“Baby Mine” by Arcade Fire From “Dumbo”

In Tim Burton’s take on the Walt Disney classic, Dumbo, Arcade Fire reinterprets the movies classic song “Baby Mine.” Director Burton’s live-action interpretation of the story about the flying elephant seems bound to bring tears to the eyes of hard-hearted cynics. And the song “Baby Mine” always warms the heart.

Burton’s film will also feature a version of “Baby Mine” by
Norwegian singer, Aurora. For Arcade Fire’s version, the band’s
Win Butler brought in several members of his family to help with the song. Check out Arcade Fire’s “Baby Mine.”

The new live-action Dumbo stars Colin Farrell, Michael Keaton, Danny DeVito and Eva Green. Edd Osmond, who has worked in Star Wars movies, did the real-life action behind the flying elephant.

The original 1941 version of “Baby Mine” for the animated movie was recorded by Betty Noyes. Check out the original movie version below.

Finally, my favorite version of “Baby Mine” is by Bonnie Raitt and Was (Not Was). That version appeared on a lovely album called Stay Awake (Various Interpretations of Music from Vintage Disney Films) (1988).

What is your favorite version of “Baby Mine”? Leave your two cents in the comments.

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    Show Me the Meaning! (Podcast Review)

    The podcast Show Me the Meaning! does a wonderful job of delving into philosophical questions behind some of our favorite films. The podcast’s enjoyable focus and the hosts’ humor help Show Me the Meaning! stand out in a crowded podcast field.

    A group of comedians, academics, and filmmakers at Wisecrack come together for each episode. They include Jared Bauer, Austin Hayden Smidt, Claire Pickard, Helen Floersh, and Ryan Hailey.

    Bauer helps keep things moving while allowing for the right balance of friendly banter and focused discussion. Like other most enjoyable group podcasts, the hosts make you feel a part of the discussion, not like you are an outsider listening to other people’s inside jokes. And the conversations welcome and inform you without talking down to you.

    Each episode focuses on a recent or classic movie, delving into the story and the meaning and philosophical questions raised in the film. But it is not a dry academic exercise. The hosts take you on a fun journey, full of humor and insight. It is one of the rare movie podcasts where you finish actually knowing more than when you started.

    Show Me the Meaning is available at Wisecrack’s website or wherever you get your podcasts, including iTunes, Stitcher, Soundcloud, and Google Play (which I use). If you watched the recent Netflix Black Mirror movie Bandersnatch and wonder if you worked through all of the endings and what the interactive movie meant, there’s a good episode about the movie on Show Me the Meaning. Some other episodes I have especially enjoyed including their examination of The Dark Knight, Starship Troopers, Idiocracy, The 40-Year-Old Virgin, and each of the Matrix films.

    Wisecrack has video recorded some of the episodes and posted them on YouTube. Below is their take on the Coen Brothers film Fargo.

    Make sure to check out all their Show Me the Meaning! podcasts. Start out with the movies that most interest you and go from there.

    What is your favorite movie podcast? Leave your two cents in the comments.

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    When a Cowboy Trades His Spurs for Wings

    Buster Scruggs Song

    During repeated viewings of the Coen Brothers’ The Ballad of Buster Scruggs (2018), I began to fall in love with the duet at the end of the first segment of the Netflix movie. This first chapter that provides the title for the film ends with a funny duet on the song, “When a Cowboy Trades His Spurs for Wings,” which I later discovered was written by two artists I admire.

    Well, it is funny on first viewing, but in subsequent viewings I found the song to be deeper and sadder, even as the tune is presented with humorous visuals. [Spoilers ahead.] In the tale, we meet Buster Scruggs (wonderfully played by Tim Blake Nelson), a quirky, funny, singing, and deadly cowboy. As in old Westerns, the character is the fastest gun until someone else comes along and kills him. Then, The Kid (played by Old Crow Medicine Show‘s Willie Watson) and Buster’s spirit engage in a duet about dying.

    Let me tell you, buddy,
    And it win’t be long,
    Till you find yourself singing
    Your last cowboy song.

    Yippee-ki-yi-yay;
    When the roundup ends;
    Yippee-ki-yi-yay;
    And the campfire dims.

    Yippee-ki-yi-yay;
    He shalt be saved,
    When a cowboy trades
    His spurs for wings.

    The wonderful musicians Gillian Welch and David Rawlings wrote “When a Cowboy Trades His Spurs for Wings.” Once I found out who wrote the song, it did not surprise me that I would fall in love with the song. It also did not surprise me that the song received an Oscar nomination for Best Original Song.

    Welch and Rawlings recorded their own version of the song. Their version takes a sweeter, more mournful approach than the humorous visuals in the Coen Brothers movie. Without Buster Scruggs, “When a Cowboy Trades His Spurs for Wings” becomes a more realistic dying cowboy’s lament. Check it out.

    What is your favorite cowboy movie song? Leave your two cents in the comments.

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    Good Ole Boys Like Me

    Good Old BoysWhile recently re-watching the movie Primary Colors (1998) for the umpteenth time, I noticed a song I had never really noticed before.  It occurs after John Travolta’s character Gov. Jack Stanton meets with Larry Hagman’s Gov. Fred Picker.  In a key scene near the end of the movie that was directed by Mike Nichols, Stanton walks away from Picker’s southern mansion singing a song.

    Stanton then says how he loves the song, in particular a line about the Williams boys, Hank and Tennessee.   He expounds, “The picture ain’t never complete without old Tennessee.”  The song is “Good Ole Boys Like Me.”

    I can still hear the soft southern winds in the live oak trees
    And those Williams boys, they still mean a lot to me
    Hank and Tennessee
    I guess we’re all gonna be what we’re gonna be
    So, what do you do with good ole boys like me?

    The song captures the charm of Travolta’s character, who is based upon Bill Clinton during his race for the presidency.  It also shows the politician’s embrace of Southern culture.

    The Song

    Bob McDill wrote “Good Ole Boys Like Me,” a song that stacks together images of Southern culture.  The images range from a Civil War general to great American novelists like Thomas Wolfe.

    McDill initially offered the song to Kenny Rogers, who found it too literary.  So, Don Williams recorded the song and created a classic.

    Other people mentioned in the song are DJ’s like Wolfman Jack and John R., the latter of whom McDill listened to as a kid on WLAC radio out of Nashville.  McDill found inspiration to write the song with images of Southern culture while reading the novel A Place to Come To, by Robert Penn Warren.

    McDill tells more about the story behind the song in the video below.  Check it out.

    Leave your two cents in the comments.

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    “First Reformed” Is a Movie For Our Time

    Ethan Hawke MovieI became intrigued when I saw First Reformed (2018), starring Ethan Hawke, appearing on many lists of the best movies of the year. The movie rightfully belongs on such lists. Fifty years from now when someone wonders what it was like to live during our current decade, one would do well to advise them to watch First Reformed.

    The movie says nothing about our current president.  But it says a lot about the angst of our modern age. During a time when our historic foundations have been shattered, for good or for ill, we face a world with new anxieties, uncertain about our future, overwhelmed to inaction.

    First Reformed tells the story of a priest played by Ethan Hawke in one of his best performances. The priest serves at a small historic church in upstate New York that is attended by few people. The small church, though, is connected to a more popular mega-church. The priest considers what humans are doing to the environment, even as his own body is failing.  He contemplates the meaning of faith and the responsibilities of good people in a world coming apart.

    Part of the crisis of faith arises when a parishioner played by Amanda Seyfried approaches the priest and asks him to counsel her husband. Her husband is involved with environmental activists.  Her husband faces an existential crisis, wondering how he and his pregnant wife can bring a child into such a horrible world.

    The exchange between the husband and the priest is one of the best philosophical discussions on screen in awhile.  And the scene sets up many of the questions the priest struggles with throughout the film.

    The acting is powerful.  In addition to Hawke’s wonderful performance, Amanda Seyfried and Cedric the Entertainer (Cedric Kyles), among others, do a great job in supporting roles.  Kyles brings nuance to a character in charge of the mega-church.  Such a character might otherwise have been a caricature.  And Seyfried provides a strong grounded balance to the men coming unhinged in the face of existential dread.

    I will not give away more about the plot.  But I will warn viewers that the movie does contain two surreal scenes that may have you scratching your head. This film is directed and written by Paul Schrader, who also wrote such films as Taxi Driver (1976) and Raging Bull (1980). So he knows how to push his viewers to confront bleak and uncomfortable issues in a beautiful way. The movie is challenging, which may account for the high critics score on Rotten Tomatoes (93%) and mediocre audience score (69%).

    And, while the ending may puzzle you for awhile, some contemplation may make you appreciate the whole film even more. It did for me.

    First Reformed is now available for streaming on Amazon Prime.

    What did you think of First Reformed? Leave your two cents in the comments.

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