When Dean and Jerry Reunited on the MDA Labor Day Telethon

In 1976, Frank Sinatra brought Dean Martin to the MDA Labor Day Telethon for a brief reunion between Martin and Jerry Lewis.

Dean Martin Jerry Lewis MDA

Many of us who grew up in the 1960s and 1970s have fond memories of the MDA Labor Day Telethon that raised money for the good cause of the  the Muscular Dystrophy Association. During a time when many television stations signed off at midnight, the telethon was unusual. For Labor Day Weekend, host Jerry Lewis and various guests entertained us throughout the night. There were many memorable moments, perhaps none more than that time on September 5, 1976, when Dean Martin surprised his former performing partner Lewis.

Jerry Lewis and Dean Martin had teamed up in 1946, when according to Lewis, he had approached Martin with the question, “You workin’?” They worked together in movies, nightclubs, radio and TV and were extremely successful.

But then the partnership ended when the two split up ten years later on July 24, 1956 after their final nightclub performance. Various theories abound about the reasons for the split, ranging from jealously to an argument about an upcoming movie to just being tired of working together. They had been so successful, many fans dreamed for them to team up again.

There would be no more Martin and Lewis movies, although director Peter Bogdanovich in the early 1980s tried to put together a film in which they both would appear. But we did get to see them together in 1976 on our televisions thanks to Frank Sinatra.

In 1976, Sinatra was appearing live at the MDA Labor Day Telethon instead of remotely, as he had done since 1953. And he decided to bring along his friend Dean Martin to surprise Lewis. Nobody really knows why Sinatra concocted the scheme, although he told others what he said on the telethon. It was just time for Lewis and Martin to be together again. Others have also noted that Sinatra loved a good prank too.

The reunion was a stealth operation. Frank slipped Martin into the dressing room of Lewis’ co-host Ed McMahon. Few people knew about the plan beyond those enlisted to help. Jerry’s 30-year-old son, the pop singer Gary Lewis, was helping his dad at the telethon and happened to catch a glimpse of Dean Martin backstage. Gary wondered what was going on, but decided to keep his mouth shut.

And then when Sinatra went on stage with Lewis, he said he had brought a friend along. The look of surprise on Lewis’s face was real.

The hug between the two feels real too. Then, Lewis fumbles for something to say, realizing that people around the world are watching. After a few expressions of surprise, he brilliantly calls back to the old encounter between the two giants: “You workin’?”

Contrary to legend, it was not really the first time Martin and Lewis had seen each other in twenty years. But it was an unexpected and memorable public reunion for the two legends.

After the telethon, there would be a few more brief public encounters between the two men. Lewis went to the funeral of Martin’s son , and he surprised Martin on Martin’s 72nd birthday. By most accounts, the two men genuinely loved each other. But some reason — egos, old grudges, bad timing, or something else — kept the two men from being close friends again in their later years.

We all have people we once were close to and who now we never see. I will sometimes have a passing thought about someone who once was a major figure in my life and wonder why we no longer talk. Maybe there was no reason or maybe there was a slight that no longer seems so important. Most people have those past connections. That is why we all feel a kinship with Dean Martin and Jerry Lewis. It is why seeing them together at the MDA Telethon is so touching.

For that moment, we can imagine that the two friends will once again share their lives and be close friends. They will work together or maybe just have dinner once a week. But life is not a fairy tale. Sometimes it just has to be enough that two people still have that love even if they cannot be together. And if we get a brief encounter years later, we will have to settle for that bitter sweet moment that reminds us of what we once had.

Leave your two cents in the comments.

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    You’ll Miss The Time You Waste

    Justin Townes Earle passed away on August 23, 2020, leaving behind an impressive catalog of music starting with a debut song on one of his father’s albums.

    Justin Townes Earle

    The first time I heard Justin Townes Earle’s voice was on the final song of his father Steve Earle’s 2003 album, Just An American Boy. The father gave his son the final track on the album on the son’s song, “Time You Waste.” Although I still had to wait several years for an album from the talented son, that wonderful debut led to a career of stellar music and albums. So, like many fans, I was heartbroken to learn that 2020 had claimed the life of Justin Townes Earle at the age of 38.

    The news sent me back to listen to many of his albums that I had in my collection, including from his debut EP Yuma (2007) through his much acclaimed Harlem River Blues (2010) through his personal exploration in Single Mothers (2014) and Absent Fathers (2015) to his latest The Saint of Lost Causes (2019). Earle had carved out his own niche, separate from his father, but still influenced by him as well as the singer-songwriter he was named for, Townes Van Zandt.

    Like his father and the man he was named for, Justin Townes Earle faced his own substance abuse problems throughout his life. We always rooted for him to succeed in controlling the demons, as his father had done. So we are heartbroken that he died even so much younger than his namesake, who had died at the age of 52.

    Thinking about the music of Justin Townes Earle in this age of the pandemic where we have lost so many, I keep going back to that debut recording of “Time You Waste.”

    Don’t think that I,
    I wouldn’t take every minute back
    If I could bring myself
    To live like that.

    Cause all the other ones,
    You only get one chance;
    It’s seeing life through the eyes of the innocent;
    So take it slow;
    No need in haste,

    Because the time you’ll miss
    Is the time you waste;

    Yeah the time you’ll miss, babe
    Is the time you waste.

    Our thoughts and prayers go out to the friends and family of Justin Townes Earle, including his wife and daughter, his mother, and his father Steve Earle.

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    John Mellencamp Covers “Welcome to Struggleville” (Pandemic Songs)

    John Mellencamp gives his fans a cover of a song “fitting for these times.”

    John Mellencamp recently posted on his Facebook page his cover of a Vigilantes of Love song “Welcome to Struggleville.” The singer-songwriter offered a brief explanation: “John played this song because he thought it was fitting for these times.”

    Through the 1990s into the early 2000s, Vigilantes of Love was fronted by Bill Mallonee. Although Mallonee never received the fame he deserved, it is cool that Mellencamp recognizes the talent.

    And Mellencamp is also correct about how the song fits our times. Although the Vigilantes of Love version of “Welcome to Struggleville” is a rock song, Mellencamp slows things down, making it into a folk song that is almost a dirge. The song paints haunting images, including Biblical characters. And it ends with a dark warning.

    They are building a new gallows
    For when you show up on the street.
    Polishing the electric chair,
    They’re gonna give you a front row seat.
    Heard a sneer outside the garden;
    Salutation so well-heeled:
    . . . .
    ‘Welcome all you suckers to Struggleville. ‘

    Check out John Mellencamp’s version of “Welcome to Struggleville.”

    Leave your two cents in the comments.

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    Bruce Springsteen & the E Street Band: Capitol Theatre, Sept. 20, 1978

    Springsteen Capital Theatre

    In 1978, Bruce Springsteen and the E Street band were touring to promote Darkness on the Edge of Town, creating many legendary performances. Among these was their appearance in September 1978 at the Capitol Theatre in Passaic, New Jersey. And now, you may watch the entire show.

    Through the magic of YouTube, the show is available to watch. Many consider it one of the greatest Springsteen shows, and now you may judge for yourself. Yeah, the video is in black and white and a little grainy, but it is still awesome. Check it out.

    What do you think of the show? Leave your two cents in the comments.

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    When the World Seems to be Spinnin’ Hopelessly Out of Control

    During the pandemic, I’ve found a special connection to Willie Nelson’s recording of”Hands on the Wheel.”

    Early in the pandemic as things seemed to become more insane day-by-day, I turned to music for comfort. And one of the albums I found myself repeatedly listening to was Willie Nelson’s Red Headed Stranger. And one song I kept returning to was “Hands on the Wheel.”

    Nelson Hands on the Wheel

    Nelson’s concept album recounts the tale of the Stranger who after killing his wife and her lover begins a journey to find redemption. Finally, after much travel, the Stranger’s discovery of peace is relayed in “Hands on the Wheel.”

    The album’s final song with words was written by Kentucky raised Will Callery, and the song is often also associated with Jerry Jeff Walker. Nelson’s version also appears at the end of the Robert Redford movie The Electric Horseman (1979).

    There is another wonderful version of “Hands on the Wheel” by Carla Bozulich and Willie Nelson on Bozulich’s re-interpretation of the entire Red Headed Stranger album. I’ve also been listening a lot to Bozulich‘s wonderful Red Headed Stranger album too, and I recommend it for fans of Nelson’s album.

    I am not sure why the album and this song have grabbed me even more during these times. Maybe even Willie Nelson saw the connection, as online he performed the song with his sons early on during the pandemic. Perhaps it is something subconscious about how “Hands on the Wheel” begins:

    At a time when the world seems to be spinnin’
    Hopelessly out of control;
    There’s deceivers, and believers, and old in-betweeners,
    That seem to have no place to go.

    Those lines reflect much of the feeling in the air these days. As the pandemic and the economic devastation bring death and suffering to the world, everything seems out of control with failed leadership. At the same time, when I go on Facebook and elsewhere, I see the deceivers echoing falsehoods about the coronavirus. And that takes place while we shelter, seemingly having no place to go.

    It is a pretty depressing opening to a song. Yet, maybe the song also gives us some hope, or I at least I want to believe it does. The singer continues by telling us how in the craziness of the world, he found love, family, faith, and a place in the world.

    And I looked to the stars,
    Tried all of the bars,
    And I’ve nearly gone up in smoke;
    Now my hand’s on the wheel,
    Of something that’s real,
    And I feel like I’m going home.

    And maybe that is it. We have to hang on to whatever is real to try to get through these times. Remember what matters, whatever or whoever that is. And hang onto it for dear life, no matter what the rest of 2020 brings us. Don’t let go. Like the Four Seasons also told us, “hang on to what we’ve got.”

    And maybe not today, or tomorrow, or the day after that, but someday we will wake up and feel like we are not yet home — but at last we are heading that way.

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