But just ’cause you don’t see it,
    It don’t mean its gone away.”

    — Kasey Chambers, “Ignorance”

    What is your favorite movie that makes you mad? Leave a comment.

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    10 Genres Defined by Robert Duvall Movies

    Is there another actor who has been in more classic movies from different film categories than Robert Duvall? If you consider various movie genres and the top handful of movies in each category, a large number of those groups include movies with Robert Duvall. Consider:

    Robert Duvall(1) Gangster Movies: Godfather I and II
    (2) Sports Movies: The Natural
    (3) Lawyer Movies: To Kill a Mockingbird
    (4) War Movies: Apocalypse Now
    (5) Westerns: Lonesome Dove (and True Grit)
    (6) Social Commentary: Network
    (7) Satire: M*A*S*H and Network.
    (8) Preacher Movies: The Apostle
    (9) Singer Movies: Tender Mercies (and Crazy Heart)
    (10) Cop Movies/Car Chase Movies: Bullitt

    In each category, the movies listed are among the top few. And yes, we are using a loose definition of “genre,” and the list is starting to stretch for categories a little at the end. But we stopped before adding “Military Family/Angry Father Movies” (The Great Santini).

    The list is for movies where he appeared, so To Kill a Mockingbird qualifies even though he had a very small (yet important) part. Also, Lonesome Dove was a TV mini-series, but it still ranks up there among the very top classic westerns, and Duvall has said it was his favorite role.  But if you do not like that one, replace it with the original True Grit (see the Chimesfreedom comparison of the two versions of True Grit).  Two other Duvall westerns, Open Range and Broken Trail were excellent, but not top classic status.

    Although Duvall is respected, he usually is not mentioned with quite the same respect as actors like Robert DeNiro and Al Pacino. But few actors have the range of work shown from the genre list above, due largely to his ability to become a character besides “Robert Duvall.”  In one great scene from Lonesome Dove where he embodies the classic character of Gus McCrae, you can see the pain in his face when he has to hang an old friend who has fallen in with a bad gang. In particular, he conveys a world of meaning in the first few seconds after the hanging just through his face and his body language. [Update: Unfortunately a clip of that scene is no longer available on YouTube, but another scene from the miniseries is below.]

    The movies in the genre list are true classics, among the best in each category.  Through acting skill, excellent movie choices, and some luck, maybe no other actor has accomplished a similar feat of being in classic movies in so many different categories.

    What is your favorite Robert Duvall Movie? Can you think of another actor who appeared in Great Movies in so many categories? Leave a comment.

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    Mary Surratt Arrest: The Conspirator (Review)

    Mary SurrattOn April 17 in 1865, Mary Surratt was arrested for conspiracy to assassinate President Abraham Lincoln. In 2011 on that date, the American Film Company released its first film, The Conspirator.  The movie is about Mary Surratt and directed by Robert Redford and starring Robin Wright, James McAvoy, Evan Rachel Wood, Kevin Kline, Danny Huston, and Tom Wilkinson.

    From a young age, we learn the name of John Wilkes Booth.  We know he is the man who shot Abraham Lincoln.  His chase and capture are recounted in the recent book, Manhunt (2006), by James L. Swanson.

    But the names of the others who allegedly conspired with Booth are less heard: Lewis Powell, George Atzerodt, David Herold, John Surratt, and Mary Surratt. A number of additional people were also arrested and convicted of crimes, including Dr. Samuel Mudd.

    Mary Surratt: “The Conspirator”

    The Conspirator centers exclusively on one of the more interesting accused conspirators, Mary Surratt. In doing so, Redford maintains focus in what might otherwise be an unwieldy long story.

    We may be curious to know more about the other conspirators and to spend a few minutes with Lincoln before he is killed.  But Redford keeps the story tight and aimed on the stoic Surratt (Wright) and her passionate lawyer Frederick Aiken (McAvoy), following Aiken as he struggles with his responsibility to defend Surratt.

    Currently on the Rotten Tomatoes website, the critics rating for The Conspirator is 56% and the audience rating is a much-higher 71%, which makes sense. The movie is not an exciting historical romp like The King’s Speech (2010), and the story is told somewhat conventionally. But it is an interesting story that audience members may appreciate more than critics, who might want a film that is more daring.

    Still, the fine acting and look of the film make it well above a History Channel special. All of the principal actors do a very good job (although Justin Long seems out of his time period even with the goofy mustache). And, as in Redford’s A River Runs Through It (1992), the lighting effects seem like another character, making for numerous scenes bathed in beautiful clean natural sunlight.

    The ConspiratorOverall, the movie is engaging and addresses a lesser known aspect of the Lincoln assassination. I will not reveal how everything comes out, but during the prosecution of Mary Surratt and even until today, there are still questions about whether or not she had any involvement in the conspiracy of which she was accused.

    Parallels With Modern Issues

    Others have noticed that the movie has some parallels to the modern debate about military tribunals. Kevin Kline’s Secretary of War Edwin Stanton spouts concerns that echo in our Age of Terrorism. Anthony Lane at The New Yorker believes that Redford belabored the parallels with today’s debates about military trials for accused terrorists a little too much.

    By contrast, I did not think the parallels were overdone. Instead, the movie would have been much more topical and challenging for viewers had it been released several years ago instead of in 2011. Just as more people spoke up on Mary Surratt’s behalf years after her trial, this aspect of the movie seems a little late too.  Yet, the issue is still topical.

    Another contemporary issue underlying The Conspirator is how innocent persons accused of outrageous crimes may be convicted or almost convicted of crimes they did not do. The Death Penalty Information Center website notes that since 1973, there have been more than one hundred people released from death row because of evidence of their innocence.

    Additionally, there are a number of people who have been executed with genuine questions remaining about whether they were innocent. One may debate the extent of the problem and the exact number of condemned innocent who spent years on death row, but the clear risk is certainly troubling. Even in civilian trials with our current constitutional protections, the innocent still may be convicted and condemned, and this realization has contributed to several states eliminating capital punishment in recent years.

    Conclusion

    Conclusion? Conspirator is a well-made straightforward drama about an important event in American history. Although it may not be one of the top few movies of the year, it is a period courtroom drama in a league with Amistad (1997) as less than awe-inspiring but nonetheless engaging, educational, entertaining, and worth your time.

    >

    What did you think of The Conspirator? Leave a comment.

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