A Christmas Movie: “The Crossing” (Missed Movies)

Washington Crossing

If you are looking for an unusual holiday movie, you should check out The Crossing (2000).  The film is an excellent A&E made-for-TV movie starring Jeff Daniels as George Washington. The Crossing portrays the story behind Washington’s famous crossing of the Delaware River on the night after Christmas in 1776 to fight the Battle of Trenton.

While one may only pack so much information in an 89-minute movie, few holiday movies will put you on the edge of your seat like The Crossing. Director Robert Harmon does an excellent job of condensing the story to convey the drama, risk, and importance of George Washington’s decision to cross the Delaware.

Most people are familiar with the crossing because of the famous painting Washington Crossing the Delaware by artist Emanuel Gottlieb Leutze. But in watching The Crossing I was surprised by how much I did not know — or had forgotten.

Perhaps because of the painting, many think of the crossing as being near the end of the American Revolutionary War.  But it occurred closer to the beginning of the war.  The crossing took place less than six months after the signing of the Declaration of Independence, when the war would continue until 1783. Also, the battle was not against the main British forces but against hired German Hessian forces.

Jeff Daniels The Crossing None of that, though, lessens the significance of the battle and George Washington’s decisions.  The Crossing does an excellent job of portraying the risks involved and the importance of the battle.

The film is based on the novel of the same name by Howard Fast, and it takes some liberties for dramatic effect.  But the film sets the big picture accurately. The Colonists had suffered repeated defeats at the hands of the British.  And the British were expecting a quick end to the war. But Washington decided to take his weary men in a risky move.  The result of his decision would gain supplies for the winter and provide a much-needed victory to inspire the Colonists and future enlistments.

While the personality of Washington remains somewhat elusive, Jeff Daniels does an excellent job portraying one of the most important people in American history.  He conveys the difficult decisions encountered by the steady leader.

Even though you know how the story ends, the film will still draw you into the tense tale, seeing the men battle against the odds. The Crossing does a good job of portraying the challenges, including the cold weather and Washington’s realization that it is impossible to encounter the Hessians before daybreak.

Conclusion? While The Crossing has little Christmas cheer, it is a great way to remember an important event in American history that occurred on the night of December 25 into the morning of December 26. Watching The Crossing, one cannot help but think how American history may have gone differently — or never existed at all.  What if George Washington made a different decision or if the outcome was different on that Christmas night more than two hundred years ago?

At least for now, you may watch the entire film on YouTube:

Other Reviews Because Why Should You Trust Me? Rotten Tomatoes provides no critics rating for the TV movie, but it gives a disappointing audience score of 53%. I suspect some may have had high expectations for the film and were disappointed because they expected a movie theater film on the life of George Washington. But others appreciate the film for what it is: a short dramatization of the important events over a short time period. By contrast, GJ’s Closet called The Crossing “the greatest American Revolutionary War film ever made and an ideal history lesson.” The film won a Peabody Award in 2000.

Painting photo via public domain.

What is your favorite movie set during Christmas that is not about Christmas? Leave your two cents in the comments.

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    “The Way Way Back” Way Way Suprised Me (Missed Movies)

    Sam Rockwell Way Way Back Occasionally, I will receive in the mail a Netflix movie where I have no idea how the movie ended up on my list. By the time I received The Way Way Back (2013) and popped it in my DVD player, I was expecting a film about prisoners escaping from a Siberian Gulag camp during World War II before realizing that movie was called The Way Back, a 2010 movie I still want to see. Instead, The Way Way Back turned out to be a surprisingly enjoyable movie about a teenage outcast trying to understand his life one summer.

    The Way Way Back
    , written and directed by Nat Faxon and Jim Rash, follows the awkward 14-year-old Duncan, played by Liam James, who goes with his divorced mother Pam (Toni Collette) on vacation to a Cape Cod beach house with her boyfriend Trent (Steve Carell) and his daughter. Duncan is out of place in the world of adults, and eventually he begins exploring on his own, finding a surrogate family at the local water park managed by Owen, played by Sam Rockwell.

    While I would not describe The Way Way Back as a small independent film, it does use a modest budget to illustrate a realistic story that does not overly play to Hollywood stereotypes. The victories and the defeats in the movie are not overblown, and the story seems honest, while also being fun.

    I suspect that The Way Way Back ended up in my Netflix Queue because I had read a good review and saw that two actors I like, Rockwell and Carrell are in the movie. Steve Carrell plays against type here, portraying someone who is a jerk, while Rockwell uses his quirky charm to full effect. And Toni Collette is brilliant at playing a troubled mom, as she did in About a Boy (2002). The excellent cast also includes Maya Rudolph and Rob Corddry.

    Considering the small budget, The Way Way Back was modestly successful at the box office and created a lot of buzz coming out of The 2013 Sundance Film Festival. But if you missed it the first time around, it is worth a rental.

    Conclusion? If you are in the mood for a modest story with interesting characters and are not expecting an overblown adventure, you probably will enjoy the small coming-of-age tale in The Way Way Back. The honesty of the story and the excellent cast make the movie a nice surprise and a good movie that you might have missed. Rotten Tomatoes gives the movie a respectable 86% rating from both critics and audience members.

    {Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}

    What did you think of The Way Way Back? Leave your two cents in the comments.

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    Flight from Death (Missed Movies)

    Ernest Becker Movie Several Chimesfreedom posts have touched on the theories of sociologist Ernest Becker. Among other things, Becker’s book Denial of Death has inspired artists including Woody Allen and writer Don DeLillo. I also own a documentary about Becker’s theories, so wanted to point out this interesting film Flight from Death: The Quest for Immortality (2003) for anyone who might be interested.

    In a superficial nutshell, Ernest Becker wrote about how humans are unique creatures because our intelligence gives us an understanding of something inevitable and horrible. One day we — and everyone we know — will die. This knowledge is so disturbing, Becker reasoned, that we subconsciously suppress this knowledge on a daily basis. In so doing, we subconsciously use other ideas to help us suppress our fears. Thus, we seek out things that help us feel immortal to buy the idea that we may one day die. For example, we root for sports teams because our attachment to a team that will survive and triumph makes us feel connected to something eternal.

    But these attachments can have bad effects too. If I have a belief that helps me deal with my subconscious fear of death, your belief that is inconsistent with mine may make me feel threatened. As a result, our subconscious fear of death can make us hostile to people with different views from us. Interestingly, a number of scientists have been exploring these theories and are seeing results of how they affect our every day lives, influencing everything from voting to wars.

    Anyway, that is my attempt to summarize some of the ideas in a couple of paragraphs, but the film Flight from Death does a better job of explaining it. In the film, a number of writers, philosophers, and Terror Management Theory scientists discuss the way that our subconscious fear of death can impact our lives. Some of the commentators in the film include Sam Keen, Robert Jay Lifton, Irvin Yalom, Merlyn Mowrey, Sheldon Solomon, and Daniel Liechty. It is one of the rare documentaries that can change the way you look at your life.

    The film is narrated by Gabriel Byrne, and while the film is no longer available on YouTube, you may find some clips there, such as this 10-minute clip (or watch the whole film on Amazon).

    What do you think of Flight from Death? Leave your two cents in the comments.

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    End-of-the-World Movies . . . Without Special Effects

    Science Fiction Without Special Effects In the last several years, there have been a number of interesting science fiction films that manage to avoid using special effects, or use very limited special effects. Maybe it is a response to the prominence of CGI, where so many movies are weighed down by images that you know just are not “real.” Maybe it is an attempt to return to using science fiction elements to actually say something besides blowing up things. In this genre, Chimesfreedom has discussed three films that we really liked: Robot & Frank (2012), Another Earth (2011), and The Man from Earth (2007). Another film that was interesting was Melancholia (2011). Two other films to add to this list are It’s a Disaster (2012) and Seeking a Friend for the End of the World (2012), both now available on DVD and Blu Ray.

    Of the two, Seeking a Friend for the End of the World has the bigger stars, featuring Steve Carell and Keira Knightley (as well as a small appearance by Martin Sheen). The film begins with Dodge (Carell) and his wife listening to the announcement that an asteroid is going to crash into earth in three weeks, resulting in his wife making a mad dash to leave her husband. Thus begins Dodge’s quest to find some company for the end of the world.

    The movie, directed by Lorene Scafaria, has some laughs and some interesting thoughts on different ways people might react to the end of the world. The film avoids going the expected route of going for an all-out fantasy comedy or for going for futuristic reality. But because the movie tries to walk a middle ground between comedy and tragedy, it seems to zig zag back and forth, making for interesting but somewhat unsettling viewing, especially as the movie becomes more serious toward the end. Still, I enjoyed the film and the fact that it aimed for something a little unusual.

    By contrast, It’s a Disaster is clearly a comedy. The film follows the interactions of several couples during a Sunday “couples brunch” as they gradually come to learn that someone has set off some dirty atomic bombs not far away and, inevitably, they are all going to die, probably within the day. But the film centers less on the morbid future and more on the relationships between the couples as they go about their afternoon finding things out about each other, occasionally taking some time to come up with ideas to figure out what they should do.

    The low-budget film directed by Todd Berger pretty much stays inside the house for most of the movie, but it makes you laugh at the characters and what you would do in the same situation. As when you watch Seeking a Friend, at some point you also will start wondering how the movie might end. If you go into the film with modest expectations, you might enjoy the comedy of manners that takes place. To reveal much more would ruin your fun. It’s a Disaster stars Julia Stiles, David Cross, Rachel Boston, Kevin M. Brennan, and Laura Adkin.

    Conclusion? Seeking a Friend for the End of the World and It’s a Disaster are two interesting minimal special effects end-of-the-world movies that are worth your time on a lazy rainy afternoon. While they are not great movies, they are somewhat unusual and might make you think a little while entertaining you. Of the two, Seeking a Friend for the End of the World is more ambitious, while It’s a Disaster is a little more light-hearted take on a serious subject.

    Other Reviews Because Why Should You Listen to Me? Rotten Tomatoes has mediocre ratings for Seeking a Friend for the End of the World from both critics (56%) and audience members (54%), perhaps reflecting the unevenness of the movie. By contrast, on Rotten Tomatoes, the less ambitious but more consistent It’s a Disaster gets a decent audience rating (68%) and an even better critics rating (77%). Jason Bailey at Flavorwire sums up It’s a Disaster as an “odd, funny, invigorating little movie.”

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    What did you think of these films? Leave your two cents in the comments.

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    Post-Trauma Life in “Margaret” (Missed Movies)

    Margaret movie How you react to Margaret (2011) may depend on whether or not you enjoy imperfect movies that are challenging and ambitious. I spent much of the movie wondering where it was going to go as it continuously surprised me. While at times the movie made me uncomfortable with all of its flawed characters, I ultimately realized that I will be thinking about this one for a long time.

    Margaret centers around Lisa Cohen, a teenager played by Anna Paquin, who witnesses and is indirectly partly responsible for a bus accident that kills a woman who dies in Lisa’s arms. Lisa is severely affected by the accident, beginning with her decision about whether or not she should tell the police that the bus driver was distracted and ran a red light. From there, the teen alternates between struggling with her decisions and acting out in various ways. Her parents are divorced, and her actress mother is distracted by a play and dating while her father is far away. Her teachers at school — including ones played by Matt Damon and Matthew Broderick — have their own flaws, as does everyone in the movie. Those flaws help make Margaret portray the messiness of real life.

    Margaret has a number of stars in non-starring roles. In addition to Damon and Broderick, Jean Reno plays the love interest of Lisa’s mother and Mark Ruffalo plays the bus driver. J. Smith-Cameron plays Lisa’s mother.

    The movie, directed by Ken Lonergan, was actually made in 2005 and scheduled for release in 2007 but it only finally made it to a limited number of theaters in 2011 and was released on DVD last year. A number of issues contributed to the long delay, including that Lonergan reportedly struggled with editing the movie as the studio wanted him to cut his nearly three-hour movie to under 150 minutes, leading to lawsuits. Martin Scorsese and Thelma Schoonmaker were called in to create an edit, and although Lonergan approved their edit, his longer version is available on the new Blu-ray/DVD release. I watched the edited version on HBO. This “short” 150-minute version had a number of long lingering shots that some may or may not like, but I am curious about the longer one. David Edelstein at NPR has written how he thought the short version was flawed but he loved the extended cut.

    Others have noted that what makes the 2005 shooting interesting is that it places the making of the film and the film’s setting nearer to 9/11. Not only do Lisa and her classmates debate terrorism, the movie touches on post 9/11 themes like blame, guilt, and how one act can touch so many people. Paquin, who played a young girl in 2002’s 25th Hour (one of the best movies that featured 9/11’s effects) and is in True Blood, does an excellent job.

    Paquin plays someone we completely empathize with at the beginning but who is an annoying teenager at times. But that is part of the point, as Lonergan captures how we feel things more passionately as teenagers before we become cynical adults. If you understand why someone acts the way they do, can you still empathize with them even when they are less than perfect? That is one of the questions of civilization, and Lonergan asks us to ask ourselves that question as he illustrates how humans fail to connect with each other.

    Conclusion? Not everyone will like Margaret. But if you are in the mood for a challenging movie raising moral, ethical, and human issues, you might enjoy this one. Or at least you will be thinking about it for a long time and looking up Gerard Manley Hopkins’s poem “Spring and Fall,” about a young girl encountering death, to help you figure out why a movie named “Margaret” does not have anyone with that name.

    Other Reviews Because Why Should You Trust Me?: The split between critics (71%) and audience members (49%) on Rotten Tomatoes shows how viewers may be divided between loving and hating Margaret. Peter Travers at Rolling Stone gives Margaret three and half out of four stars, acknowledging its flaws while concluding it is a “film of rare beauty and shocking gravity.” By contrast, Amy Curtis at We Got This Covered calls Margaret “pointless” and disorganized.

    {Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}

    What did you think of Margaret? Leave your two cents in the comments.

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