The Ending of “Judgment at Nuremberg” And the Film’s Lesson for Today

The film “Judgment at Nuremberg” ends with a stunning indictment from Spencer Tracy’s character that should offer a chilling lesson for today.

The 1961 film Judgment at Nuremberg, directed by Stanley Kramer and written by Abby Mann, presents a fictionalized trial based on real events following World War II. There were twelve trials in military courts in Nuremberg, Germany regarding Nazi crimes committed during the war. The movie centers on a trial similar to the actual trial of jurists and lawyers (sometimes called “The Judges’ Trial“). [Warning: This post contains some spoilers for the movie.]

Judgment at Nuremberg features many great actors of the time, including Marlene Dietrich, Judy Garland, Richard Widmark, Montgomery Clift, Maximilian Schell (who won the Best Actor Oscar) and a young William Shatner. Much of the fim, though, centers on the characters played by Spencer Tracy and Burt Lancaster.

Spencer Tracy and Burt Lancaster

Spencer Tracy, who was 61 at the time and looked older, plays Chief Judge Dan Haywood, one of the judges overseeing the trial. Tracy’s Maine judge is in many ways the heart of the film, as we see through his eyes the war-torn streets of Germany and the moral questions surrounding the war and the atrocities.

Lancaster, plays Dr. Ernst Janning, one of the German defendants. Initially appearing defiant, Janning is troubled by what the Nazi’s did. Eventually, Janning takes the stand as a witness for the prosecution. During his testimony indicting the works of the Nazis, he confesses his own role in sentencing a Jewish man to death for having sex with a 16-year-old Gentile girl when he knew the charges were not true.

Lancaster was a great handsome movie star, and he brings his gravitas to the role, evoking sympathy from us for the guilt he feels and for his willingness among the defendants to admit the sins of the Germans. Tracy and Lancaster were long-time movie stars by this point, and we were familiar with Tracy as a trustworthy character and Lancaster as a strong man with a vulnerable heart and intense eyes.

The Final Confrontation

Janning: “Those people . . . Those millions of people. I never knew it would come to that. You must believe it. You must believe it.”

Haywood: “Herr Janning, it came to that the first time you sentenced a man to death you knew to be innocent.”

At the end of the film, we do finally get a one-on-one scene between the two heavyweight actors. After Janning and the other three defendants are found guilty and sentenced to life in prison, Janning asks Judge Haywood to visit him in his cell. And Judge Haywood agrees. Throughout the film, Tracy has played Haywood as a man conflicted about how blame may be assessed among the living for the crimes of the Nazis, and we have seen him moved by Janning’s acceptance of guilt. So, the viewer may expect that this final scene of the two men (and great actors) meeting alone, will provide some common understanding between the two judges. But that is not what happens.

The two men complement each other. Lancaster’s Janning tells Spencer’s Haywood that his decision of the court was a just one. Haywood responds that Lancaster’s testimony was what needed to be said.

Then, Burt Lancaster’s Janning turns to the reason he wanted to talk to the judge in private. He does ask for some type of understanding, if not forgiveness from Spencer Tracy’s judge, explaining he did not know the extent of the horrors and the killings of the Jewish people. He pleads, “Those people . . . Those millions of people. I never knew it would come to that. You must believe it. You must believe it.”

But Spencer Tracy’s judge does not give forgiveness or understanding, only an indictment. He replies, “Herr Janning, it came to that the first time you sentenced a man to death you knew to be innocent.” The camera captures Lancaster’s pained and haunted face as the movie ends with his prison door closing.

America’s Dilemma

That scene from Judgment at Nuremberg has always stayed with me, and I have been thinking about it a lot lately. In the news, we have read and seen about the Trump administration rounding up immigrants and sending them to an inhumane prison in El Salvador. A few years ago, it might have been hard to imagine the United States sending convicted criminals to such a place, but because these men are not citizens of the U.S. and the administration asserts they are members of the MS-13 gang, so far we have mostly accepted sending people who have been convicted of no crimes.

As we find out more about some of the men sent, we should be more troubled. There is Andry Jose Hernandez Romero, a gay makeup artist who sought asylum in the United States last year. He was sent to the prison based on a signature from a disgraced former police officer, now a private prison contractor, with a record of lying.

Merwil Gutiérrez also was sent to the El Salvador prison. The 19-year-old with no criminal record and reportedly no gang affiliation was taken from the Bronx and sent to the prison. Reportedly, he was seized after an ICE agent realized he was not who they were looking for. But another agent responded “take him anyway,” so they did. Gutiérrez’s father is still trying to get information on his son.

Ábrego García also sits in the El Salvador prison, though his case has already gone to the U.S. Supreme Court. The lawyer for the foreign-born Maryland father says he has no ties to criminal gangs. The U.S. has admitted it was a mistake to send García to El Salvador, and the Supreme Court has ordered the government to “facilitate” his return to the U.S. But the Trump administration continues to do nothing and claim both that they cannot do anything to get García back — and anyway García is still a bad guy who is not a citizen.

García’s case in particular might remind one of Spencer Tracy’s rebuke to Burt Lancaster’s character in Judgment at Nuremberg. After observing Lancaster’s sympathetic performance, like his character, we are reminded that one bore the blame for the atrocities that followed once one was complicit in the first injustice.

I don’t know if we are there yet, and of course we are not Nazi Germany. But there are lessons to be learned from history (and movies).

And many of us are surprised that more of our fellow citizens are not outraged at the thought of innocent people being sent to this inhumane foreign prison. And to have our government concede it committed a mistake that results in suffering and do nothing to correct it (even assuming anyone should be in this prison) is something out of a horror movie if you imagine what these people are going through each day.

The U.S. has never been perfect. And maybe in recent years the fact that people did not stand up to the horrors we perpetrated in the wake of 9/11 like torturing suspects and accepting the mistreatment, torture, and rapes at Abu Ghraib prison have made us immune to these atrocities committed by our country against non-citizens.

Twenty-five years ago, I would have thought that my fellow citizens would not have allowed these things to happen. Yes, some have stood up and many are fighting the administration’s cruelty and bullying today. For example, constituents showed up in Iowa at a Republican senator’s town hall to ask what was being done about getting García out of the prison where he does not belong.

Yet, how many of us will allow our government to send people to an inhumane prison without any type of due process?

Maybe like Burt Lancaster’s Janning character we will be thinking that later we will be able to claim that we never knew it would come to whatever comes next.

Find your representatives in Congress to call them athttps://www.congress.gov/members/find-your-member. Leave your two cents in the comments.

“Horizon: An American Saga” Trailer

Kevin Costner’s new epic “Horizon: An American Saga,” set in the American West, will initially appear in theaters in two parts.

I am a big fan of Westerns, and have loved Kevin Costner’s work in Westerns. Nobody wears a cowboy hat and mustache like him. So I’m looking forward to his latest adventure in Horizon: An American Saga. Costner co-wrote and directed the film, which also stars Sienna Miller, Jena Malone, Sam Worthington, Kathleen Quinlan, Luke Wilson, Giovanni Ribisi, and others, including Costner’s 15-year-old son, Hayes Costner.

Notably, Costner also brings back some co-stars from his previous projects set in the American West: Will Patton (The Postman) and Jeff Fahey (Silverado). And although there is no sign of his Open Range co-star Robert Duvall, Horizon does include Thomas Haden Church, who had starred with Robert Duvall in Broken Trail.

The trailer for Horizon: An American Saga was recently released. If you love epics, the trailer should get you excited. But be forewarned that this year’s saga is a two-parter, apparently with one part being released June 28, 2024 and the second part being released August 16, 2024. And Costner apparently has plans for two more films in the series. Check it out.

What do you think of the trailer? Leave your two cents in the comments.

Searching for Lin Zhao’s Soul (Documentary of the Day)

In the documentary “Searching for Lin Zhao’s Soul,” filmmaker Hu Jie investigates the life and execution of a young woman who struggled for human rights in China.

Lin Zhao

The struggle for human rights has been an ongoing battle throughout history. Many heroes, like Martin Luther King Jr., are justly lauded for their work. But for each person we celebrate, there are thousands of forgotten heroes who also stood up to oppression and gave their lives to make the world a better place.

Lin Zhao, who was born January 23, 1932, was a student at Peking University in China when she was imprisoned for speaking out on behalf of students who were being persecuted during Chairman Mao Zedong’s Anti-Rightist Movement in the late 1950s. Lin was a writer who wrote articles and poems. And when her captors forbade her to use pens, she used a hairpin dipped in her own blood to write on the walls of her cell.

On April 29, 1968 the People’s Republic of China executed Lin Zhao by gunshot.

With memory of her seemingly lost to history, filmmaker and independent historian Hu Jie encountered her story. And he quit his job so he could investigate Lin’s struggle for civil rights and bring her story alive in the documentary, “Searching for Lin Zhao’s Soul” (Sometimes translated as “In Search of Lin Zhao’s Soul.”

The movie, released in 2012, won Best Film at the Sunshine Chinese Documentary Film Festival. If you can track it down, there is a version of the moving documentary about Lin Zhao with English subtitles that periodically appears on YouTube.

Leave your two cents in the comments.

Bruce Willis Was in “The Verdict”?

Before he became a star, Bruce Willis was an extra sitting in a courtroom watching Paul Newman’s closing argument in “The Verdict.”

One of the greatest lawyer movies of all time that also features one of Paul Newman’s best performances as a down-on-his-luck alcoholic attorney is the 1982 film, The Verdict. Fans of the movie likely know that it was directed by Sidney Lumet and in addition to Newman featured standout performances from Charlotte Rampling, Jack Warden, James Mason, and Milo O’Shea. But did you know that Bruce Willis also appears in the movie?

Yes, Bruce Willis is in the The Verdict. But if you did not know, you probably do not remember him because he was an extra and had no lines. 

During Paul Newman’s closing argument, Willis sits in the courtroom. Watch about three rows back as Newman starts the scene. As the camera starts to pan in, Willis is high in the center of the screen.

Unfortunately, once you see the 27-year-old Willis in the scene, it is hard to stay focuses on Newman’s great acting. Maybe I should not have told you about it, but I had to share.

Three years after The Verdict, Bruce Willis would gain a more prominent role playing  David Addison Jr. in the television series Moonlighting starting in 1985. After a few film roles, his movie career took off following a starring role in 1988’s Die Hard. Like other fans of many of his films, I was saddened to hear of his retirement in 2022 due to an aphasia diagnosis.

Bruce Willis, however, is not the only future popular actor sitting in the audience as an extra in The Verdict. Just to Willis’s right in the courtroom (and in the photo above), you may also see Tobin Bell, who later became famous as John Kramer, aka Jigsaw, in the Saw movie franchise.

If you have never seen The Verdict, make sure to check it out, both to catch a glimpse of yet-to-be discovered stars and to see a great movie. The film currently has an 89% critics rating and 88% audience rating on Rotten Tomatoes. But maybe it would get a few extra points if more people knew about Bruce Willis.

Leave your two cents in the comments.

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    Beyond the Danceable Hits: Irene Cara’s Moving Song About Isolation and Loneliness, “Out Here On My Own”

    While best known for the uplifting title songs from “Fame” and “Flashdance,” Irene Cara created a movng performance of a song about isolation and loneliness with “Out Here On My Own.”

    In the early 1980’s, one would have expected Irene Cara, who passed away in November 2022, to go on to have a long and successful music (and acting) career based largely upon recording two of the biggest hits of the early 1980s. Few artists have such big exciting hit title tracks from successful movies so close together. First, starring in the movie Fame (1980), Cara hit it big not only with “Fame,” but an impressive star turn as an actress. Then, three years later, she topped the charts with “Flashdance . . . What a Feeling” from the movie Flashdance (1983). But while I loved those songs, it was a quieter performance from Fame that I always think of first when I hear her name.

    In the early 1980s, I had gone off to attend college several hundred miles away from home. Like many others there, I was young and living on my own for the first time, going somewhere where I had no friends or family. Of course, all of us there were extremely fortunate to be where we were, but many of us also were experiencing a new kind of loneliness. As with any recolocation, during those early days we had not yet forged the new bonds and friendships that would eventually come.

    It was in those days that the school’s movie theater offered a showing of Fame. And there, in that darkened theater, we found some kinship with the young characters on the screen striving to create something out of their lives, struggling for success while also learning to encounter failure.

    In that context, Irene Cara appeared onscreen and performed the song “Out Here On My Own.” Unlike the title track where she and everyone danced, she sold this song by merely singing at a piano. Her moving performance of the opening lyrics made our audience lean into the song. And we were there with her all the way to the final note.

    Sometimes I wonder where I’ve been,
    Who I am,
    Do I fit in.
    Make believin’ is hard alone,
    Out here on my own.

    As I listened, I thought about my own feelings, connecting as we do with much great art to find ourselves. I felt connected to the isolation reflected in the song, thinking it was only me. But then something happened I had not seen before and have not seen since.

    I have seen movie audiences clap at the end of a movie.

    I have heard movie audiences cheer when the good guy finally defeats the bad guy.

    But during Fame, in the middle of the film, I was surprised to hear the college audience applaud and cheer Irene Cara’s performance of this quiet song.

    And that is why Cara’s “Out Here On My Own” remains so important for me. At that moment when I was feeling alone and isolated, I realized that others in that same room were feeling the same thing. And Irene Cara brought us together for those few minutes. And it also taught me a lesson that remains to this day, to remember to be kind to others because they are often going through things that you might not suspect or know.

    In recent years due to the Covid pandemic, many of us around the world have encountered new layers of loneliness, making “Out Here On My Own” seem especially timely. Reportedly, Irene Cara herself faced her own isolation in these last years leading to her death too, making the song even more poignant.

    “Out Here On My Own,” while not as big of a hit as the title track “Fame,” was successful on its own. The song, written by the sister-brother team of Lesley Gore and Michael Gore, not only charted but was nominated for an Academy Award. It lost to the other bigger and happier Irene Cara song from the movie about living forever, “Fame.”

    But “Out Here On My Own” remains one of the great movie songs about loneliness. In Billboard, Chuck Taylor wrote about the rerelease of the soundtrack, noting that “Out Here On My Own” “remains as simplistic and memorable a statement of isolation as has ever been written”

    For a song about isolation, though, I always remember it as bringing people together.

    Leave your two cents in the comments.

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