That Time Sturgill Simpson Played a Drug Song for a College Commencement

In 2014, Sturgill Simpson performed a newly released song that appeared to be about turtles or drugs or God at a college graduation ceremony.

One of the many questions I would have for Sturgill Simpson is: “What was going through your head when you played at the Beloit College graduation?” On May 14, 2014, Simpson appeared at the Wisconsin commencement ceremony to serenade the college graduates and their families. The song he and his band performed was what appeared to be an unusual choice for a graduation, “Turtles All the Way Down.”

The story of how Simpson came to sing at the graduation begins when Simpson was contacted after Beloit College President Scott Bierman heard “Turtles All the Way Down.” The song had been released in April 2014 as the second single from Simpson’s album Metamodern Sounds in Country Music. Bierman became excited to hear a song about turtles because the reptile is the beloved unofficial mascot of Beloit College.

Bierman personally felt a connection with turtles that led him to embrace Simpson’s song. When Bierman first became president of the college and gave his inaugural address, he began with, “I love turtles.” Additionally, Bierman used the “infinite turtle theory,” according to the Milwaukee Journal Sentinel, in order “to instill the role each student on campus has in the lives of each other.”

Bierman, who retired at the end of the 2022-2023 academic year, by all accounts provided stellar leadership during his time at Beloit College. But one has to wonder if he thought much about Simpson’s song beyond the turtles reference.

What is it about besides turtles? In a NPR Concert, Simpson explained that most people did not understand the song. “It’s actually all about drugs,” he said, half-jokingly, “And some other stuff; Mostly about drugs.”

At least superficially, the song recounts the singer’s experiences with drugs. But also, beginning with a reference to Jesus, the song questions the validity of organized religion. The singer recounts using drugs to enter a gateway in the mind, “Where reptile aliens made of light / Cut you open and pull out all your pain.”

So on one level, I am amused watching the performance at Beloit College, wondering if anyone besides Simpson and his band has any idea of what is going on. Turtles and aliens? Drugs and God? (YouTube earlier had a longer version of the performance with Bierman enthusiastically introducing the song and its turtle reference. But now only a shorter version seems to be available.)

Turtles All the Way Down?

Simpson’s song, though, is great, not only because it sounds awesome. It also is deeper than a simple anti-religion drug song, despite Simpson’s NPR joking explanation. Robin Hilton, who wrote the NPR story referenced above, called “Turtles All the Way Down” a “seemingly existential meditation.” 

The song title itself has a long and sophisticated history. The expression “Turtles All the Way Down” derives from a myth going back to at least the 1500s about the belief that the world rested on the back of an elephant, who stood on top of a turtle. By the 1900s, the tale evolved into the earth resting on an infinite stack of turtles.

The turtles story also comes from a tale recounted by physicist Stephen Hawking in A Brief History of Time (1988), a book that Simpson has read more than once. In the famous story, a famous philosopher was giving a lecture on astronomy and afterwards was approached by an outraged woman. The woman told him he was wrong about the earth floating in the sky. She explained that, instead, the earth rested on the back of a turtle. When the philosopher asked what the turtle stood on, she said another turtle. When the philosopher asked about that turtle, she replied, “It’s no use, it’s turtles all the way down.”

Meaning of the Song

So what does the philosopher story have to do with Simpson’s song referencing drugs, religion, and aliens? First, the singer of “Turtles All the Way Down” is critical of authoritarian attempts to control access to anything, such as LSD, which can help change one’s perspective and provide interior growth. For DMT, which occurs naturally in our brains, he asks how something we all make in our brains can be illegal: “Some say you might go crazy / But then again, it might make you go sane.”

Second, regarding religion, on his life’s journey, the singer encounters Jesus, the devil, and Buddha. Yet, “that old and fabled book” (i.e., the Bible) reminds him of the “pain caused by an old man in the sky.

But the song is not a pro-drug and anti-religion diatribe. Reading other books influenced Simpson too. Drugs may have opened the mind of the singer, but he found more elsewhere beyond the drugs and books: “Marijuana, LSD, Psilocybin, and DMT / They all changed the way I see. / But love’s the only thing that ever saved my life.”

As for religion, the singer says not to waste one’s time on nursery rhymes and “blood and wine.” But the rejection is not anti-God. It comes from the unsolvable mysteries of the universe that we just cannot understand beyond the infinite stack of turtles. So be careful how you waste your time.

“God” is not rejected but found by the singer in “in the eyes of my best friend.” And the friend teaches him something that sums up a message that is good advice for us all:

It’s all been done;
And someday you’re gonna wake up old and gray;
So go and try to have some fun;
Showing warmth to everyone
You meet and greet and cheat along the way.

One may only surmise whether the message of the song conveys Simpson’s own true beliefs or are part of a made-up character singing. But from interviews with Simpson, it does seem that he might have some similar thoughts on these subjects, even as he has explained that his songs are often in the voice of a character.

Performance at Benoit College Graduation

So on a deeper level, the song is about love, life, and the quest for meaning as well as different ways to reach different levels of consciousness and understanding. And on this deeper level, going back to the Beloit graduation, I wonder whether during that Wisconsin spring day in 2014 anyone sitting quietly in their seats waiting for their loved ones to receive their diplomas had any inkling what they were hearing.

Of course, I doubt I would have understood in that context, first hearing the song from an artist I didn’t know. I suppose that is why artists like Simpson keep playing and performing and writing, hoping to make a connection at some point.

But I still can’t help wondering what was going through the mind of Simpson, who went into the Navy not long after his own high school graduation to try to straighten out his life. And in 2014, he stood playing off to the side of the college graduation audience on the constructed platform (not even at the front!), singing about turtles for the Beloit College faithful.

There are many things I love about this video. You can almost feel the air and smell spring in the air as parents and others sit through the graduation festivities. I love that Simpson brought a full band for this performance, which he could have done as easily by himself with an acoustic guitar. I love that when the video cuts out you can’t tell if anyone applauded (although in their defense, Simpson’s “Turtles All the Way Down” does have a somewhat abrupt ending here as well as on the album). I love that Simpson gives a knowing smile as the song goes into a list of drugs as if he senses the absurdity of the situation. And I love that the one audience member who may be enjoying the song the most can be seen behind the band on a giant rock listening to the band.

Of course, one cannot criticize Simpson for the performance or for agreeing to perform for this unusual audience. He had yet to find great success or to appear on network TV (that would come in July on Late Show With David Letterman). His first self-released album had only found modest sales, and this new one had been released one day prior to the graduation. He had no idea that album would significantly increase his audience.

So of course he took the graduation gig.

But maybe he reached some folks that day too.

God bless him and the graduates of Beloit College.

Turtle picture via public domain. Leave your two cents in the comments.

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    One Degree of Separation Between Bob Dylan & Twilight Zone: Bonnie Beecher & “Come Wander With Me”

    Some of the earliest recordings of Bob Dylan singing were made at the apartment of his college girlfriend Bonnie Beecher, who went on to play some iconic TV roles during her short acting career.

    Bonnie Beecher, who was born on April 25, 1941, establishes an interesting connection between Bob Dylan and two classic TV shows, The Twilight Zone and Star Trek.

    First, her connection to Dylan. Beecher was friends with and dated Dylan when they both went to the University of Minnesota. One theory is that “Girl from the North Country” may be at least partially about Beecher.

    Perhaps most significantly for music history, there is no doubt that some of Dylan’s earliest recordings were made at Beecher’s home in 1961. Below are some of those recordings, including “Omie Wise,” “Wade in the Water,” and the not-to-be-missed “I Was Young When I Left Home.”

    After her relationship with Bob Dylan, Beecher had a short successful acting career. Not long after her relationship with Dylan in the 1960s, Beecher pursued an acting career in television. Her biggest role was probably on the episode of The Twilight Zone entitled, “Come Wander With Me” (1964). In the episode, which was the final one of the series filmed, Beecher played a muse haunting a young singer seeking a new song.

    Beecher, who beat out Liza Minelli for the role, also sings in the episode. She sings the title folk song that foretells the doom of the young man. Beecher, whose voice appears with Dylan on some of the Minneapolis tapes, had a wonderful singing voice herself.

    The song “Come Wander With Me” was written by Jeff Alexander and Anthony Wilson. Most recently, Beecher’s recording of the song was used in the Netflix series Baby Reindeer (2024).

    Beecher, however, did not continue with her acting and singing career past the 1960s. Her career ended around 1968, not long after appearing in a Star Trek episode, “Spectre of the Gun.” In that show, she appeared as Pavel Chekov’s love interest (where his love for her character saved his life).

    In addition to Bob Dylan (and Chekov), Beecher’s love for another famous man would fill much of her life. Since 1967, she has been married to 1960s icon (and Woodstock MC) Wavy Gravy. She runs charitable organizations and  Camp Winnarainbow with him.  After her marriage to Gravy with whom she has a son, she adopted the name Jahanara Romney.

    Finally, below, Beecher tells a funny story about Dylan traveling to Oklahoma.

    Happy birthday Ms. Beecher/Romney! Leave your two cents in the comments.

    Lee’s Surrender to Grant at Appomattox Court House in April 1895

    On April 9,1865, Robert E. Lee formally surrendered to Grant at Appomattox Court House bringing the Civil War in Virginia to an end.

    Confederate general Robert E Lee made the formal surrender of his troops to Union general Ulysses S. Grant at Appomattox Court House on April 9, 1865. The fighting had continued until that morning, with The Battle of Appomattox Court House ending a campaign that began eleven days earlier at the Battle of Lewis’ Farm. Lee met Grant at Appomattox Court House that afternoon at 1:30 p.m. for the formal surrender.

    The surrender of the Army of Northern Virginia brought the war in Virginia to an end, and it is generally viewed as the end of the Civil War because of the significance of Lee’s army. But some other Confederate generals had yet to surrender. And so President Andrew Johnson was not able to officially proclaim an end to the Civil War until sixteen months after Appomattox, on August 20, 1866.

    The surrender is discussed in this clip from The Civil War documentary by Ken Burns.

    Leave your two cents in the comments. Painting ‘Peace in Union‘ by Thomas Nast (public domain). 

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    Beyoncé had caused a bit of a stir with her album Cowboy Carter and her foray into country music. I have always loved when artists in one genre tackle another type of music, as it usually leads to fascinating results. And many before Beyoncé who are known for other types of music have recorded great country songs, such as Ray Charles, Dean Martin, Jerry Lee Lewis, Van Morrison, Etta James, and Elvis Presley. So, I have been enjoying the new album, which as others have noted, has its source in more than one type of music.

    Beyoncé has remained above the fray, letting her music speak for herself. And she also uses her talent to help highlight the history of country music and its connection to black artists, including Linda Martell.

    Someone as talented as Beyoncé covering a classic Dolly Parton song illustrates a deep understanding of their own talent as well as of country music. In Beyoncé’s new video for “Jolene,” she turns the song into a story of two lovers on the run, sort of a modern-day Bonnie and Clyde.

    The video begins with Dolly Parton introducing Beyoncé singing Parton’s classic song of betrayal. Parton first released “Jolene” in 1973 ahead of her 1974 Jolene album. And here we are half a century later still talking about the song written by one of the Queens of country music with a fabulous new take by Queen Bey. Check it out, and also enjoy the harmonica played by Stevie Wonder.

    Even just this version of “Jolene” has stirred some debate. Beyoncé changed some of the lyrics from Parton’s original version, which you can see in more detail in this article from People.

    Some of the lyrics in Beyoncé’s version are more threatening to the other woman, whereas the singer in Parton’s version is more vulnerable, begging the other woman to give back the man. Spencer Kornhaber in The Atlantic, however, defends Beyoncé’s choice to make the song more about a Black woman fighting for her man.

    Of course, it is the right of the artist to interpret a song, while also the right of fans to discuss the changes. That’s what makes music interesting. So it is okay to prefer one version or the other, but it is also okay to enjoy both versions. And after all these years of Jolene stealing the husband, it is time for a different take. As Dolly Parton wrote about Beyoncé’s version on Instagram:  “Wow, I just heard Jolene. Beyoncé is giving that girl some trouble and she deserves it!”

    Leave your two cents in the comments.

    Arlo McKinley: “Watching Vermont”

    Arlo McKinley adds to his wonderful songs of loss and heartbreak with “Watching Vermont,” the first song from an upcoming EP release.

    Singer-songwriter Arlo McKinley has released a new song, “Watching Vermont.” In addition to posting “Watching Vermont,” McKinley announced plans to release a new song in each of the next few months, leading to his upcoming three-song EP, Borrowed & Blue.

    The Ohio-born McKinley has three outstanding albums under his belt, after only releasing his first album, Arlo McKinley & The Lonesome Sound (2014), at the age of 35. Following that release in 2019, John Prine stopped by a show and became a fan. Subsequently, Prine’s indie label Oh Boy Records signed McKinley, who released the albums Die Midwestern (2020) and This Mess We’re In (2022). At the time of the release of the latter album during the pandemic, Chimesfreedom called it an “outstanding timely and timeless album” that “reflects on pain, loss, and hope.”

    In the new track, “Watching Vermont,” the lyrics do not mention the state that is in the title. But the evocation of winter and an old road create an image of Vermont. In the song, the singer says goodbye to a former love: “As your old place / It fades in the rearview / I’m trying to get my mind off you.”

    Check out McKinley playing “Watching Vermont” below.

    Leave your two cents in the comments.

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