Missed Movies Roundup: Contrasting East vs. West Edition

Below are some good reviews of some good movies that we liked that you might have missed. Both of these movies, which are very different, are available on Blu-Ray and DVD.

How Do You Know Reese Witherspoon How Do You Know (2010) seemed to fly mostly under the radar as just another romantic comedy, perhaps partly because of the generic-sounding name. It bombed with critics and bombed at the box office, perhaps partly due to poor marketing, as explained in The Washington Post. But How Do You Know was written and directed by James L. Brooks, who also directed and co-wrote screenplays for As Good As it Gets (1997) and Terms of Endearment (1983). And like those two movies, How Do You Know features Jack Nicholson, although in a smaller role than the previous films. While How Do You Know does not live up to those predecessors, it does have a touch of the Brooks magic in that it is not a predictable romp with two-dimensional characters like so many modern romantic comedies. The film features nice performances by Reese Witherspoon, Owen Wilson, and Paul Rudd. If you have high expectations, though, you might agree with Manohla Dargis at The New York Times that it is “an airless, sometimes distressingly mirthless comedy.” Okay, the reviews are pretty much horrible (except this one from Australia’s Sydney Morning Herald). At the beginning of the film, I felt like something was missing, but as it went on, it was entertaining. It is not great, but if you are looking for a decent romantic comedy and go into it with modest expectations, you might be pleasantly surprised by this film.

Spring, Summer, Fall, Winter… and Spring (2003) has critics and audience ratings of 90+% on the Rotten Tomatoes website. I do not think everyone will love it, and suspect that the high rating among audience members is because the people who would see this movie are the ones who would like it. Among others, Movie Habit gives the movie a good review. The South Korean film starts off with a boy being raised by a monk in an isolated area, and it follows the boy as he grows into a man. The movie has dialogue, but not a lot, so it is almost like watching a silent movie in a beautiful setting full of symbolism. I am still trying to decide how much I like it, but unlike How Do You Know, I will remember this one for a long time.

{Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}

What did you think of How Do You Know and of Spring, Summer, Fall, Winter… and Spring? Leave your two cents in the comments.

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    “Oz the Great and Powerful” Trailer Released

    wicked witch The new trailer for Oz the Great and Powerful starring James Franco debuted at San Diego Comic-Con International. The movie is a prequel to The Wizard of Oz. The film, directed by Sam Raimi, tells the story of how Oscar Diggs (Franco) ends up in Oz and becomes the “wizard” of the original classic. Mila Kunis plays Theodora, the future Wicked Witch of the West, and Michelle Williams and Rachel Weisz also star. Check out the trailer.

    Do you think Oz the Great and Powerful will be a worthy successor to The Wizard of Oz? Leave your two cents in the comments.


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    Pee-wee Herman’s “Dark Knight Rises”

    In the latest funny take on the Batman trailer for the upcoming Dark Knight Rises, Pee Wee Herman provides the voices. The video was put together for Late Knight with Jimmy Fallon. Check it out, as the short video is worth it for Pee-wee’s interpretation of Bane alone.

    Another one of the film’s trailers previously was rendered in Legos.

    Who else would you like to see do a voice-over for The Dark Knight Rises? Leave your two cents in the comments.

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    To Rome with Love (Short Review)

    to rome with love

    Most reviews of Woody Allen’s latest film, To Rome with Love (2012), at some point feel the need to say the latest is not as good as Allen’s success from last year, Midnight in Paris. While it is true that the new film lacks the storyline of its predecessor, To Rome with Love is a light-hearted romp set amidst the beauty of Rome that has many funny moments and is a good summer movie.

    In Woody Allen: A Documentary (2011), Allen shows a pile of scrap paper he carries around where he writes notes for ideas to movies. He explains that when it is time to write a new film, he throws the notes down and looks through them. I can imagine him doing that before he made To Rome with Love, finding four stories he liked but that on their own could not sustain a full-length film. Then, I imagine, he hit upon the idea to throw the four tales together into one movie and create To Rome with Love. And Allen being the talented director and writer that he is, he creates a fun and entertaining movie.

    To Rome with Love features four stories with separate characters connected only in that they all are in Rome. One story follows an average worker played by Roberto Benigni who suddenly finds himself famous for no reason. In another story, a character played by Allen hears the father of his daughter’s boyfriend singing in the shower and decides to make him famous. In a third tale, a newly married Italian couple become separated in the big city and the husband ends up having to pretend that a prostitute (Penélope Cruz) is his wife. In the fourth story, a character played by Alec Baldwin goes looking for his past and ends up in a story where a young man (Jesse Eisenberg) considers cheating on his girlfriend (Greta Gerwig) with her friend (Ellen Page).

    I will not ruin any of the stories, but different people will enjoy different stories more than the others. While I found them all interesting, I could not help thinking that the Baldwin-Eisenberg-Gerwig-Page tale is the one story that might have had a chance to be developed into the centerpiece of film on its own.

    Conclusion? If you are looking for a summer romantic comedy with some laughs and wit, check out Woody Allen’s To Rome with Love. As all the critics will remind you, do not expect Midnight in Paris. But do not let that comparison stop you from seeing an entertaining funny film.

    Other Reviews Because Why Should You Trust Me?: Rotten Tomatoes reflects shattered Midnight in Paris expectations from many critics and viewers, showing a 45% Critics Rating and a 50% Audience Rating. Mike Scott at the New Orleans Times-Picayune agrees with the low rating and calls the film, “shrug-worthy.” Gary Wolcutt at the Tri-City Herald, though, says the movie works “brilliantly” and gives it 4 1/2 stars. Finally, although the full review is not online for non-subscribers, David Denby of The New Yorker disagrees with many other critics and praises To Rome with Love as “a stronger film” than Midnight in Paris.

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    Nora Ephron and the Screenplay She Almost Never Finished

    The sad news that writer-filmmaker Nora Ephron passed away yesterday at the age of 71 reminded me of one of my favorite stories about her that I read in an essay she wrote in The New Yorker. (Nora Ephron, “My Life As An Heiress,” The New Yorker, 8 Oct. 2010: 54-57.)

    when harry met sally

    In 1987, Ephron was struggling with trying to write a screenplay to make some money. She did not think her work was very good, but she continued working on it because she needed the money.

    Then, she got a call that a rich uncle had died. Because he was a widow and did not have children, Ephron and her three sisters began talking about how they would spend the millions of dollars they would inherit. During this time, Ephron put away her screenplay, planning to never work on it again. She no longer needed the money and did not enjoy writing the screenplay she saw as worthless.

    In the next few weeks, though, Ephron and her sisters discoverd that the uncle was not as rich as they thought. He had lost a lot of money in bad investments, and he left half his money to his housekeeper. Ultimately, Ephron and her sisters each received $40,000.

    For Ephron, the money was not enough to retire, of course. So, she went back to working on her screenplay. She eventually finished the screenplay that became When Harry Met Sally… (1989), one of the greatest romantic comedies of all time. While she had already written screenplays for successful movies like Silkwood (1983), the success of When Harry Met Sally changed her life. She went on to work on other films as a screenwriter and/or director such as Sleepless in Seattle (1993), You’ve Got Mail (1998), Michael (1996), and Julia & Julia (2009).

    Her uncle never knew the gift he left to us by not making Nora Ephron a wealthy heiress.

    Check out our previous post on why When Harry Met Sally with Billy Crystal and Meg Ryan has one of the greatest New Year’s Eve kisses in movie history. What is your favorite Nora Ephron film as screenwriter or director? Leave your two cents in the comments.

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