On March 19, 1931, Nevada state legislators voted to legalize gambling in the state. The measure was passed out of concerns about people leaving the state and how hard times had hit the state during the Great Depression.
After the U.S. acquired the territory in 1848 after the Mexican War, a large number of settlers moved to the state following the discovery of gold and silver. Nevada became a state toward the end of the Civil War, but by the time the Great Depression arrived, the state was not doing well. So, the move to legalize gambling was seen as a way to save the state’s economy.
During the early decades of legalized gambling, organized crime controlled much of Las Vegas. Among the organized crime leaders was Benjamin “Bugsy” Siegel.
Siegel arrived in Las Vegas in the 1940s. His life is portrayed in the movie Bugsy(1991), directed by Barry Levinson and starring Warren Beatty.
The most famous gangster film also features a character based on Bugsy Siegel. The character of Moe Greene in The Godfather (1972) is based on Siegel.
In The Godfather, Michael Corleone arranges to have Greene killed in a massage parlor with a bullet in the eye after Greene refuses to sell his casino interest. Alex Rocco plays Greene/Siegel in this clip below.
In Mario Puzo’s novel The Godfather, Greene is killed in his Hollywood home. That version is a little closer to the real-life death of Siegel, who was shot and killed while he was at an associate’s home in Beverly Hills.
Speaking of the real man, you can see the real Bugsy Siegel and the 1940s Las Vegas scenery in this footage posted on YouTube by one of Bugsy’s daughters. Check it out.
While Bugsy is no longer around, celebrate the anniversary of the Nevada law by recognizing you are lucky to be alive. Enjoy the day.
What is your favorite movie set in Las Vegas? Leave your two cents in the comments.
You may not have heard of Manal al-Sharif, but Time Magazine named her one of the 100 Most Influential People of 2012 and The Atlantic Monthly included her among the Brave Thinkers of the year.
Al-Sharif started a movement by a simple act that we take for granted here in the U.S. She got into a car and went for a drive in 2011. But she did her drive in Saudi Arabia, where women are forbidden from driving.
Along with a friend, she posted a video of her trip online and drew a following on a Facebook page called “Teach Me How to Drive So I Can Protect Myself” and through a Women2Drive campaign. Although she was arrested for a few days, her acts inspired other to protest the discrimination against women in Saudi Arabia.
The prohibition is one of many types of gender discrimination in a country where girls need a male guardian’s permission to go to school. But al-Sharif’s choice of using a car for the protest touched on an international feeling about the road and what it represents.
Singer-Songwriter Martin Sexton sings about “Freedom Of The Road” from another perspective. Although the title sounds like the song is a tribute to the joys of travel, the beautiful song is really about the weariness of living on the road. In the song, the singer reveals:
Now I’ve had enough of this freedom of the road; Never was good with decisions that’s what I’ve been told; I’ve been holdin’ on to this ticket cause one day I’ll pass this toll; Magic road grant your freedom to someone else, for I’ll be comin’ home.
We often forget that freedom is not just about fun and joy. Our freedom to choose gives us the power to choose wrong just like the freedom of the road gives us the power to be weary of our travels.
Our freedoms — whether it be to drive, to marry, to have children, to work, to speak, to vote, etc. — come with no guarantee of happiness. They only give us a chance to try to find happiness.
And al-Sharif knows that women everywhere should be given these chances and to discover the freedom of the road for themselves.
What is your favorite story about the freedom of the road? Leave your two cents in the comments.
As in the excellent movie Lincoln (2012), we generally picture Abraham Lincoln full-grown as the great president. So it is easy to forget that he grew up as a child living in the wilderness dealing with normal family issues. One of the struggles of the young Abraham’s life was that he and his father Thomas Lincoln were very different.
Michael Burlingame’s detailed two-volume biography, Abraham Lincoln: A Life (2008), noted that many contemporaries of the Lincolns reported that the father and son did not get along. The friction may have been partly created because Thomas lacked ambition and disdained the fact that his son sought to educate himself.
The young Abraham was not afraid to speak up around strangers to ask precocious questions, and his father would often whip the young boy for his assertiveness. One time, the young Abe received a beating for releasing a bear cub from one of his father’s traps.
As the young Abe grew into a man, he continued to dislike his father. When Lincoln became a lawyer in Springfield, Illinois, he never invited his father to visit him.
And, when Thomas was dying in 1851 and asked his son to visit him, the son refused, telling his step-brother to tell Thomas, “if we could meet now, it is doubtful whether it would be more painful than pleasant.” Lincoln did not attend Thomas’s funeral or put a tombstone on the grave. Two years later in 1853, though, Lincoln named his fourth son after his father. The beloved child would soon be nicknamed “Tad.” (Burlingame, pp. 10-11.)
Fathers and Sons in Song
It is speculation to wonder how Lincoln’s relationship with his father affected his later life. But the father-son struggle helps us humanize a man we know as an icon etched in stone. His father-son dynamic is not unusual, as sons strive to find their places in the world. And this struggle occasionally appears in films like Field of Dreams (1989), as well as in popular songs such as Harry Chapin‘s “Cats in the Cradle.”
One of the best father-son songs is by Cat Stevens, now known as Yusuf Islam. The beautiful “Father and Son,” which appeared on Tea for the Tillerman (1970). Yusuf Islam originally wrote the song for a play that was never completed.
The song is a conversation between father and son where the son tries to explain to his father why he is leaving. When Yusuf Islam recorded the song, he had only experienced being a son. But by the time he did the following performance, which appears to be from 2015, he was a grandfather, giving the song new meaning.
Bruce Springsteen has spoke openly about his own difficulties with his father Douglas “Dutch” Springsteen. He has captured that complicated relationship in songs such as “Adam Raised a Cain,” from Darkness on the Edge of Town (1978), “My Father’s House” from Nebraska (1982), and “Independence Day,” from The River (1980). The latter song, like “Father and Son,” is about a son leaving his father.
Springsteen’s “Independence Day” is slightly more bitter than “Father and Son.” The bitterness may come from the fact that Springsteen had a rockier relation with his father than Yusuf Islam did. But it is also a heavyhearted father-son conversation.
In the above video from 1980, Springsteen begins by telling the audience how the music he heard on the radio inspired him to seek a different life, just as Lincoln’s books inspired him. Similarly, as in Lincoln’s message to his dying father, the singer in “Independence Day” tells his father “Papa go to bed now, it’s late. / There’s nothing we can say can change anything now.”
As Springsteen learned as he got older, the sins of the father also makes the man that the son becomes. So, for this celebration of Abraham Lincoln’s birthday, remember the man’s first years with his father. One may look back on Thomas Lincoln for his faults in the way he treated our beloved Abraham Lincoln. But the father, struggling to carve out a place for his family in the wilderness, did something right because his son turned out pretty well.
Ultimately, the son Abraham, perhaps remembering Thomas’s lack of ambition or remembering his own beatings, carried his concerns for the suffering of others with him when he left on his own Independence Day and when he went to the White House. And although Abraham Lincoln had a long way to travel for his own education, maybe The Great Emancipator contained a little of the boy who saw a suffering bear cub and freed it, knowing he would face his father’s wrath but defying his father anyway.
{Photos via: me, taken around the 1990s. The statue is located at New Salem, Illinois. The farm is the place of Abraham Lincoln’s birth in Hodgenville, Kentucky.}
What is your favorite song about fathers and sons? Leave your two cents in the comments.
DNA tests revealed that the body of King Richard III had been found last year in a municipal parking lot in the English city of Leicester. Richard, who Shakespeare portrayed in a less than flattering light, was the last English King to die in battle, dying at the Battle of Bosworth Field. After his death in August 1485, his body was put on display and then he was quickly buried near a church without much fanfare.
Since the discovery, scientists have used the body to make a 3D model of the way Richard might have looked. But Richard’s days of being involved in battles are not over. While Leicester plans to give Richard a new burial more fitting of his life’s station, the city of York, where Richard was from, is arguing that it should take charge of Richard’s burial. Richard belonged to the House of York, which was part of the the ruling Plantagenets.
Shakespeare and others have painted Richard III as a villain who murdered his two nephews. That version of Richard has been played by many stellar actors, including Laurence Olivier, Ian McKellen, and Al Pacino. Some historians, though, have argued that history has treated Richard unfairly. While the new discovery will not end the debate, it did resolve one issue, showing that Richard’s curved spine did not create a hunchback as described by the Bard of Avon in the play written in 1592. At the end of Shakespeare’s play, Richard III, we see Richard exclaiming, “A horse! a horse! My kingdom for a horse!” before he is killed. Interestingly, he would end up spending decades not with horses, but with cars out in a parking lot.
Singer-songwriter Guy Clark wrote “Out in the Parking Lot” with Darrell Scott, who has penned a few hits himself. While I have loved the music of other Texas songwriters from the Clark’s era like Townes Van Zandt, it is only recently where I have started to appreciate Clark’s body of work. One of the songs I have been listening to during the last several months is Clark’s “Out in the Parking Lot,” which appears on several Clark albums including Songs & Stories (2011).
As Clark explains in this performance in a bar in Homer, Alaska from 2003, he wrote the song about the parking lot of a bar in West Texas. But the song strikes universal themes, and anyone who has been in a parking lot outside a bar late at night recognizes the scene. There have been many songs about honky tonks, bars, and pubs, but nobody else has captured the mixed emotions ranging from anger to joy to pathos that stirs just outside the action of the drinking establishment, out in the parking lot. There, “Some have given up, some have given in / Looks like everybody’s lookin’ for a friend / Out in the parking lot.”
While Guy Clark has never had the mainstream popularity of big Nashville artists, there are some folks in Nashville that have good taste, such as Brad Paisley, who covered “Out in the Parking Lot” on his Time Well Wasted album from 2005. Alan Jackson joined Paisley in bringing this excellent song to a wider audience.
While I like Paisley’s work and I am glad he brought the song to a wider audience, I hope it ended up bringing some fans to Guy Clark’s great body of work too. While I cannot guess as to which version Richard III might prefer, I suspect his body saw many of the same scenes in his parking lot.
“Now everybody’s gone, they’ve shut out all the lights / The dust begins to settle and it’s never been so quiet / Out in the parking lot.”
Do you know any other songs about parking lots? Leave your two cents in the comments.
Most today are familiar with Martin Luther King Jr. giving powerful speeches, but it is rarer to see clips of him engaged in conversation. For MLK Day this year, check out the following video when King appeared on Meet the Press on March 28, 1965.
In the video, King discusses voting rights, police brutality, the civil rights movement, and recent nonviolent protests. The interview took place one week after King led the five-day march from Selma to Montgomery, Alabama to push for voting rights and raise awareness about civil rights violations. A transcript of the interview is available at the King Center website.
It is interesting to see the long interview in context as in the above video. We see another side of King. . . and the media.
Recently, MSNBC’s Chris Hayes analyzed King’s appearances on Meet the Press from 1960-1966, noting that the questioning often shows that the mainstream media seemed at war with King.
What do you think of King’s appearance on Meet the Press? Leave your two cents in the comments.