“Guerrilla: The Taking of Patty Hearst”

The documentary Guerrilla: The Taking of Patty Hearst (2004), now on DVD, tells the story of when the Symbionese Liberation Army kidnapped newspaper heiress Patty Hearst.  Although one might long for the movie to go deeper into the subject, it provides a good overview of the story and the time period, with some implied prophecies for our current times.

Patty Hearst Wanted PosterIn February 1974, the nineteen-year-old granddaughter of William Randolph Hearst was kidnapped in Berkeley, California by a group calling themselves the Symbionese Liberation Army (SLA). What followed was a story that became stranger and stranger. After the SLA failed to negotiate a trade of Patty Hearst for other SLA members who were in prison, they then demanded that the Hearst family feed the poor, which the family tried to do with various degrees of success.  Two months after the kidnapping, in a recorded message, Patty Hearst announced that she had joined the SLA and was now named “Tania.”  A few weeks later the nation saw her holding a gun on a bank camera with other SLA members committing a robbery.

Guerilla takes us step-by-step through the months while Hearst was missing. It also briefly follows up through Pres. Carter granting her a commutation (Pres. Clinton later gave her a full pardon).  Near the very end, the movie includes brief footage from the 2003 trial of some of the SLA members.

Today, through our individual failing memories (or through no memory if you were not born yet), one might struggle to comprehend what was going on the minds of the members of the SLA, an organization created with a name basically out of thin air and with an almost equally non-defined practical strategy beyond bringing about “revolution” in American society.  Compounding our difficulty in understanding the movie is that 9/11 forever changed our our perspectives on terrorism, and the SLA’s acts in the pursuit of media attention are directly related to modern terrorism.

The movie does an excellent job of telling the story about the kidnapping through the arrest and trial of Hearst and other members of the SLA. It features interviews with some people involved in the events, including some insight from Russ Little, a founding member of the SLA who was in prison when the captors tried to trade Hearst for him. The one weakness is that there is very little from Hearst or the captors who were later caught, so the details of the captivity and Heart’s change are summarized and left to conjecture. The hole is not the fault of the producers, as many of the key players are now dead. 

Regarding Patty Hearst, the director explains on the DVD commentary that they deliberately chose not to interview her because the focus was on the surrounding events and not her ordeal.  The director also notes that Patty Hearst liked the movie and said it was better without her.  I disagree, and I am not sure why her perspective was less relevant to the director, than, say Mr. Little.  But the movie still tells a fascinating historical story about the time period and the events. And the movie does provide some new perspectives from some of the people involved at the time.

Conclusion? Guerilla: The Taking of Patty Hearst is a compelling documentary that will tell you much about the events surrounding the kidnapping, and it is a great introduction or refresher for those who vaguely remember 1974, while providing some new depth for those who were there. The movie, however, will leave you with several questions. But a successful documentary will leave you with a desire to learn more and seek out additional information, such as this Larry King interview with Patty Hearst on YouTube.

Do you have memories of the period when Patty Hearst was kidnapped? Leave a comment.

The Trip (Missed Movies)

The Trip Taking a road trip with a good buddy is bound to have two results: (1) your friend will get on your nerves; and (2) you will laugh more than you do at almost any other time in your life. Traveling through unfamiliar lands while spending 24/7 with another person forces you to bond with your travel companion in ways that would never happen in your regular life. The Trip (2010), like a real buddy road trip, contains very little plot but captures what a real-life adventure is like.

The Trip, originally conceived as British TV series, stars British actors Steve Coogan and Rob Brydon playing fictionalized versions of themselves as they set out on a road trip to northern England. After a newspaper asks Coogan to go on a journey to visit and review fancy restaurants and his girlfriend decides not to go on the trip with him, he ends up traveling with Brydon. The two drive, eat, talk, bicker, do impressions, quote Wordsworth and Coleridge, annoy each other, and laugh together on the trip. One of the highlights of the movie Tristram Shandy – A Cock and Bull Story was the interaction between Coogan and Brydon, so it was great to see them together as a version of themselves here.

While a similarly themed buddy-travel-movie Sideways focused on telling a story, The Trip focuses less on plot and more on capturing the real-life experience of traveling with someone you like but who also annoys you at times. There is a story about the contrast between Brydon’s life and Coogan’s more successful career balanced by womanizing loneliness. And there are beautiful shots of food being prepared and served. But the main point of the movie is the interaction between Coogan and Brydon, often improvised, and the way they try to one-up the other and get the other to laugh. One of the highlights of the film is their impressions, including their discussion of how to imitate actor Michael Caine.

Years ago, I took a long road trip through the Western U.S. with a high school friend, and I kept thinking of that trip while watching The Trip. On my trip, my friend kept trying to explain everything we saw, showing off his knowledge. When I told him to stop, he kept insisting that he was not constantly explaining things. But then at one tourist site, I turned around and saw him explaining the actions of local animals to a few other tourists. When I caught his eye, it was a moment of amusement to both of us, and a moment of realization to him. In The Trip, there is a similar scene where after Bryson complains about Coogan acting like he knows everything, Coogan goes off and encounters another know-it-all.

Conclusion? For me, The Trip realistically captures the adventures, aggravations, and joys of traveling with a friend. If you are looking for a movie with a compelling story or well-plotted laugh lines, you should choose another movie. But if you are in the mood for a lazy aimless trip with a couple of annoying companions who will make you laugh, then check out The Trip, which is now available on DVD.

{Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}

  • Don’t Miss “Philomena” (Short Review)
  • A Crazy Violent Act and A Very Good Film (“The Dark Knight Rises”)
  • The Dark Knight Rises . . . In Legos
  • Conan O’Brien Can’t Stop . . . Being a Jerk?

    Conan O'Brien We generally think of Conan O’Brien as the nerdy guy who was a writer for The Simpsons before getting his break as the awkward replacement for David Letterman’s late night show on NBC. We enjoyed rooting for him as his talents developed, leading him to take over the coveted Tonight Show. Then, during NBC’s decision to effectively push O’Brien out of the Tonight Show time slot after its failed experiment with Jay Leno in prime time, we were on the side of the underdog with Team Coco. The documentary, Conan O’Brien Can’t Stop (2011), which follows O’Brien on his post-NBC tour of the U.S. and Canada, shows another side of O’Brien, as a star who is kind of a jerk.

    The documentary, now available on DVD and Blue-ray, gives an insider’s look at O’Brien during the tour he put together to keep himself busy during the time where he was prohibited by his NBC settlement from appearing on TV. The movie shows the somewhat slapdash nature of the tour, where the idea was followed by selling tickets before actually putting together a show. Of course, O’Brien and his crew knew he had the talent to put it all together, and the film shows a successful tour that allowed O’Brien to connect with fans from around the country.

    The film also shows O’Brien behind the scenes, where in candid discussions, often while he is exhausted, he reveals that underneath the way he ended The Tonight Show in a positive way, he was understandably bitter about the way NBC treated him. O’Brien is also conflicted about his feelings, recognizing that he has been given opportunities and money way above what most people can even dream about, but his feelings are nevertheless honest.

    Conan O’Brien Can’t Stop also reveals O’Brien as something besides the happy-go-lucky man portrayed on late night television. He often dishes out barbs and good-natured punches to the people who work with him, knowing that they have to take it all as part of their job without complaint. We also see another side of him as he whines about his exhausting schedule throughout.

    To say he is a “jerk” might be too harsh, as the movie really just shows he is human, perhaps with an understandably larger ego than a non-celebrity but probably a lesser ego than most celebrities. There are shining moments, not the least of which is the fact that O’Brien must have approved everything in the film, and he does not hide his warts, which is refreshing. He could have made a glossy movie that only made him look good, but he went for something more honest instead.

    O’Brien seems self-aware about the circus that surrounds him, as well as his good fortune. In one scene, apparently in his kitchen at home, he honestly talks about how he uses humor sometimes as a way of criticizing others. We also see that he has genuine relationships with several people besides his family. He never seems condescending to his on-screen pal Andy Richter, and the two genuinely seem to respect each other. Also, his main assistant who is featured in much of the film is a woman who enjoys the exchanges with O’Brien and seems to be one of the few who can stand up to O’Brien.

    Conclusion? Conan O’Brien Can’t Stop is an entertaining documentary about a celebrity, revealing a another side of O’Brien’s life and a human side of the man. I’m still on Team Coco.


    What did you think of Conan O’Brien in Conan O’Brien Can’t Stop? Leave a comment.

  • “Paul Williams Still Alive” (Missed Movies)
  • Dear Zachary (Missed Movies)
  • Nicolas Cage Shines In Modest But Surprising “Pig” (Short Review)
  • New Documentary About Guy Clark
  • “The Staircase” Is a Fascinating Real-Crime Documentary
  • The Springsteen Song Rejected By the Harry Potter Films
  • (Some Related Chimesfreedom Posts)

    October Pop Culture Roundup

    In case you might have missed some of the recent stories in popular culture, check out the following links from around the Internet:

    In TV-related news . . .

    – Conan O’Brien returned to NBC to pick up Triumph the Insult Comic Dog on Jimmy Fallon’s show.

    Homer Simpson Halloween Mask

    – “Woo Hoo! I outlasted Andy Rooney!” — Homer Simpson, in Fox statement announcing The Simpsons has been renewed.

    – Sorry Homer, the #1 choice for Halloween costume is. . . Charlie Sheen.

    In Music news. . .

    – Bids may go “high.” Willie Nelson’s tour bus is for sale.

    – Coldplay will stream a live concert on YouTube on Oct. 26 (4 p.m. ET).

    In Movie news. . .

    – “I hear it’s happening. I think it’s got a ways to go.” — Laura Dern on Jurassic Park 4 sequel.

    – A new book recounts the story of Rin Tin Tin in the context of Hollywood and U.S. culture.

    – Arnold Schwarzenegger attended the opening of an Austrian museum dedicated to . . . Arnold Schwarzenegger.

    – Are the “Toy Story” writers working on a Farmville movie?

    – The popularity of this Audrey Hepburn classic film, which turned 50 years old this month, prompted a run on ginger tomcats when the film was released.

    – After eighteen years in prison, The West Memphis 3 reunited this week for a screening of the films that helped secure their release.

    . . . To keep up with events, check back here on Chimesfreedom and follow us on Twitter @Pophistory and on Facebook.

    Any thoughts on the pop culture events of this month? Leave a comment.

  • Internet Venom, Toby Keith’s Death, . . . and Grace from Willie Nelson
  • 80 Years of Willie: From Opry Singer to Outlaw to Wizard
  • Three Unusual (But Awesome) Coldplay Covers
  • Triumph the Insult Comic Dog Visits Presidential Debate
  • This Week in Pop Culture Roundup (Nov. 12, 2011)
  • Willie Nelson, Coldplay, and . . . Chipotle?
  • (Some Related Chimesfreedom Posts)


    Taxi Driver Music: Late for the Sky

    This week was Jackson Browne’s birthday on October 9, so this post celebrates his birthday and wraps up our series on Taxi Driver music. Previous posts have touched on music from Van Morrison and Kris Kristofferson that influenced Martin Scorsese in the making of Taxi Driver. In this final post on our “Taxi Driver Music” series, we consider a song that the director actually used in the film, Jackson Browne’s “Late for the Sky.”

    In a scene in Taxi Driver after Travis Bickle has shot a man who was robbing a store, he sits at home, alone with his gun, watching American Bandstand. The scene reflects his loneliness and isolation, emphasized by the contrast between Bickle and the scenes on the television screen where young men and women embrace each other as they dance. It is the dance of life, and Bickle has isolated himself in a way that excludes him from the simple joys of life. And that isolation is leading him into a spiral of madness.

    Interestingly, in watching the dancing on the television, it does not appear to me that the dancers actually are dancing to “Late for the Sky.” Their movements do not seem to match the song, so maybe Scorsese wanted to use the song “Late for the Sky,” so he found an American Bandstand clip that most closely matched the song. Or I may be wrong and the dance is to “Late for the Sky.” Watch the clip for yourself and decide.

    “Late for the Sky” is the opening and the title track from Jackson Browne’s album, Late For The Sky (1974). Even without the visual of the lonely insane man with a gun watching lovers dance, it is a sad song. Browne sings about the end of a relationship: “Awake again, I can’t pretend / That I know I’m alone, / And close to the end / Of the feeling we’ve known.”

    Jackson Browne Late for the Sky Relationships may end in different ways, but often instead of a sudden explosion, they end after a time of drifting apart. Then, one wakes up one morning and wonders what happened “in the bed where we both lie,” which is a great line that may be read with at least three different meanings because of the different definitions of “lie” (including the old expression about sleeping in the bed one makes).

    Finally, in the song, Browne asks, “How long have I been sleeping? / How long have I been drifting along through the night? / How long have I been running for that morning flight / Through the whispered promises, and the changing light / Of the bed where we both lie,/ Late for the sky.” It is a beautiful song of loss, and its overall tone perfectly fits the loss Scorsese wanted to convey in Taxi Driver.

    So ends our third and final post about the relationship between music and what Martin Scorsese called “a movie about a man who hates music.” If you missed the previous posts, check out the post on how Van Morrison’s album Astral Weeks influenced Taxi Driver and the post on the role played by Kris Kristofferson’s “The Pilgrim, Chapter 33.”

  • Did you Know Taxi Driver Was Inspired by Astral Weeks?
  • Jackson Browne’s Double-Song Combo, “The Load Out/Stay”
  • Jackson Browne Covers Tom Petty’s “The Waiting”
  • “Love is Love” Released From Upcoming Album “Let the Rhythm Lead: Haiti Song Summit Vol. 1”
  • Dylan’s Inspiration: “Drifting Too Far From the Shore”
  • Warren Zevon: The Wind
  • (Some Related Chimesfreedom Posts)