Dion’s Lost “Kickin’ Child” (Album Review)

Kickin' Child

Dion DiMucci remains one of the most underappreciated great early rock and rollers.  Yes, everyone knows his work with the Belmonts and later on classic songs like “Runaround Sue.”  But fans and critics often unjustly overlook other phases of Dion’s career.

Such is the case with his folk-rock work from the 1960s (as well as his blues music).  Fortunately, Dion – Kickin’ Child 1965 Columbia Recordings — an album that would have been at the forefront of the folk-rock movement had it been released in 1965 when it was recorded in the Spring and Fall of that year — has finally been released.

The 15 songs on the album produced by Tom Wilson include ten written or co-written by Dion, as well as three Bob Dylan songs. One of the Dylan covers is a wonderful bluesy version of “Baby I’m in the Mood For You.”

Some of the songs would later appear on compilations, but the album never saw the light of day until now because Columbia refused to release it.  Listening to the album now, it is impossible to understand that decision.  But I am glad we can enjoy it now.

For example, one may easily imagine an alternate universe where the album was released in 1965.  In that universe, “My Child” became a hit that forms the soundtrack of our memories of the 1960s.

Dion recently explained to Billboard how he left the record label after they refused to release Kickin’ Child. For decades, the experience gave Dion bad memories.

But when Dion recently listened to the remastered album, “The cloud lifted like vapor. It just lifted right out of my head. And I heard the music loud and clear like it was present to me. It wasn’t a novelty. It was rich. It was artistic, it was heartfelt. It was live. It was the real deal. And I said, ‘Man, this stuff is good.’ And I was proud of it.’”

One of my favorite tracks on the album is Dion’s cover of Tom Paxton’s “I Can’t Help But Wonder Where I’m Bound.”

The liner notes explain how Dion’s work at this time influenced others, even without the release of Kickin’ Child.  For example, he suggested to Wilson to add an electric band to Bob Dylan’s “House of the Rising Sun” (Dylan loved it).

Critics are now giving the album some of the attention it should have received more than fifty years ago.  For example, Allmusic understandably calls Kickin’ Child “absolutely one of the greatest folk-rock records ever.” American Songwriter gives the album four out of five stars.

Dion’s voice is in fine form. And the band from the Fall 1965 recording sessions — The Wanderers — has a great sound. The group included included The Belmonts’ Carlo Mastrangelo on drums.

Another standout track is “Knowing I Won’t Go Back There.”  The song, written by Dion, previously appeared on the compilation album Road I’m On (another Dion album worth seeking out).

Kickin Child is a wonderful album, and anyone who loves music from the 1960s folk and folk-rock scene should definitely check it out.

Dion has mentioned that there exists other unreleased music from this era.  So, hopefully there will be more coming as we continue to reassess the great career of Dion.

Leave your two cents in the comments.

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    Tom Russell Takes Us Into the “Folk Hotel”

    Tom Russell Folk

    Tom Russell‘s upcoming album Folk Hotel features thirteen original songs and a cover of Bob Dylan’s “Just Like Tom Thumb’s Blues” as a duet with Joe Ely.  One of my favorite albums of the last few years was Russell’s The Rose of Roscrae.  So I’m looking forward to his latest work.

    The album features one of Russell’s paintings on the cover.  And one may also buy a lyric book featuring essays, lyrics, and additional paintings.

    Uncut describes the new album as “folk-tinged songs about cowboys, Texas, Irish poets, and JFK.” A recent review on No Depression noted that the new album is “a very distinct shift of emphasis back to one man playing guitar and singing songs.”  Heck, Russell even asserts it is his best album to date.

    Below is Russell’s promotional video for Folk Hotel. Russell rambles around some stories and then there is a bit of music at the end. Check it out.

    Folk Hotel hits stores and the Internet on September 8, 2017.

    Leave your two cents in the comments.

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    The Wizard of Oz Opens: August 25, 1939

    opening wizard ozOne of the most beloved movies of all time, The Wizard of Oz, opened in theaters on August 25, 1939.  Looking back, the film was not as big of a hit as you might expect.  The movie, which cost $2.8 million to make, at first made only around $3 million at the box office.

    The movie’s popularity started to soar after its initial television broadcast in November 1956 when around 45 million people tuned in to watch it.  Subsequently, from 1959 until 1991, TV showed the movie once a year.

    So, of course many of us of a certain age know the movie from television and annual viewings.  I still remember when we bought our first color television set.  My most lasting memory of that TV is when we watched The Wizard of Oz, a movie we’d already seen numerous times in black and white.  But the first year when we watched it on our color TV, we were shocked when the movie changed from black and white in the Kansas scenes to glorious Technicolor in the Oz scenes.

    Back in 1939, The Wizard of Oz was already on its way to becoming a classic.  The film received an Academy Award nomination for Best Picture, losing to another classic, Gone With the Wind.  Still, the movie with the munchkins won the Best Song Oscar for “Over the Rainbow.”  And Judy Garland won a special award at the Oscars for Best Juvenile Performer.

    Yet, back in 1939, viewers could not have foreseen how pervasive the movie would become in our lives, or the different ways we would be able to view it.  Other generations first saw The Wizard of Oz on videotape, on DVD, on Blu-ray, and streaming on the Internet.  The film has stood the test of time even as the technology has repeatedly changed.

    The movie works on a number of levels too.  On the one hand, it is a delightful musical fantasy for children.  But adults enjoy it too, both for nostalgia about their youths and to think about underlying meanings behind the story.

    Symbolism in The Wizard of Oz

    Of the many theories about the meaning of The Wizard of Oz, the most well-known is that L. Frank Baum’s book The Wonderful Wizard of Oz is a symbolic political story about the fall of the Populist Movement in the United States.  Under this reading, Dorothy represents the common folk, the Scarecrow represents the farmers, the Tin Man represents the industrial worker, and the Cowardly Lion represents politician William Jennings Bryan.  The Yellow Brick Road symbolizes the gold standard and the green of Oz represents the dollar.

    There are competing theories too.  These include theories about religious or atheist allegories.

    Additionally, in an interesting essay author Salman Rushdie has surmised that the story is really about the inadequacies of adults, and how their failures force the children to take control of their own fates.  Rushdie also did a delightful discussion of the movie in a 2008 BBC Radio 4 program with historian David Powell and The New Yorker theater critic John Lahr (the son of Burt Lahr who played the Cowardly Lion).  Unfortunately, the audio no longer seems available on the internet.

    No matter theory you subscribe too, there is one certainty about The Wizard of Oz.  We will continue to watch the movie no matter how movie-viewing technology changes in the future. As long as we have a brain and a heart and courage.



    Leave your two cents in the comments.

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    Summer of 1969: “In the Year 2525 (Exordium & Terminus)”

    Zager and Evans During the summer of 1969, Zager and Evans dominated the radio with their hit song “In the Year 2525 (Exordium & Terminus).”  The song stayed in the number one spot for six weeks, including during the Woodstock Music Festival and when Neil Armstrong walked on the moon.  It hit number one on the Billboard Hot 100 on July 12, 1969, ending its run at number on on August 22, 1969.

    The song catalogs a horrible future for humans, documenting the world in various rhyming years up to 9595.  For example,

    In the year 5555,
    Your arms hangin’ limp at your sides;
    Your legs got nothin’ to do;
    Some machine’s doin’ that for you.

    Something about the song resonated with Americans (the song also did well in the U.K.).  “In the Year 2525” seemed even more pessimistic than Barry McGuire’s 1965 hit “Eve of Destruction.”

    Perhaps people related to the dystopian vision of “In the Year 2525” after the unrest of the previous year of 1968. That year saw the murders of Martin Luther King Jr. and Bobby Kennedy, Viet Nam protests, and other events.  Or maybe having survived 1968, people found some joy in whistling past the graveyard.

    The geniuses behind the song, however, would never match the success of “In the Year 2525.” Zager and Evans were Denny Zager and Rick Evans, who first had a regional hit with the song as local performers in Nebraska.  Evans wrote “In the Year 2525” in 1964.

    One of their followup songs, “Mr. Turnkey,” which was about a rapist, did not do well on the charts.

    According to Wikipedia, Evans later recorded some of his own music but now stays out of the public eye, while Zager went on to build custom guitars for Zager Guitars.

    Leave your two cents in the comments.

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    Tyler Childers: “Whitehouse Road”

    Purgatory If you are looking for some brand new quality country music to check out, look no further than Tyler Childers.  The singer-songwriter released his first full album, Purgatory, on August 4, 2017.

    On the new album, Childers has some help.  Sturgill Simpson produced Purgatory, and David Ferguson, who was Johnny Cash’s engineer, helps out.  But Childer’s songs and his voice speak for themselves on the autobiographical concept album that traces a young man’s growth into an adult.

    Childers grew up in eastern Kentucky. And you may hear some of the Appalachian Mountains sound in his music. It’s great stuff, and he should be getting a lot more attention soon. Rolling Stone already has listed him as one of the 10 New Country Artists You Need to Know.

    Because he is so good, he should get some help on the technology side so he can put up a website (his Twitter account currently has a link to a reverbnation page that isn’t there).

    But it is the music that counts. One of the tracks on the album is “Whitehouse Road.”  Check it out.

    What do you think of Tyler Childers? Leave your two cents in the comments.

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