Beyond the Danceable Hits: Irene Cara’s Moving Song About Isolation and Loneliness, “Out Here On My Own”

While best known for the uplifting title songs from “Fame” and “Flashdance,” Irene Cara created a movng performance of a song about isolation and loneliness with “Out Here On My Own.”

In the early 1980’s, one would have expected Irene Cara, who passed away in November 2022, to go on to have a long and successful music (and acting) career based largely upon recording two of the biggest hits of the early 1980s. Few artists have such big exciting hit title tracks from successful movies so close together. First, starring in the movie Fame (1980), Cara hit it big not only with “Fame,” but an impressive star turn as an actress. Then, three years later, she topped the charts with “Flashdance . . . What a Feeling” from the movie Flashdance (1983). But while I loved those songs, it was a quieter performance from Fame that I always think of first when I hear her name.

In the early 1980s, I had gone off to attend college several hundred miles away from home. Like many others there, I was young and living on my own for the first time, going somewhere where I had no friends or family. Of course, all of us there were extremely fortunate to be where we were, but many of us also were experiencing a new kind of loneliness. As with any recolocation, during those early days we had not yet forged the new bonds and friendships that would eventually come.

It was in those days that the school’s movie theater offered a showing of Fame. And there, in that darkened theater, we found some kinship with the young characters on the screen striving to create something out of their lives, struggling for success while also learning to encounter failure.

In that context, Irene Cara appeared onscreen and performed the song “Out Here On My Own.” Unlike the title track where she and everyone danced, she sold this song by merely singing at a piano. Her moving performance of the opening lyrics made our audience lean into the song. And we were there with her all the way to the final note.

Sometimes I wonder where I’ve been,
Who I am,
Do I fit in.
Make believin’ is hard alone,
Out here on my own.

As I listened, I thought about my own feelings, connecting as we do with much great art to find ourselves. I felt connected to the isolation reflected in the song, thinking it was only me. But then something happened I had not seen before and have not seen since.

I have seen movie audiences clap at the end of a movie.

I have heard movie audiences cheer when the good guy finally defeats the bad guy.

But during Fame, in the middle of the film, I was surprised to hear the college audience applaud and cheer Irene Cara’s performance of this quiet song.

And that is why Cara’s “Out Here On My Own” remains so important for me. At that moment when I was feeling alone and isolated, I realized that others in that same room were feeling the same thing. And Irene Cara brought us together for those few minutes. And it also taught me a lesson that remains to this day, to remember to be kind to others because they are often going through things that you might not suspect or know.

In recent years due to the Covid pandemic, many of us around the world have encountered new layers of loneliness, making “Out Here On My Own” seem especially timely. Reportedly, Irene Cara herself faced her own isolation in these last years leading to her death too, making the song even more poignant.

“Out Here On My Own,” while not as big of a hit as the title track “Fame,” was successful on its own. The song, written by the sister-brother team of Lesley Gore and Michael Gore, not only charted but was nominated for an Academy Award. It lost to the other bigger and happier Irene Cara song from the movie about living forever, “Fame.”

But “Out Here On My Own” remains one of the great movie songs about loneliness. In Billboard, Chuck Taylor wrote about the rerelease of the soundtrack, noting that “Out Here On My Own” “remains as simplistic and memorable a statement of isolation as has ever been written”

For a song about isolation, though, I always remember it as bringing people together.

Leave your two cents in the comments.

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    Kasey Chambers Covers Eminem’s “Lose Yourself”

    Kasey Chambers began covering Eminem’s “Lose Yourself” on tour, recently releasing a live single due to demands from fans for the outstanding version of the song.

    When you have a song so identified with one artist as Eminem’s “Lose Yourself,’ it becomes difficult to imagine anyone covering the song. One of the few artists who has the talent to take on such a song and make it her own, though is Australia’s Kasey Chambers. And she does it with a banjo.

    Eminem’s “Lose Yourself” appeared on the soundtrack for his movie 8 Mile in 2002. In the film, the song is part biography of Eminem’s character B-Rabbit and part boast in encountering obstacles.

    Kasey Chambers stays true to the original, starting off quieter and bulding until the full band joins her with drums and a raging electric guitar. Her voice, as always, is capable of being both tender and powerful, as she wrenches the emotion deep in the lyrics.

    Check out Kasey Chambers’s version of “Lose Yourself” below. The performance takes place at the Civic Theater in Newcastle, Australia, the final show of her 2022 her recent Behind The Barricades tour. Due to demand from fans, Chambers released the performance as a single and created the video puthing together video taken by fans at the show.

    Chambers explained how she connects during her performance of the song: ““I had no idea that audiences would respond to it like they have. Something else takes over my body when I play it and I get completely lost in it.” She added, “I can honestly say it’s the most I’ve ever connected to a performance of a cover song in my life.”

    Leave your two cents in the comments.

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    Did You Know that Mr. Shorofsky from “Fame” Wrote the Music for “How the Grinch Stole Christmas”?

    Albert Hague, recognizable for his role in the original “Fame” movie and the 1980s TV series, also wrote the music for the beloved Christmas classic, “How the Grinch Stole Christmas!”

    If you were around in the 1980s, you likely remember the movie Fame (1980), which also became a TV series that ran from 1982 until 1987. One of the actors in Fame had earlier found success writing music for a beloved Christmas animated special, Dr. Seuss’ How the Grinch Stole Christmas!

    Albert Hague as Mr. Shorofsky

    The movie Fame was later remade in 2009, but both the 1980’s version of the movie and of the series featured the character of Benjamin Shorofsky. Mr. Shorofsky was a teacher with more traditional ideas of music who sometimes butted heads with the more “hip” students. The actor who played Mr. Shorofsky, Albert Hague, was also an established musician in his own right. He wrote music for several Broadway musicals, even winning the Best Score Tony Award in 1959 for Bob Fosse’s musical Redhead.  But his music that you most likely recognize is what he wrote for the Christmas 1966 animated special, Dr. Seuss’ How the Grinch Stole Christmas!

    In this scene from the original movie, Mr. Shorofsky debates about the future of music with Bruno (Lee Curreri), a student at the New York City High School for the Performing Arts.

    Below is a scene from the second season of the Fame TV series. In it, Hague, as Shorosfsky, sings “Did I Ever Really Live?” as the same student, Bruno, again played by Lee Curreri, looks on.

    Hague had earlier written the music for the popular song.

    Music for The Grinch

    As for Dr. Seuss’ How the Grinch Stole Christmas!, Hague is credited with composing the music for the 1966 special, long before his work on Fame. While songs like “You’re a Mean One, Mr. Grinch” feature lyrics by Dr. Seuss, the music comes from Hague. In the special, that song is performed by Thurl Ravenscroft.

    And Hague also wrote the music for the featured song “Welcome Christmas.” The Who’s perform the song in the special.

    Hague was born in Berlin, Germany on October 13, 1920 as part of a Jewish family. As Hitler rose to power, Hague moved to America, earning a music scholarship at the University of Cincinnati. After graduating in 1942, he served in the United States Army’s special service during World War II.

    During his music career Hague often collaborated with his wife, Renee Orin. She passed away in 2000, and Hague followed her on November 12, 2001.

    The next time you enjoy How the Grinch Stole Christmas, say a little thanks to Mr. Shorofsky.

    Leave your two cents in the comments.

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    10 Thoughts on Bruce Springsteen’s “Only the Strong Survive”

    Here are 10 thoughts about Bruce Springsteen’s “Only the Strong Survive,” an album of covers of classic Soul and R&B songs.

    Springsteen Only the Strong Survive

    Bruce Springsteen released a covers album of classic Soul and R&B songs called Only the Strong Survive (2022). Springsteen has often covered songs live and he has done another album of covers (We Shall Overcome: The Seeger Sessions). Yet, many fans are disappointed that the songwriter is not releasing an album of new material. There are plenty of sources providing in-depth reviews, so instead Chimesfreedom gives you ten quick takes.

    1. Short Overall Review: If you like Springsteen, Only the Strong Survive features the artist singing great songs. So if you get past being disappointed by the lack of new original songs, you should just sit back and enjoy this lovely album.

    2. Do album reviews matter anymore? Most folks pay for a streaming service and can listen to anything they want without commitment. So if you like Springsteen or are curious, you can listen to the album and make up your own mind. I am old school and resisting streaming so I did buy it as I have done for every Springsteen album; and I’m happy I did.

    3. Springsteen’s Voice: As others have noted, Springsteen’s voice has aged like a fine wine, and he is able to pull off these classic songs quite well. For example, on “I Wish It Would Rain,” one of the greatest pop records of all time, nobody can hold a candle to the Temptations’ David Ruffin. Springsteen does not surpass Ruffin or any of the originals, but he does a darn good job.

    4. Well, then why do we need this album if we have the better originals? First, Springsteen has earned the right to do whatever he wants, and great songwriters can do tributes to music they love (as Merle Haggard did with albums honoring Jimmie Rodgers and Bob Wills). Second, if you are a fan, it is fun to hear him sing these classics. And third, while compilation albums can be good and you could make a playlist of the original versions of these songs, one artist doing a covers album offers a consistency to your listening that jumping between artists does not.

    5. Good Song, Strange Video: Springsteen’s weird hand movements in the video for the Commodores’ “Nightshift” are distracting and may make it one of his worst videos ever. His facial expressions are distracting too.

    6. Sounds Like a Springsteen Classic: By contrast, his recording of and video for “Do I Love You (Indeed I Do)” sounds like a classic Springsteen song from the first moment when the Boss yells “C’mon.” The video is fantastic and fun too.

    6. The Music: The musicians, including the E Street Horns, and backing singers (Soozie Tyrell, Lisa Lowell, Michelle Moore, Curtis King Jr., Dennis Collins, and Fonzi Thornton) on this album are absolutely fantastic.

    7. A Southside Johnny Album? Not surprisingly, Springsteen singing R&B covers at times makes you think you are listening to an album by that other guy from Jersey, Southside Johnny. That is not necessarily a bad thing. At no point is the Southside Johnny connection stronger than on “Don’t Play that Song,” initially made famous by Ben E. King. Springsteen even inserts a reference to the Jersey Shore.

    8. Covering Diana Ross: Maybe my favorite track on the album is the final song, with Springsteen singing “Someday We’ll Be Together,” made famous by Diana Ross & the Supremes. Along with Aretha Franklin’s “Don’t Play That Song” and Jackie Shane’s “Any Other Way,” the Supremes song features one of the selections where he is covering a song made famous by female singers. So Springsteen’s recording does add a twist to hear a male voice sing the lyrics. Or maybe it is that Springsteen finds a special connection to the song, having previously written a song with the nearly identical title, “Someday (We’ll Be Together).” Springsteen wrote that outtake from Darkness on the Edge of Town around 1977, but first released it on The Promise (2010).

    9. Guest Artist: It’s cool that Sam Moore from Sam & Dave sings on two tracks with Springsteen. But why not a Sam & Dave song? Springsteen has indicated there were a lot of tracks recorded that are not on the album, so I wonder if there will be a sequel album.

    10. Repeated Listens: Okay, you could have just read the first point and stopped reading. But the more I listen to the album, the more I get past focusing on differences from the originals and let go and just enjoy the songs. While this album probably won’t be at the top of my list of the greatest Springsteen albums, it will likely be in the running for one of the Springsteen albums I am most likely to play. It will be a great one to play if you have company who may not think they are Springsteen fans.

    What do you think of Only the Strong Survive? Leave your two cents in the comments.

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    Townes Van Zandt Covered an Elvis Song About a Shrimp?

    On more than one occasion, Townes Van Zandt made what seemed like an odd choice in performing an Elvis Presley song about a shrimp.

    At more than one performance, the great singer-songwriter Townes Van Zandt covered a song about a shrimp. I do not know if he ever fully explained why he chose to perform “Song of the Shrimp” (aka “Shrimp Song”). At first, the selection seems an odd choice. Elvis Presley sang the unusual song in the 1962 film Girls! Girls! Girls! Why would Van Zandt choose what seems like one of the throwaway Elvis movie songs from a lightweight musical?

    Perhaps it was part of a joke to Van Zandt. He famously had a dark sense of humor that came through in his songs, many of which are about death. And “Song of the Shrimp” is funny, not just for being a sea shanty originally heard from Elvis. The song also finds humor in a shrimp’s boast that will most likely lead to his own death.

    Townes Van Zandt did seem to recognize that “Song of the Shrimp” was an unusual song choice for him. He even cracks up while performing the song on the live recording Live at McCabe’s. By contrast, when he once performed another song about an animal that Elvis Presley also recorded, the song was “Old Shep.” And instead of invoking laughter the song about a dog’s death seemed to make Van Zandt choke up.

    The Shrimp’s Story

    “Song of the Shrimp,” written by Roy C. Bennett and Sid Tepper, tells the story of a little shrimp saying farewell to his parents. He plans to jump into a shrimp boat net to catch a ride to Louisiana where he can come out of his shell.

    The song is a parable about the young leaving their parents to go off on their own adventures, facing their own dangers. The twist is that we know the shrimp’s adventure most likely will end with him being served in a restaurant in New Orleans. But the shrimp does not know that.

    Goodbye mama shrimp, papa shake my hand;
    Here come the shrimper for to take me to Louisian’;
    Here come the shrimper for to take me to Louisian’.

    Townes performed the song as early as October 1990, with his version of “The Shrimp Song” appearing on the live album Live in Berlin: Rain on a Conga Drum (1991). Townes Van Zandt recorded the version below live at McCabe’s Guitar Shop in Santa Monica, California on February 10, 1995.

    Elvis’s Movie Song

    “Song of the Shrimp” is often cited as illustrating the fact that Elvis was lost in a musical wasteland during his movie-making 1960’s. In the abstract, it is somewhat shocking that the man who contributed so much to the rebellious birth of rock and roll ended up singing a ditty about a shrimp in a film called Girls! Girls! Girls!

    But on the other hand, the song fits the scene in the movie. After all, it appears in a musical film. Elvis did not choose the song for a rock and roll record.

    In the film, Presley sings the song aboard a fishing boat. The sound of the song and the setting remind one of an old sea shanty. In other words, it fits the movie. And, as Townes Van Zandt knew, it is a funny song.

    Other Versions

    There does not appear to be a large number of covers of “Song of the Shrimp,” for understandable reasons, I suppose. Not everyone has the sense of humor that Townes Van Zandt had. A few less famous covers appear on YouTube, including one with a ukulele by German artists Preslisa And Körnel Parka Twins and one by Lowlands (feat. No Good Sister, Maurizio Gnola Glielmo).

    But another well-known artist who recognized the humor in “Song of the Shrimp” was Frank Black, aka Black Francis (formerly of the Pixies). He came to the song through Van Zandt’s version, which Black described to Uncut magazine as “a really deconstructed but very entertaining version.”

    Black recorded his own version of the song, which appeared on his album Honeycomb (2005). Although he originally started playing a live acoustic version of “Song of the Shrimp,” the version he ultimately recorded sounds the most modern of all of the recordings. In it, Black takes Van Zandt’s deconstruction and finds a groove beyond the song’s sea shanty origins. Check out Frank Black’s version:

    Whatever happened to the little shrimp, his legendary tale has gone into history as having been recounted by some very talented musicians.

    Leave your two cents in the comments.

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